March 12 – Ready Player One

RegisterNow(registration deadline: Friday, March 9)

Meet on the Fox Studios backlot on March 12th for an in-depth analysis and discussion of the screenplay READY PLAYER ONE.

Logline: In an overpopulated dystopian future, Wade Watts escapes into the 1980s-pop-culture-influenced virtual reality world of OASIS where he searches for hidden “Easter eggs” that may win him inheritance of the game creator’s vast fortune.

The Writers: Sci-fi novelist and screenwriter ERNEST CLINE started out as a competitive slam poet, winning the Austin Poetry Slam in 1998 and 2001. After writing a fan-fiction screenplay based on Buckaroo Banzai, his first produced screenwriting credit came in 2009 from Fanboys, a spec script he wrote in 1998 about a group of Star Wars fans on a cross-country road trip hoping to get their dying friend an advance screening of the first Star Wars prequel, The Phantom Menace. Cline’s first novel, Ready Player One, described as the “Holy Grail of Pop Culture,” sold to Random House’s Crown Publishing in a bidding war in 2010 and was published in 2011. Cline wrote the first draft of the screenplay, with uncredited rewrites provided by ERIC EASON (A Better Life) and final, credited rewrites by ZAK PENN (Last Action Hero, The Avengers).

Directed by Steven Spielberg, whose sci-fi hits include E.T.: The Extra-Terrestrial, Jurassic Park, War of the Worlds, Minority Report, A.I. Artificial Intelligence, and Close Encounters of the Third Kind, the film stars Tye Sheridan (The Tree of Life, X-Men: Apocalypse), Olivia Cooke (Bates Motel, Me and Earl and the Dying Girl), Ben Mendelsohn (Bloodline, Rogue One), T.J. Miller (Silicon Valley), Simon Pegg (Shaun of the Dead, Star Trek), and Mark Rylance (Brigde of Spies, Dunkirk).

Producers and Production Companies: The film rights sold at auction to Warner Bros. and De Line Pictures the same day the author’s publishing deal with Random House was finalized. Donald De Line, former head of production at Paramount Pictures, whose production credits include last year’s remake of Going in Style and 2011’s Green Lantern, produced Ready Player One under his banner, which he established in 1998, along with former Scott Rudin intern Dan Farah (the upcoming The Crow reboot) for Farah Films, Amblin Entertainment partner Kristie Macosko Krieger (Bridge of Spies, The Post), and director Steven Spielberg for his companies, Amblin and DreamWorks. Random House also shares a film production imprint credit, as do Brent Ratner’s RatPac-Dune Entertainment and Village Roadshow Pictures.

Release Date: Opens worldwide on March 29th (Warner Bros.).

Rated PG-13. 121 pages. Sci-Fi, Action-Adventure.

Wendell WellmanWENDELL WELLMAN will provide in-depth analysis and lead our discussion. Trained at the Actors Studio and the Lee Strasberg Theatre Institute, Wendell has acted in feature films, television, and on stage. He has taught screenwriting at UCLA and wrote FIREFOX, SUDDEN IMPACT, and the final Dirty Harry script for Clint Eastwood. He recently completed adapting the novel The River Journey by Robert Nathan and is currently working on setting up his screenplay Top Hat. Wendell’s book, A Writer’s Roadmap, is available at Amazon.


February 12 – Molly’s Game

RegisterNow(registration deadline: Friday, February 9)

Meet on the Fox Studios backlot on February 12th for an in-depth analysis and discussion of the screenplay MOLLY’S GAME.

Logline: A former Olympic-class skier turned cocktail waitress starts an underground, high-stakes poker game in the basement of The Viper Room that grows into a multimillion-dollar business attracting elite Hollywood celebrities, Wall Street financiers, and the Russian mob, whom she must protect when she becomes the target of an FBI investigation.

The Writers: The film is based on the true story of MOLLY BLOOM, the 26-year-old woman behind the most exclusive high-stakes poker game in the world, and her 2014 memoir, Molly’s Game: From Hollywood’s Elite to Wall Street’s Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker. Bloom handpicked her favorite screenwriter, AARON SORKIN, to adapt the book for the big screen. A former playwright, Sorkin began his screenwriting career in the 1990s, adapting his Broadway play A Few Good Men for the 1992 Rob Reiner film. He created The West Wing in 1999 and wrote or co-wrote all but three of the series’ first 90 episodes, taking home six of the show’s 26 Emmy awards. In 2011, Sorkin won his first Academy Award for his screenplay about Facebook founder Mark Zuckerberg, The Social Network, and earned a second nomination the following year for co-writing Moneyball. He won Golden Globe awards for The Social Network and his 2016 biopic of Apple co-founder Steve Jobs. Molly’s Game marks Sorkin’s directorial debut.

The film stars two-time Oscar nominee Jessica Chastain (Miss Sloane) as Molly, with Idris Elba (Beasts of No Nation), Kevin Costner (Hidden Figures), and Michael Cera (Juno).

Producers and Production Companies: With Sorkin already on board, Bloom sold her book’s film rights to The Mark Gordon Company, which had produced Sorkin’s previous film, Steve Jobs. Gordon’s other producing credits include Source Code, The Day After Tomorrow, and Saving Private Ryan, for which he shared a Best Picture Oscar nomination. Gordon brought the project to Sony Pictures Entertainment for distribution. Sony eventually sold their distribution rights to STX Entertainment, but former SPE chairperson Amy Pascal stayed on as producer through her new company, Pascal Pictures. The Mark Gordon Company’s Matt Jackson (Free State of Jones, Secret in Their Eyes) is also listed as a producer.

Festivals & Awards: Molly’s Game had its premiere at the Toronto International Film Festival last September and was selected as the closing film at AFI Fest in November. The film was nominated for two Golden Globe awards, including Best Screenplay, with twelve other groups also nominating Sorkin’s script, including the Broadcast Film Critics Association, Florida Film Critics Circle, North Carolina Film Critics Association, Online Film Critics Society, San Francisco Film Critics Circle, Washington DC Area Film Critics Association, and the WGA.

UPDATE: On January 23, Molly’s Game was nominated for an Academy Award for Best Adapted Screenplay!

Release Date: Opened in limited release on December 25 and wide on January 5 (STX Entertainment). If you plan to see the movie before our meeting, reading the script before watching the film is advised.

Rated R. 140 minutes. 199 pages. Drama, Biopic.

JENNY FRANKFURT will provide in-depth script analysis and lead our discussion. Founder of the Finish Line Script Competition, Jenny is a script consultant and former literary manager who was the head of the literary department at Handprint Entertainment and later formed her own company, Highstreet Management, specializing in helping British, European, and Australian writers and directors break into the U.S. market. Jenny attended NYU’s Tisch School of the Arts and has also worked at the William Morris Agency in New York and ICM in L.A. with such clients as Johnny Depp, Leonardo DiCaprio, Will Smith, Lasse Hallström, and many others. Now in its third year, the Finish Line Script Competition provides development notes for free re-submissions of rewrites.

UPDATE – FEBRUARY 12: Jenny Frankfurt is unable to be with us tonight. We look forward to rescheduling her for another meeting in the near future.

Colin CostelloCOLIN COSTELLO, who was last with us to discuss Aaron Sorkin’s screenplay Steve Jobs, will substitute for Jenny to lead our analysis and discussion of Aaron Sorkin’s screenplay Molly’s Game. A former advertising creative director/copywriter, Colin is a produced, award-winning WGA writer. His credits include the 2013 family comedy The Stream (starring Rainn Wilson, Mario Lopez, and Kelly Rutherford) and the currently airing PBS Kids educational series Moochie Kalala Detectives Club. His second family feature, Traveling Without Moving, featuring Steve Guttenberg and Harry Lennix, just wrapped production in Chicago. Visit him at and follow him on Twitter (@colincostello10).


John Ware (8168 Productions) and Derrick Warfel (Winter Star Productions) are producing an indie budget, Sci-Fi feature film for one of the winners of the 168 Film Competition from last August who also won a pitch competition in late October.

In ECHOES (working title), a seismic doctoral candidate in Los Angeles investigates anomalies in tremor patterns and begins to uncover a major conspiracy of elite scientists who have found missing documents from Nikola Tesla’s research and are developing stealth weapons that leave no way to trace back but disturb mental thought patterns and even can induce earthquakes and hurricanes.

For regular, paid StoryBoard members only, this session, at no extra cost to members, will be held on Tuesday, January 16, 7:30 PM at Fox Studios. Refreshments included.

If you did not pick up the script at the January 8th meeting, contact Derrick with your full name, email, and postal mailing address and he will send you a script and put you on the Fox gate list. email or call 818-360-1107 no later than Friday, January 11th.

September 11 – Rebel in the Rye

RegisterNow(registration deadline: Friday, September 8)

Meet on the Fox Studios backlot on September 11th for an in-depth analysis and discussion of the screenplay REBEL IN THE RYE.

Logline: The true story of how J.D. Salinger came to write The Catcher in the Rye.

Screenwriter: Known for his roles as Jonathan on Buffy the Vampire Slayer and Doyle on Gilmore Girls, DANNY STRONG launched his screenwriting career with a pair of HBO movies about the 2000 and 2008 elections. Recount earned Strong a WGA award and an Emmy nomination, while Game Change won him his second WGA trophy, two Emmys, and a Peabody. For the big screen he wrote the script for Lee Daniels’ The Butler and had a hand in adapting the third and fourth Hunger Games movies from the novel Mockingjay. Strong is also co-creator, executive producer, and writer for the hit series Empire. Rebel in the Rye, which marks Strong’s feature film directorial debut, was adapted from the non-fiction book J.D. Salinger: A Life by Kenneth Slawensky, which Strong is said to have optioned with his own money.

Rebel in the Rye stars Nicholas Hoult (About a Boy, X-Men franchise) as the struggling author, Zoey Deutch (Vampire Academy, Why Him?) as love interest Oona O’Neill, Kevin Spacey (House of Cards) as mentor Whit Burnett, and Sarah Paulson (American Horror Story, The People v. O.J. Simpson) as Salinger’s agent.

Producers and Production Companies: Writer/director Danny Strong also serves as a producer on Rebel in the Rye along with Academy Award winner Bruce Cohen (American Beauty, Silver Linings Playbook), Jason Shuman (Middle Men, Little Black Book) and the team of Molly Smith and identical twin brothers Thad and Trent Luckinbill under their Black Label Media banner (La La Land, Sicario, Demolition). Rebel is the first production credited in IMDb to West Madison Entertainment, a production company recently founded by executive producer Christina Papagjika, an associate producer on Lee Daniels’ The Butler.

Release Date: September 15 (IFC Films). The film premiered this January at the Sundance Film Festival.

Rated PG-13. 106 minutes. 97 pages. Drama, Biopic.

Wendell WellmanWENDELL WELLMAN will provide in-depth analysis and lead our discussion. Trained at the Actors Studio and the Lee Strasberg Theatre Institute, Wendell has acted in feature films, television, and on stage. He has taught screenwriting at UCLA and wrote FIREFOX, SUDDEN IMPACT, and the final Dirty Harry script for Clint Eastwood. He recently completed adapting the novel The River Journey by Robert Nathan and is currently working on setting up his screenplay Top Hat. Wendell’s book, A Writer’s Roadmap, is available at Amazon.


April 10 – The Circle

RegisterNow(registration deadline: Friday, April 7)

Meet on the Fox Studios backlot on April 10th for an in-depth analysis and discussion of the screenplay THE CIRCLE.

Logline: A woman lands her dream job at the most powerful tech company in the world only to find herself facing questions of privacy, identity, and freedom that will determine the future of humanity.

Writers: The Circle is based on the novel by DAVE EGGERS, who wrote the first draft of the screenplay. He also wrote screenplays for Away We Go with his wife, novelist Vendela Vida, and Where the Wild Things Are with director Spike Jonze, and has a story credit on Gus Van Sant’s Promised Land. The Circle is Eggers’ tenth novel. His 2009 book, Zeitoun, has been optioned by Jonathan Demme, and his novel A Hologram for the King was made into a movie in 2016 by Tom Tykwer starring Tom Hanks. JAMES PONSOLDT rewrote the script for The Circle and is the film’s director. Ponsoldt’s other writer-director credits include Off the Black starring Nick Nolte and Smashed starring Aaron Paul. He also directed The End of the Tour starring Jason Segal and Jesse Eisenberg and the acclaimed The Spectacular Now starring Miles Teller and Shailene Woodley.

The Black Mirror-esque sci-fi thriller stars Emma Watson (Harry Potter film series) and Tom Hanks in his first-ever villain role, with John Boyega (Star Wars: The Force Awakens), Karen Gillan (Doctor Who, Guardians of the Galaxy), Ellar Coltrane (Boyhood), Patton Oswalt (Young Adult), and the late Bill Paxton in his final film appearance.

Producers and Production Companies: Hanks optioned the novel in 2014 to star in and produce through his Playtone banner with producing partner Gary Goetzman (Sully, Game Change). Anthony Bregman (Collateral Beauty, Sing Street, Foxcatcher) joined the producers with his company, Likely Story. Sophia Dilley (Netflix’s Tallulah) co-produces through Route One Entertainment. Writer-director Ponsoldt also has a producing credit. The film’s financing came from Image Nation (Rings, Contagion).

Release Date: April 28 (STX Entertainment), after its world premiere at the Tribeca Film Festival.

Rated PG-13. 110 minutes. 141 pages. Drama, Sci-Fi, Thriller.

LINDA COWGILL will provide in-depth analysis and lead our discussion. After completing her MFA at UCLA’s School of Film and Television, Linda landed her first TV writing job on The Incredible Hulk and sold her first feature screenplay to Orion Pictures. She continued writing scripts for Paramount, Universal, MGM, Warner Bros., and for the acclaimed series Life Goes On, until deciding to focus on teaching screenwriting. She has since taught seminars and workshops at AFI, Kennedy Center, Boston Film Institute, Loyola Marymount, IFP Miami, and NALIP and now heads the Screenwriting Department at Los Angeles Film School. She has also published three books, The Art of Plotting, Secrets of Screenplay Structure, and Writing Short Films, and has many useful screenwriting articles on her website, Plots Inc.


March 13 – Hidden Figures

RegisterNow(registration deadline: Friday, March 10)

Hidden Figures (UK poster)Meet on the Fox Studios backlot on March 13th for an in-depth analysis and discussion of the screenplay HIDDEN FIGURES.

Logline: The untold true story of a team of African-American women mathematicians who served a vital role in NASA during the early years of the US space program.

Based on the 2016 bestseller Hidden Figures: The Story of the African-American Women Who Helped Win the Space Race by debut author Margot Lee Shetterly, the script was adapted by ALLISON SCHROEDER and rewritten by the film’s director, THEODORE MELFI, focusing on balancing the home lives of the three protagonists with their careers at NASA. Schroeder, a former production assistant on Smallville who had interned at NASA as a teenager, previously wrote Mean Girls 2. Hidden Figures is her first feature writing credit. Melfi previously wrote and directed St. Vincent and wrote the upcoming remake of 1979’s Going in Style, scheduled to be released in April.

The 1961-set historical drama stars Taraji P. Henson (Empire), Octavia Spencer (The Help), Grammy Award nominated singer Janelle Monáe (Moonlight), Kevin Costner (Dances with Wolves), Kirsten Dunst (Spider-Man), Jim Parsons (The Big Bang Theory), Mahershala Ali (Moonlight), and Glen Powell (Scream Queens) as John Glenn, and features the music of Pharrell Williams, who is also one of the film’s producers.

Awards and Nominations: Hidden Figures is nominated for three Academy Awards including Best Picture, Best Supporting Actress (Spencer), and Best Adapted Screenplay. The ensemble cast recently won the top honor at the Screen Actors Guild awards, and the screenplay is also nominated for BAFTA, WGA, and USC Scripter awards.

Producers and Production Companies: Academy Award winning producer Donna Gigliotti (Shakespeare in Love) acquired the book’s film rights for Levantine Films (Beasts of No Nation, The Fundamentals of Caring), where she is the president. Gigliotti has had two other Best Picture nominations (Silver Linings Playbook and The Reader) since beginning her career as an assistant to Martin Scorsese on Raging Bull. Gigliotti produced Hidden Figures with former News Corp. COO Peter Chernin and his Chernin Entertainment production company (Rise of the Planet of the Apes, The Heat, St. Vincent).

Release: Fox 2000 gave the film a limited Christmas Day release for awards qualification. Having grossed over $130 million since its wide release on January 6, Hidden Figures is currently the highest grossing of the nine films nominated for Best Picture and of all ten films nominated in the two screenplay categories. If you have not seen it yet and plan to go to the movie before our meeting, reading the script before watching the film is advised.

Rated PG. 127 minutes. 121 pages. Historical Drama, Biopic.

BSchiffmanhead150Script consultant and book adaptation coach BARBARA SCHIFFMAN will lead the discussion. For over 35 years, Barbara read scripts for Miramax, Dreamworks, Mandalay, HBO, CAA, UTA, and more. The writing guide NOW WRITE! Screenwriting Exercises by Today’s Best Screenwriters and Teachers includes her chapter “Key Things to Know About Your Script Before You Write.” She has also evaluated candidates for NBCUniversal’s Emerging Writers Fellowship programs and in 2016 presented seminars on Adapting Books and True Stories to Film/TV at the 26th annual Flathead Writers Conference in Kalispell, Montana. Barbara currently offers script coaching and “first look” feedback for screenwriters, as well as book coaching and editing for authors and self-publishers. Get info on Barbara’s services at her website,


November 14 – Nocturnal Animals

RegisterNow(registration deadline: Friday, November 11)

Nocturnal Animals (Amy Adams)Meet on the Fox Studios backlot for an in-depth analysis and discussion of the screenplay NOCTURNAL ANIMALS.

Logline: An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale.

Writers: Director and producer TOM FORD penned the script, based on the 1993 novel Tony and Susan by AUSTIN WRIGHT. Ford gained worldwide acclaim as a fashion designer before making his motion picture directorial debut in 2009 with A Single Man, which he also co-wrote. That film earned its star, Colin Firth, his first Oscar nomination. Novelist and literary critic Austin Wright died in 2003 at the age of 80. The only novel of his to be adapted for the screen to date, Tony and Susan was not successful in Wright’s lifetime. Released posthumously in the UK for the first time in 2010, the book finally found its audience and was re-released in the US to critical acclaim.

The stellar ensemble cast includes five-time Oscar nominee Amy Adams (Batman v Superman: Dawn of Justice, Big Eyes), Jake Gyllenhaal (Nightcrawler, Demolition), Michael Shannon (Man of Steel, Revolutionary Road), Aaron Taylor-Johnson (Kick-Ass, Avengers: Age of Ultron), Isla Fisher (Now You See Me, Confessions of a Shopaholic), Armie Hammer (The Social Network, The Birth of a Nation), Laura Linney (The Big C), and Michael Sheen (Masters of Sex).

Producers and Production Companies: As with A Single Man, Ford produced Nocturnal Animals through his production company, Fade to Black Films, again with Robert Salerno, whose other credits include 21 Grams and next year’s Going Places, a spin-off of The Big Lebowski.

Premiere: Venice Film Festival, September 2 (Grand Jury Prize winner). Also played at Toronto International Film Festival and BFI London Film Festival.

Release Date: November 18 (L.A. & New York), November 23 (limited), December 9 (wide) (Focus Features).

Rated R. 115 minutes. 126 pages. Drama, Thriller.

Jeff KitchenJEFF KITCHEN will provide in-depth analysis and lead our discussion. Jeff is a sought-after script doctor and working writer who has taught screenwriting professionally since 1989. He is the author of Writing a Great Movie: Key Tools for Successful Screenwriting, and has trained development executives from all the major studios who have consistently said that he teaches “the most advanced development tools in the film industry.” Creative Screenwriting listed him as one of the top five screenwriting teachers working today. Visit his website


September 12 – The Girl on the Train

RegisterNow(registration deadline: Friday, September 9)

The Girl on the TrainMeet on the Fox Studios backlot for an in-depth analysis and discussion of the screenplay THE GIRL ON THE TRAIN.

Logline: Obsessively fantasizing about the perfect couple that lives down the street from her ex-husband, a self-destructive woman finds herself entangled in a mystery that will forever alter the lives of all involved.

Writers: Based on a bestselling novel, The Girl on the Train was adapted by ERIN CRESSIDA WILSON, whose first produced screenplay, Secretary, won the 2002 Independent Spirit Award for Best First Screenplay. Her other credits include Fur: An Imaginary Portrait of Diane Arbus, Chloe (directed by Atom Egoyan), and Men, Women & Children (directed and co-written by Jason Reitman). The novel, written by PAULA HAWKINS, debuted in 2015 at #1 on The New York Times bestseller list, remaining at the top for 16 weeks. Hawkins had previously released a string of less successful romantic comedy novels under the pen name Amy Silver before challenging herself to write darker material with The Girl on the Train, which has often been called “the next Gone Girl.”

Directed by Tate Taylor (The Help), The Girl on the Train stars Emily Blunt (The Devil Wears Prada), Rebecca Ferguson (Mission: Impossible – Rogue Nation), Haley Bennett (The Equalizer, The Magnificent Seven), Justin Theroux (Mulholland Drive), Luke Evans (The Hobbit trilogy), Édgar Ramírez (Point Break), Allison Janney (The West Wing), Lisa Kudrow (Friends), and Laura Prepon (Orange Is the New Black).

Producers and Production Companies: DreamWorks Pictures acquired film rights to the novel in 2014. The film was produced by Marc Platt, former president of production for Orion, TriStar, and Universal, under his Marc Platt Productions banner. The former entertainment attorney’s other producing credits include the Legally Blonde franchise, Wanted, Drive, Bridge of Spies, and the Broadway musical Wicked.

Release Date: October 7 (Universal Pictures).

Rated R. 105 minutes. 100 pages. Drama, Crime, Thriller, Mystery.

Lee JessupLEE JESSUP will provide in-depth analysis and lead our discussion. Born and raised in Israel, Jessup is a career coach for screenwriters whose clients include Golden Globe and Emmy nominated writers as well as emerging screenwriters just starting on their professional writing path. She previously ran development for a small production company and was product manager for Baseline’s ScriptShark coverage service. Her book Getting It Write: An Insider’s Guide To A Screenwriting Career is a comprehensive guide with practical advice for aspiring and working screenwriters. Find out more at and follow Lee on Twitter (@LeeZJessup).