January 11 – Spotlight

RegisterNow(registration deadline: Friday, January 8)

SpotlightMeet on the Fox Studios backlot for an in-depth analysis and discussion of the screenplay SPOTLIGHT.

The true story of how The Boston Globe‘s elite “Spotlight” team of investigative reporters uncovered the massive child molestation scandal and cover-up within the local Catholic Archdiocese.

DIRECTOR/CO-SCREENWRITER TOM McCARTHY – As an actor, McCarthy has appeared in such films as Meet the Parents and The Lovely Bones, and on the small screen in The Wire and Boston Public. His 2003 writing and directing debut, The Station Agent, starring Peter Dinklage, won the Waldo Salt screenwriting award at Sundance, Best First Screenplay at the Independent Spirit Awards, and a Best Screenplay BAFTA award. He received WGA nominations for that film as well as his next two, The Visitor and Win Win, and was nominated for an Oscar for co-writing Disney/Pixar’s Up.

CO-SCREENWRITER JOSH SINGER – Spotlight is Singer’s second feature film writing credit, following 2013’s The Fifth Estate, a fact-based thriller about WikiLeaks founder Julian Assange.  Before writing for Fringe and The West Wing, for which he earned two WGA nominations, Singer interned at Disney, Nickelodeon, and Sesame Workshop, and graduated magna cum laude from Yale in mathematics and economics.

AWARDS – The film has already won the Independent Spirits’ Robert Altman Award for its ensemble cast, which includes Mark Ruffalo (Marvel’s The Avengers), Michael Keaton (Birdman), Rachel McAdams (Mean Girls), Liev Schreiber (X-Men Origins: Wolverine), John Slattery (Mad Men), Stanley Tucci (The Hunger Games franchise), and Billy Crudup (Almost Famous).

Spotlight is also nominated for a WGA award, four Spirit Awards for Best Feature, Director, Screenplay and Editing, three BAFTAs for Best Film, Supporting Actor (Mark Ruffalo), and Original Screenplay, and three Golden Globes for Best Motion Picture Drama, Director, and Screenplay, and has won Gotham Awards for Best Feature and Best Screenplay as well as the Hollywood Film Award for Screenwriter of the Year, with more accolades expected.

AWARDS UPDATE: The screenplay alone has won 15 more writing awards so far from: Boston Online Film Critics Association, Boston Society of Film Critics, Chicago Film Critics Association Awards, Dallas-Fort Worth Film Critics Association, Detroit Film Critic Society, Florida Film Critics Circle, Indiana Film Journalists Association, Indiewire Critics’ Poll, Kansas City Film Critics Circle, Las Vegas Film Critics Society, Los Angeles Film Critics Association, Online Film Critics Society, Phoenix Critics Circle, Southeastern Film Critics Association, and St. Louis Film Critics Association.

It has also received an additional 14 screenplay nominations from: Alliance of Women Film Journalists, Austin Film Critics Association, Broadcast Film Critics Association, Houston Film Critics Society, London Critics Circle, North Carolina Film Critics Association, Phoenix Film Critics Society, San Diego Film Critics Society, San Francisco Fim Critics Circle, Satellite Awards, Toronto Film Critics Association, Utah Film Critics Assocation, Vancouver Film Critics Circle, and Washington DC Area Film Critics Association.

Producers and Production Companies: Steve Golin (The Revenant, HBO’s True Detective) and Michael Sugar (The Fifth Estate) for Anonymous Content, Nicole Rocklin and Blye Faust for Rocklin/Faust (The Queen Latifah Show), and Participant Media (Bridge of Spies, Beasts of No Nation).

Premiere: Venice Film Festival (September 3, 2015, out of competition). Also played at the Telluride and Toronto film festivals.

Release date: November 20 (Open Road Films). If you plan to go to the movie before our meeting, reading the script before watching the film is advised.

Rated R. 128 minutes. 131 pages. Drama.

Danny ManusDANNY MANUS,  founder of No BullScript Consulting, will provide in-depth analysis and lead our discussion. Author of No BS for Screenwriters: Advice from the Executive Perspective, Danny has taught workshops and seminars at prestigious events and venues including the Austin Film Festival, Great American Pitchfest, Screenwriting Expo, Sherwood Oaks, and more. As Director of Development for Clifford Werber Productions, he sold the family adventure project To Oz to United Artists and was instrumental in developing Sydney White (Amanda Bynes) and Just Add Water (Jonah Hill, Melissa McCarthy). He was also a Development Consultant for Eclectic Pictures and Director of Development for Sandstorm Films, and was named one of Screencraft’s “25 People Screenwriters Should Follow on Twitter (@DannyManus).”

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