June 14 – Minari

MINARI Movie Poster Meet ONLINE from 7:00-10:00 PM Pacific Time on June 14th for an in-depth analysis and discussion of the screenplay MINARI.

LOGLINE: A Korean family starts a farm in 1980s Arkansas.

WRITER/DIRECTOR: Munyurangabo, the first-ever narrative feature in the Rwandan language Kinyarwanda and the debut feature film of Asian-American LEE ISAAC CHUNG, premiered at the 2007 Cannes Film Festival in the Un Certain Regard section and won the Grand Prize at that year’s AFI Fest. After three more films, Chung had to take a full-time teaching job to support his family, but decided to write one more script, hunkered down in his regular South Pasadena coffee shop, before the gig started. Searching for public domain material to adapt, Chung was inspired by Willa Cather’s 1918 novel My Ántonia, about a 19th century child of immigrants growing up on a farm in Nebraska, to write about his own similar upbringing as a South Korean boy on a farm in Arkansas. Thus, the filmmaker says, the writing of his breakthrough film began when he “ceased to admire and began to remember.” (The semi-autobiographical script was written in English, with the dialogue later translated into Korean.)

(registration deadline: Friday, June 11)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.

SPECIAL OFFER – ONLY $150 FOR A NEW MEMBERSHIP OR RENEWAL!
Save $120 over the single meeting fees and get six consecutive online meetings!

Click the Register Now button for instructions.
(Email StoryBoardDG@gmail.com if you have any questions.)

Minari premiered at the Sundance Film Festival in 2020 where it won the Audience Award and Grand Jury Prize for drama. The long list of subsequent accolades includes placing on the year-end top ten lists of 68 critics, winning twelve awards with 25 additional nominations for the screenplay, winning the Golden Globe award for Best Foreign Language Film, earning six Film Independent Spirit Awards nominations (including Best Screenplay), and six Academy Award nominations (including Best Original Screenplay), and winning the Spirit, BAFTA, SAG, and Oscar for Best Supporting Actress (Yuh-Jung Youn).

A24 released the film virtually and in select theaters on February 12. If you have not yet seen Minari, it is recommended that you read the script first, as our discussion will focus on the writing on the page. This month we also plan to discuss the finished film, so it is suggested that you also watch the movie after reading the script. Minari is currently available to rent or buy digitally at Redbox, Amazon, Google Play, YouTube, Fandango, Vudu, and Apple TV.

Rated PG-13. 155 minutes. 97 pages. Drama.

pamelajayesmithPAMELA JAYE SMITH will provide in-depth analysis and lead our discussion. A mythologist and award-winning producer/director with over thirty years experience in features, TV, music videos, and more, Pamela is the author of five books, including The Power of the Dark Side: Creating Great Villains and Inner Drives: How to Write and Create Characters Using the Eight Classic Centers of Motivation. Her company, MYTHWORKS, offers consulting and coaching and, through her Pitch Proxy service, pitches writers’ projects at pitch festivals they cannot attend. Visit pamelajayesmith.com for more information.

May 10 – I Carry You With Me

Meet ONLINE from 7:00-10:00 PM Pacific Time on May 10th for an in-depth analysis and discussion of the screenplay I CARRY YOU WITH ME.

An epic love story spanning decades is sparked by a chance encounter between an aspiring chef and a teacher in provincial Mexico. Based on a true story, ambition and societal pressure propel the aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same.

THE WRITERS: Academy Award-nominated documentarian HEIDI EWING makes her narrative feature debut as director and co-writer of I Carry You with Me. Some of her acclaimed documentaries include Jesus Camp, Detropia, and Norman Lear: Just Another Version of You. As a white woman from Detroit telling the story of two Mexican men, Ewing told the L.A. Times she brought in Mexican-American writer ALAN PAGE ARRIAGA “to help me get this right.” Arriaga’s previous writing credits include four episodes of Fear the Walking Dead  He also served as a script translator for Babel and The Burning Plain, as well as several novels, all by Guillermo Arriaga.

(registration deadline: Friday, May 7)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.

SPECIAL OFFER – ONLY $150 FOR A NEW MEMBERSHIP OR RENEWAL!
Save $120 over the single meeting fees and get six consecutive online meetings!

Click the Register Now button for instructions.
(Email StoryBoardDG@gmail.com if you have any questions.)

I Carry You with Me premiered at the Sundance Film Festival in 2020 where it won the NEXT Innovator and Audience awards. U.S. distribution rights were acquired by Sony Pictures Classics and is scheduled for release on May 21. The film also played at the New York Film Festival and AFI Fest and is nominated for two Independent Spirit Awards including Best First Feature. It currently holds a 96% approval rating at Rotten Tomatoes.

Rated R. 111 minutes. 68 pages. Drama. Romance

Diana LesmezDIANA LESMEZ will provide in-depth analysis and lead our discussion. A produced feature-film screenwriter and an award-winning filmmaker, Diana is a Jane-of-all-trades with vast industry experience in production, development, acquisitions, distribution, physical production, film finance, business and legal affairs, as well as new media. She wrote the adapted screenplay for the feature film The Journey Ahead starring Michael Madsen, and produced the feature film Culture Class in AmeriCCA directed by Emilio Estevez. Previously, she served as President of Production at a mini-studio, Arenas Entertainment in partnership with Universal Pictures, and was the Head of Development for a production entity, Patriot Pictures, and the industry liaison for Banque Paribas, a film financing institution, and has taught at the New York Film Academy. Via her banner company, Bumptious Media Consulting, Diana offers screenwriting and producing one-on-one coaching, workshops, and master classes, with a specialty in pitching and mastering communication skills. Follow her on Twitter (@DianaLesmez).

February 10 – Parasite

Meet on the lot at Fox Studios on February 10th for an in-depth analysis and discussion of the screenplay PARASITE.

LOGLINE: A family of con artists worms their way into employment for a wealthy family, but startling secrets keep them from enjoying their plush new surroundings when their bosses leave them alone for a weekend.

THE WRITERS: South Korean-born writer-director BONG JOON-HO garnered international acclaim with his second feature, Memories of Murder, based on the true story of his country’s first serial killer. He followed that up with The Host, a monster movie that became the highest-grossing South Korean film of all time. Joon-ho’s first English-language film, Snowpiercer, a post-climate change sci-fi action adventure, starred Chris Evans, Tilda Swinton, Jamie Bell, Octavia Spencer, John Hurt, and Ed Harris, and appeared on dozens of critics’ ten-best lists for 2014. Okja, his Netflix debut, premiered in competition at Cannes where it received a four-minute standing ovation. Parasite was co-written by Han Jin-won, based on Joon-ho’s original story; it is his only writing credit so far, but he previously worked as an AD on Joon-ho’s Okja.

(registration deadline: Noon, Wednesday, February 5)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

SPECIAL ASSIGNMENT: If you plan to attend this event, please watch the film Snowpiercer, also by Bong Joon-ho, if you have time (in addition to reading the Parasite script).

Parasite premiered at the 2019 Cannes Film Festival where it won the Palm d’Or by unanimous vote. South Korea’s official submission for the Best International Feature Film category of the Academy Awards, last week Parasite became the first film from South Korea to win the Golden Globe award for Best Foreign Film. In November, the film surpassed The Godfather as the most popular film of all time on social media site Letterboxd, and it was announced last week that Joon-ho and Adam McKay (The Big Short) are currently in talks to develop a limited series based on Parasite for HBO. This morning the film was nominated for six Academy Awards including Best Picture, Best Director, and Best Original Screenplay.

Still in current release, Parasite has grossed over $130 million worldwide so far and holds a 99% approval rating on Rotten Tomatoes (based on 349 professional critics’ reviews). Over 40 critics and publications have named it the best movie of 2019, including Christy Lemire, Justin Chang, Michael Phillips, Film Comment, and IndieWire (based on a 300+ Critics Survey). More than sixty others placed it in their top ten for the year, and more than a dozen put it in their top ten for the decade. It’s also nominated for four BAFTAs, a SAG, a Spirit, and a DGA award among its hundreds of other accolades, including Best Screenplay and Best Director nominations for the Golden Globes and a still-pending WGA nomination for Best Original Screenplay.

If you have not yet seen Parasite but plan to before our meeting, reading the script before watching the film is advised. Also, please watch Joon-ho’s Snowpiercer before the meeting if you can. It’s currently streaming on Netflix and can be rented online for just $1.99 at Redbox.

Rated R. 132 minutes. 141 pages (English translation). Drama. Horror.

STEVE KAPLAN will provide in-depth analysis and lead our discussion. The industry’s most sought-after expert on comedy, Steve has taught at UCLA, NYU, Yale, and other top universities, and created the HBO Workspace and the HBO New Writers Program. As co-founder and Artistic Director of Manhattan Punch Line Theatre he developed writers such as Peter Tolan (Analyze This), David Crane (Friends), Tracy Poust (Ugly Betty), Kenneth Lonergan (Manchester by the Sea), and Mark O’Donnel (Hairspray). Steve teaches a number of different workshops all over the globe, including The Comedy Intensive, a 2-day workshop that covers the fundamental principles of comedy. Look for his books The Hidden Tools of Comedy and The Comic Hero’s Journey, learn more about Steve and his workshops at kaplancomedy.com, and follow him on Twitter at @skcomedy where you can tweet quick comedy questions at him with the #AskKaplan hashtag.