July 8 – Stuber

Meet on the lot at Fox Studios on July 8th for an in-depth analysis and discussion of the screenplay STUBER.

LOGLINE: Unable to drive after a botched LASIK surgery, a tough cop must rely on his mild-mannered Uber driver to help him nab a dangerous criminal.

ABOUT THE WRITER: The buddy cop action comedy was written by TRIPPER CLANCY, whose first breaks came after winning the Script Pipeline screenplay competition in 2009 with his comedy, Henry the Second. From there, he participated in the Fox Writers Studio in 2011 and signed with manager Jake Wagner. After several of his subsequent spec scripts sold but never got made, Wagner pitched him the title Stuber, thinking it could become a comedy version of Collateral, and Clancy wrote a three-page treatment the next day. A few months later, he had a draft that sold to 20th Century Fox. Stuber marks the scribe’s English-language feature debut, his other produced feature writing credits being the German action comedies Four Against the Bank (directed by Wolfgang Petersen) and 2018’s Hot Dog.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Wednesday, July 3)

Stuber stars Academy Award nominated screenwriter Kumail Nanjani (The Big Sick) as Stu, the Uber driver, and former WWE star Dave Bautista (Spectre, Guardians of the Galaxy) as Vic, the cop. Iko Uwais (The Raid), Natalie Morales (Parks and Recreation), Betty Gilpin (A Dog’s Journey), and Oscar winner Mira Sorvino (Romy and Michele’s High School Reunion) also star. The film, which premiered at SXSW earlier this year, opens July 12, the Friday after our discussion, just in time to go see it and compare the finished film to what was on the page!

Rated R. 105 minutes. 109 pages (3/27/16 draft). Action Comedy, Buddy Comedy.

BRUCE LOGAN, A.S.C., writer-director-cinematographer-visual effects producer (2001: A Space Odyssey, TRON, Star Wars: Episode IV – A New Hope, Star Trek: The Motion Picture, Airplane!, Batman Forever) will lead our script analysis and screenwriting discussion. Lost Fare, Bruce’s debut as a feature writer-director, is about an 11 year old disabled girl, routinely pimped out by her prostitute mother, who is saved by a suicidal cab driver. Together they go on a journey of redemption that forever changes their lives. Learn more about Bruce’s work in film and music videos for such artists as Madonna, Prince, and Aerosmith at bruceloganfilm.com.

March 11 – Can You Ever Forgive Me?

Meet on the lot at Fox Studios on March 11th for an in-depth analysis and discussion of the screenplay CAN YOU EVER FORGIVE ME?

The true story of a bitter, washed-up biographer who falls into a life of crime forging letters from dead literary celebrities to pay the rent.

Nominated for 3 Academy Awards including Best Actress, Best Supporting Actor, and Best Adapted Screenplay!

Can You Ever Forgive Me? stars Melissa McCarthy (Bridesmaids) and Richard E. Grant (Game of ThronesStar Wars: Episode IX), both nominated for Golden Globes, BAFTA, and SAG awards in addition to their Oscar nods. (Update: Richard E. Grant won the Independent Spirit Award!)

The screenplay, by Nicole Holofcener and Jeff Whitty, based on the book by Lee Israel, has been nominated for dozens of industry awards, including the WGA, USC Scripter, BAFTA, Independent Spirit Award, and, of course, the Academy Award.

UPDATE: On February 17th, Can You Ever Forgive Me? won the Writers Guild of America award for Best Adapted Screenplay. On February 23rd, Can You Ever Forgive Me? won the Independent Spirit Award for Best Screenplay.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, March 7)

DEVELOPMENT: After interviewing Katharine Hepburn for Esquire in 1967, LEE ISRAEL published full-length biographies on Tallulah Bankhead, Dorothy Kilgallen, and Estée Lauder. Unable to sell her publishers on a Fanny Brice biography, she began forging letters from the likes of Noël Coward and Dorothy Parker to sell to unsuspecting collectors, which she wrote about in her 2008 memoir, Can You Ever Forgive Me?: Memoirs of a Literary Forger. (Israel passed away in 2014.)

In 2011, producer Bob Balaban hired Tony Award winning playwright JEFF WHITTY (Avenue Q) to adapt Israel’s memoir after reading his play The Hiding Place, which had characters with voices similar to Israel’s. Whitty wrote four drafts of the screenplay before filmmaker NICOLE HOLOFCENER (Enough Said) was attached to direct. Holofcener cast Julianne Moore in the lead and rewrote the script as a two-hander with greater emphasis on the relationship between Israel and her partner in crime, con man Jack Hock.

Six days before production was to start, Moore dropped out due to creative differences with Holofcener. Rather than start over again later with a new star, Holofcener handed the reins to her Sundance lab protege, Marielle Heller (The Diary of a Teenage Girl), wishing her luck and recommending McCarthy for the vacated lead.

Can You Ever Forgive Me? premiered last September at the Telluride Film Festival, followed by a showing at the Toronto International Film Festival later that month. Fox Searchlight released the $10 million picture on October 19, 2018, and it is currently still in theaters. So far it has received 39 awards and 70 nominations including WGA, SAG, BAFTA, Golden Globes, and Film Independent Spirit Awards, and has a 98% Fresh score from 255 critics as compiled by Rotten Tomatoes. If you have not yet seen the movie but plan to before our meeting, reading the script before watching the film is advised.

Rated R. 107 minutes. 133 pages (final shooting script, March 13, 2017). Drama, Crime, Biography.

DMA will provide in-depth analysis and lead our discussion. A veteran entertainment industry showrunner, executive and consultant, DMA (Donna Michelle Anderson) guides traditional and digital networks through branding, launching and scaling their content and companies. Over the past 20 years, she has helmed top-rated programming for CBS, Bravo, BET, A&E, TLC and more, created groundbreaking, patented production software, and championed diversity throughout the industry, including founding the Hollywood Diversity Network. She is a graduate, with distinction, of Stanford University and is an active member of the Academy of Television Arts & Sciences, the Producers Guild of America and American Mensa.

January 14 – BlacKkKlansman

Meet on the lot at Fox Studios on January 14th for an in-depth analysis and discussion of the screenplay BLACKkKLANSMAN.

Director Spike Lee‘s drama was produced by the team behind Get Out and offers another provocative exploration of American race relations. In the midst of the 1970s civil rights movement, Ron Stallworth (John David Washington) becomes the first black detective on the Colorado Springs Police Department. He sets out to prove his worth by infiltrating the local chapter of the Ku Klux Klan and convinces his Jewish colleague (Adam Driver) to go undercover as a white supremacist.

11/1/16 draft written by Charlie Wachtel & David Rabinowitz (their first feature screenwriting credit), based on the non-fiction book Black Klansman: Race, Hate, and the Undercover Investigation of a Lifetime by Ron Stallworth, with eight sets of revisions by Kevin Willmott (CSA: The Confederate States of America) & Spike Lee.

Registration in advance is required to attend the discussion, and includes a copy of the script mailed to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, January 10)

BlacKkKlansman was nominated for 4 Golden Globe awards (Best Motion Picture, Drama; Best Actor, Drama, John David Washington; Best Supporting Actor, Adam Driver; Best Director, Spike Lee), and has another 7 wins and 11 nominations listed on IMDb, including placement in American Film Institutes top ten Movies of the Year. (1/11/19 UPDATE: Nominated for Writers Guild of America award for Best Adapted Screenplay, with 119 more nominations, 24 of those for the screenplay, and winner of 24 awards so far!)

The film premiered on May 14, 2018 at the Cannes Film Festival, where it competed for the Palme d’Or and won the Grand Prix.

BlacKkKlansman opened in wide release in the U.S. on August 10, 2018, in the top 5, earning $10 million in its opening weekend against a $15 million budget. The film went on to earn a total of $48 million at the North American box office and $88 million worldwide.

“If The Birth of a Nation was history written with lightning, BlacKkKlansman is a roll of thunder we’ve been waiting for ever since.”  –  David Ehrlich, IndieWire

“I don’t know that I’ve ever seen a movie exploit its total mismatches so voraciously and purposely.”  – Bilge Ebiri, Village Voice

Released by Focus Features.

Rated R. 135 minutes. 124 pages (draft dated 7/17/17). Historical Drama, Biography, Crime.

Brian HerskowitzBRIAN HERSKOWITZ will provide in-depth analysis and lead our discussion. Brian was previously with us in August 2017 for The Only Living Boy In New York and in June 2016 for Our Kind Of Traitor. He currently holds the title of lead faculty in screenwriting for the prestigious Boston University in Los Angeles – Writer In Hollywood Program, has taught online for UCLA Extension, and spent five years as the sitcom instructor for Writer’s Bootcamp. He has written for such TV shows as Blossom, Hercules: The Legendary Journeys, Acapulco Heat, Dream On, Renegade, and Murder, She Wrote. and in 2014 released he released the book Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. His feature screenwriting credits include the horror/thriller Darkroom and the family comedy Tio Papi. Also a talented actor, producer, and director, Brian made the award-winning short film Odessa or Bust starring Jason Alexander, Red Buttons, and Jason Schwartzman, and the domestic abuse documentary 1736: Somewhere To Turn. Find out more about Brian and his projects at brianherskowitz.com.

November 12 – DESTROYER

Meet on the lot at Fox Studios on November 12th for an in-depth analysis and discussion of the screenplay DESTROYER.

Destroyer follows the moral and existential odyssey of LAPD detective Erin Bell who, as a young cop, was placed undercover with a gang in the California desert with tragic results. When the leader of that gang re-emerges many years later, she must work her way back through the remaining members and into her own history with them to finally reckon with the demons that destroyed her past.

SCREENPLAY BY PHIL HAY & MATT MANFREDI, whose credits include Crazy/Beautiful, Aeon Flux, Clash of the Titans (2010), R.I.P.D., and Ride Along (1 & 2).

The film, directed by Karyn Kusama (Girlfight), stars Academy Award winner Nicole Kidman (Big Little Lies, Aquaman), Sebastian Stan (I, Tonya, Captain America/Avengers franchises), Bradley Whitford (Get Out), and Tatiana Maslany (Orphan Black).

Registration in advance is required to attend the discussion, and includes a copy of the script mailed to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, November 8)

Jeff KitchenJEFF KITCHEN will provide in-depth script analysis and lead our discussion. Jeff Kitchen has been a screenwriting teacher and consultant for over twenty years. He has taught development for executives from all the major Hollywood studios and they have consistently said that Jeff teaches the most advanced development tools in the film industry. One of his students was recently nominated for Best Picture and Best Adapted Screenplay Oscars for the movie Hidden Figures. His book, Writing a Great Movie: Key Tools for Successful Screenwriting, is available at amazon.com. Visit Jeff’s website BuildYourScript.com.

Destroyer had its world premiere at the 2018 Telluride Film Festival on August 31 and was selected for the Toronto International Film Festival‘s Platform Programme, a juried competition that champions risk-taking, high artistic merit, and bold directorial visions.

The film is slated for a Christmas Day release in the U.S. by Annapurna.

Producers and Production Companies: Screenwriters Hay & Manfredi produced alongside Fred Berger (La La Land) for Automatik Entertainment and David Diliberto (No Country for Old Men).

Not yet rated. 123 minutes. 112 pages (draft dated 9/9/16). Action, Crime, Drama.

ALSO THIS MONTH

Using Digital & Social Media to Advance Your Projects and Your Career!

Monday, October 29, 2018

MASTER CLASS
with DIANA LESMEZ

Register by noon, Friday, October 26

(click here for details)

August 13 – The Happytime Murders

Meet on the Fox Studios backlot on August 13th for an in-depth analysis and discussion of the screenplay THE HAPPYTIME MURDERS.

Logline: When the puppet cast of an ’80s children’s TV show begins to get murdered one by one, a disgraced LAPD detective-turned-private eye puppet takes on the case.

The Screenwriters: After acting in, writing, and directing a number of shorts, TODD BERGER achieved his first feature-length writing credit on the 2005 ABC Family TV movie Chasing Christmas. In a career that has skirted dark comedy and family-friendly fare, Burger has written and directed festival hits The Scenesters (2009), It’s a Disaster (2012), and this year’s Cover Versions, which premiered at the Palm Springs International Film Festival, while also contributing to several shorts in the Kung Fu Panda and Smurfs franchises and adapting Where’s Waldo? into a live-action feature (still in development). His debut novel, Showdown City, was published in 2016. Berger shares story credit on The Happytime Murders with Dee Austin Robertson, who is also a director and cinematographer.

Registration in advance is required to attend the discussion, and includes a copy of the script mailed to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, August 9)

Directed by Brian Henson (The Muppet Christmas Carol, Muppet Treasure Island), The Happytime Murders stars Melissa McCarthy (Bridesmaids), Elizabeth Banks (Pitch Perfect and The Hunger Games franchises), Maya Rudolph (Saturday Night Live), Joel McHale (Community, The Joel McHale Show), and a raunchy cast of puppets! The trailer below is NSFW.

Producers and Production Companies: The film’s director, Brian Henson, produced the film for Henson Alternative (also known as “ha!”), the adult division of his late father’s production company, The Jim Henson Company. The film’s star, Melissa McCarthy, is also credited as a producer, along with her husband, Ben Falcone, for their company, On The Day Productions. Executive producers include Henson’s sister, Lisa Henson, CEO of The Jim Henson Company, and Teddy Schwarzman, Ben Stillman, and Michael Heimler of boutique media company Black Bear Pictures (The Imitation Game, Gold, Suburubicon).

Release Date: The Happytime Murders opens August 24 (STX Entertainment).

Rated R. 98 pages. Comedy.

Diana LesmezDIANA LESMEZ will provide in-depth analysis and lead our discussion. Currently an independent writer, producer, and director for her company, The StoryMaker Entertainment, Diana’s screenwriting credits include The Journey Ahead, which wrapped principal photography last month (July, 2018) with Michael Madsen in the lead, and the award-winning short rom-com In Between the Gutter and the Stars. Her vast background in the entertainment industry includes developing film projects for Atlantic Streamline (Igby Goes Down) and Patriot Pictures (Air Force One) and she has taught at the New York Film Academy and the Los Angeles Film School. Diana also offers pitching, producing, distribution, and marketing consulting services through her Bumptious Media Consulting banner. Follow her on Twitter (@DianaLesmez).

July 9 – The Spy Who Dumped Me

Meet on the Fox Studios backlot on July 9th for an in-depth analysis and discussion of the screenplay THE SPY WHO DUMPED ME.

Logline: A grocery store checkout girl and her best friend find themselves in the middle of an international conspiracy when one of them discovers the boyfriend who just dumped her worked for the CIA.

The Screenwriters: In 2008, SUSANNA FOGEL starred in the web series Joni & Susanna with her sketch comedy partner Joni Lefkowitz. Three years later, they debuted their one-act play, Life Partners, at Unscreened, a Hollywood showcase of short plays by up-and-coming screenwriters. The 2014 big-screen adaptation of that play became Susanna’s feature film directorial debut while she also developed, with Lefkowitz, Chasing Life, a series about a 24-year-old journalist with leukemia, which was adapted from a telenovela and ran for two seasons on ABC Family. DAVID ISERSON, Fogel’s co-writer on Dumped, began his writing career at Saturday Night Live. He went on to write and produce episodes of New Girl, Mad Men, Mozart in the Jungle, and Mr. Robot, for which he shared an Primetime Emmy Award nomination. His 2014 debut novel Firecracker made Rolling Stone’s list of the 40 best YA novels. Dumped is Iserson’s first credit on a feature film.

(registration deadline: Thursday, July 5)

Starring Mila Kunis (That 70s Show, Black Swan, Bad Moms) and Kate McKinnon (Saturday Night Live, Ghostbusters), with Sam Heughan (Outlander), Hasan Minhaj (The Daily Show), Ivanna Sakhno (Pacific Rim Uprising), Justin Theroux (Mulholland Drive), and Gillian Anderson (The X-Files).

Producers and Production Companies: The Spy Who Dumped Me was produced by Imagine Entertainment’s Brian Grazer (A Beautiful Mind, Kindergarten Cop) and Erica Huggins (The Dark Tower), and co-produced by Tina Anderson (Insurgent and post-production supervisor on 20 features including Argo and Quentin Tarantino’s last three films). Lionsgate won distribution rights in a bidding war.

Release Date: The Spy Who Dumped Me opens August 3 (Lionsgate).

Rated R. 116 minutes. 117 pages. Action Comedy.

NEIL LANDAU will provide in-depth analysis and lead our discussion. Currently the Assistant Dean of Dean’s Special Programs at UCLA School of Theater, Film & Television, Neil’s screenwriting credits include the cult hit comedy Don’t Tell Mom the Babysitter’s Dead starring Christina Applegate and the hit TV shows Melrose Place, Doogie Howser M.D., Twice in a Lifetime, and The Young & the Restless. In 2012, his work on the screenplay for the animated feature Tad, the Lost Explorer won him a Goya award (Spain’s Oscar). He has also written five screenwriting books, including The Screenwriter’s Roadmap and The TV Showrunner’s Roadmap. Visit neillandau.com for more, or follow him on Twitter (@neilland).

ALSO DON’T FORGET

CASE STUDY: THE GRADUATE

Monday, June 25, 2018

With BEVERLY GRAY
author of Seduced by Mrs. Robinson:
How The Graduate became the Touchstone of a Generation

Register by noon, Friday, June 22

(click here for details)

December 11 – I, Tonya

RegisterNow(registration deadline: Friday, December 8)

Meet on the Fox Studios backlot on December 11th for an in-depth analysis and discussion of the screenplay I, TONYA.

Logline: Competitive ice skater Tonya Harding rises in the ranks at the U.S. Figure Skating Championships, but her future in the activity is thrown into doubt when her ex-husband intervenes.

Screenwriter: According to the screenplay’s title page, the script is “based on irony-free, wildly contradictory, totally true interviews with Tonya Harding and Jeff Gillooly.” Hollywood go-to rom-com scribe STEVEN ROGERS (Hope Floats, Kate & Leopold) sought out Harding to pen her story in a spec script after viewing an ESPN documentary about the infamous Olympic scandal. He tracked her down to a small town outside Bend, Oregon, and set to work interviewing her and her estranged ex-husband for the dark comedy biopic that would reinvent his screenwriting career. Rogers’s other credits include the dramas Stepmom and P.S. I Love You and the ensemble Christmas comedy Love the Coopers.

Margot Robbie (The Wolf of Wall Street, Suicide Squad) stars as the disgraced ice skater alongside Sebastian Stan (Captain America: The Winter Soldier) as Gillooly and Allison Janney (The West Wing) as Harding’s mother. Directed by Craig Gillespie (Lars and the Real Girl), the film also features Julianne Nicholson (Eyewitness, Law & Order True Crime), Bobby Cannavale (Boardwalk Empire, Mr. Robot), and Caitlin Carver (Paper Towns) as Nancy Kerrigan.

Producers and Production Companies: Screenwriter Steven Rogers (not to be confused with Captain America’s alter ego) and lead actress Margot Robbie have producer credits alongside Bryan Unkeless (The Hunger Games and Diary of a Wimpy Kid franchises) for his Clubhouse Pictures banner and first-time producer Tom Ackerly who is married to Robbie. Ackerly and Robbie’s production company is LuckyChap Entertainment. Michael Sledd (Sleeping with Other People, The Founder, Me and Earl and the Dying Girl) co-produced. Executive producers Len Blavatnik and Aviv Giladi financed the picture through AI-Film (Hacksaw Ridge, Lee Daniels’ The Butler). Upstart distributors Neon (Ingrid Goes West) and 30WEST (Super Size Me 2: Holy Chicken) won U.S. theatrical distribution rights for an estimated $5 million after the filmmakers turned down bigger offers from CBS Films, Miramax, and Netflix.

Film Festivals: The film premiered on September 8th at the Toronto International Film Festival, where it finished in second place for the audience award (behind the film whose script we discussed last month). It has also screened at festivals in Austin, Hawaii, Napa Valley, Philadelphia, and is scheduled to show at the AFI Fest on November 15th and Key West the following day. So far, the film has won a Hollywood Film Award for supporting actress Allison Janney, while Neon is expected to make a strong play for the film during Oscar season.

UPDATE (11/30/17): Additional early award season accolades I, Tonya has received since this was blog post was initially published include three Independent Spirit Award nominations (Best Female Lead – Margo Robbie, Best Supporting Female – Allison Janney, Best Editing), two Gotham Awards nominations (Best Feature and Best Actress – Robbie), a Spotlight Award for Janney at the Palm Springs International Film Festival, and three Satellite Awards nominations (for Robbie, Janney, and Best Film). The film was also accepted to the Dubai International Film Festival.

Release Date: Opens December 8 (Neon/30WEST). If you plan to see the movie before our meeting, reading the script before watching the film is advised. Click here for information on how to see the movie opening weekend followed by a Q&A with director Craig Gillespie, writer Steven Rogers, producer/star Margot Robbie, and co-star Allison Janney.

Rated R. 119 minutes. 106 pages. Dark Comedy, Sports Biopic.

Roadmap Writers founder and CEO JOE TUCCIO will provide in-depth script analysis and lead our discussion. Joey, who calls himself a connector and mentor, initially moved to Los Angeles to pursue acting but decided he preferred working with writers, despite not being a writer himself. He created Roadmap Writers to equip aspiring screenwriters with the tools and training to take their projects to the next level. To date his company has helped 29 writers get signed to companies like Gersh, Gotham Group, and Circle of Confusion and get projects picked up or optioned by Untitled, First Point, and The Hawk Koch Company.

UPDATE (12/10/17): Talent and literary manager CHRIS DECKARD will lead our script analysis and in-depth discussion. Prior to co-founding the management/production company Fictional Entity in late 2016, Chris Deckard spent over seven years working with and representing talent at major agencies such as ICM Partners and WME. He has worked closely with traditional and new media buyers to find and develop content for domestic and international audiences. In addition to helping cast and package numerous features and series, he has evaluated thousands of scripts for actors and directors. Chris enjoys helping creators achieve the full potential of their ideas through character and story. Chris graduated from Cornell University and earned his J.D. from Notre Dame Law School.