March 9 – Knives Out

Meet on the lot at Fox Studios on March 9th for an in-depth analysis and discussion of the screenplay KNIVES OUT.

LOGLINE: A modern whodunnit that follows a family gathering gone awry after the patriarch’s death leads a master detective to investigate.

Writer/director RIAN JOHNSON graduated from USC School of Cinematic Arts in 1996. He pitched his first screenplay, a Dashiell Hammett-inspired neo-noir mystery called Brick, unsuccessfully for seven years before raising the $500,000 budget from friends and family and making the film independently. Starring Joseph Gordon-Levitt, the film earned back more than $4 million, won a special jury prize at Sundance for originality of vision, and went on to become a cult classic. Two other low budget hits followed (The Brothers Bloom starring Oscar winners Rachel Weisz and Adrien Brody and Looper starring Bruce Willis and Gordon-Levitt) before Johnson was tapped to write and direct Star Wars: Episode VIII: The Last Jedi, which grossed over $1.3 billion. Johnson received his first Academy Award nomination this year, in the Best Original Screenplay category, for Knives Out.

(registration deadline: Noon, Wednesday, March 4)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

Knives Out features an all-star ensemble cast including Daniel Craig (James Bond), Chris Evans (Captain America), Ana de Armas (Blade Runner 2049), Jamie Lee Curtis (Halloween), Michael Shannon (The Shape of Water), Don Johnson (Django Unchained), Toni Collette (Hereditary), Lakeith Stanfield (Sorry To Bother You), Katherine Langford (13 Reasons Why), Jaeden Martell (It), and Christopher Plummer (The Sound of Music).

Still in current release, Knives Out has grossed nearly $300 million worldwide so far and holds a 97% approval rating on Rotten Tomatoes (based on 420 professional critics’ reviews), with an audience score of 92%. In addition to its Academy Award nomination for Best Original Screenplay, the script was nominated for BAFTA, Critics’ Choice, Hollywood Critics Association, and Writers Guild of America awards, along with three Golden Globe nominations including Best Picture (Musical or Comedy), a Producers Guild nomination for Best Picture, and placement in the National Board of Review’s and American Film Institute’s top ten lists for 2019.

If you have not yet seen Knives Out but plan to before our meeting, reading the script before watching the film is advised. EXTRA CREDIT: Watch the 1973 murder mystery film The Last of Sheila, which Rian Johnson cited as his inspiration and main influence in writing Knives Out. Written by Anthony Perkins (Psycho) and Stephen Sondheim (Sweeney Todd, West Side Story, Into the Woods) and directed by Herbert Ross (Footloose), The Last of Sheila stars Richard Benjamin, Dyan Cannon, James Coburn, James Mason, and Raquel Welch, and can be digitally rented for $2.99 or purchased for $9.99 from Amazon, YouTube, Google Play, Vudu, Microsoft, Fandango, and Apple TV.

Rated PG-13. 131 minutes. 124 pages. Mystery. Comedy.

Brian HerskowitzBRIAN HERSKOWITZ will provide in-depth analysis and lead our discussion. Brian was previously with us in January 2018 for BlacKkKlansman. He currently holds the title of lead faculty in screenwriting for the prestigious Boston University in Los Angeles – Writer In Hollywood Program, has taught online for UCLA Extension, and spent five years as the sitcom instructor for Writer’s Bootcamp. He has written for such TV shows as Blossom, Hercules: The Legendary Journeys, Acapulco Heat, Dream On, Renegade, and Murder, She Wrote. and in 2014 released he released the book Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. His feature screenwriting credits include the horror/thriller Darkroom and the family comedy Tio Papi. Also a talented actor, producer, and director, Brian made the award-winning short film Odessa or Bust starring Jason Alexander, Red Buttons, and Jason Schwartzman, and the domestic abuse documentary 1736: Somewhere To Turn. Find out more about Brian and his projects at brianherskowitz.com.

February 10 – Parasite

Meet on the lot at Fox Studios on February 10th for an in-depth analysis and discussion of the screenplay PARASITE.

LOGLINE: A family of con artists worms their way into employment for a wealthy family, but startling secrets keep them from enjoying their plush new surroundings when their bosses leave them alone for a weekend.

THE WRITERS: South Korean-born writer-director BONG JOON-HO garnered international acclaim with his second feature, Memories of Murder, based on the true story of his country’s first serial killer. He followed that up with The Host, a monster movie that became the highest-grossing South Korean film of all time. Joon-ho’s first English-language film, Snowpiercer, a post-climate change sci-fi action adventure, starred Chris Evans, Tilda Swinton, Jamie Bell, Octavia Spencer, John Hurt, and Ed Harris, and appeared on dozens of critics’ ten-best lists for 2014. Okja, his Netflix debut, premiered in competition at Cannes where it received a four-minute standing ovation. Parasite was co-written by Han Jin-won, based on Joon-ho’s original story; it is his only writing credit so far, but he previously worked as an AD on Joon-ho’s Okja.

(registration deadline: Noon, Wednesday, February 5)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

SPECIAL ASSIGNMENT: If you plan to attend this event, please watch the film Snowpiercer, also by Bong Joon-ho, if you have time (in addition to reading the Parasite script).

Parasite premiered at the 2019 Cannes Film Festival where it won the Palm d’Or by unanimous vote. South Korea’s official submission for the Best International Feature Film category of the Academy Awards, last week Parasite became the first film from South Korea to win the Golden Globe award for Best Foreign Film. In November, the film surpassed The Godfather as the most popular film of all time on social media site Letterboxd, and it was announced last week that Joon-ho and Adam McKay (The Big Short) are currently in talks to develop a limited series based on Parasite for HBO. This morning the film was nominated for six Academy Awards including Best Picture, Best Director, and Best Original Screenplay.

Still in current release, Parasite has grossed over $130 million worldwide so far and holds a 99% approval rating on Rotten Tomatoes (based on 349 professional critics’ reviews). Over 40 critics and publications have named it the best movie of 2019, including Christy Lemire, Justin Chang, Michael Phillips, Film Comment, and IndieWire (based on a 300+ Critics Survey). More than sixty others placed it in their top ten for the year, and more than a dozen put it in their top ten for the decade. It’s also nominated for four BAFTAs, a SAG, a Spirit, and a DGA award among its hundreds of other accolades, including Best Screenplay and Best Director nominations for the Golden Globes and a still-pending WGA nomination for Best Original Screenplay.

If you have not yet seen Parasite but plan to before our meeting, reading the script before watching the film is advised. Also, please watch Joon-ho’s Snowpiercer before the meeting if you can. It’s currently streaming on Netflix and can be rented online for just $1.99 at Redbox.

Rated R. 132 minutes. 141 pages (English translation). Drama. Horror.

STEVE KAPLAN will provide in-depth analysis and lead our discussion. The industry’s most sought-after expert on comedy, Steve has taught at UCLA, NYU, Yale, and other top universities, and created the HBO Workspace and the HBO New Writers Program. As co-founder and Artistic Director of Manhattan Punch Line Theatre he developed writers such as Peter Tolan (Analyze This), David Crane (Friends), Tracy Poust (Ugly Betty), Kenneth Lonergan (Manchester by the Sea), and Mark O’Donnel (Hairspray). Steve teaches a number of different workshops all over the globe, including The Comedy Intensive, a 2-day workshop that covers the fundamental principles of comedy. Look for his books The Hidden Tools of Comedy and The Comic Hero’s Journey, learn more about Steve and his workshops at kaplancomedy.com, and follow him on Twitter at @skcomedy where you can tweet quick comedy questions at him with the #AskKaplan hashtag.

January 13 – Jojo Rabbit

Meet on the lot at Fox Studios on January 13th for an in-depth analysis and discussion of the screenplay JOJO RABBIT.

LOGLINE: A ten-year-old boy in Nazi Germany, whose imaginary friend is Hitler, discovers his mother is hiding a Jewish girl behind a wall in their home.

THE WRITERS: Jojo Rabbit was written and directed by New Zealand filmmaker/comedian TAIKA WAITITI, who also appears in the film as Hitler. Waititi first gained international acclaim in 2004 with his short film Two Cars, One Night, which won awards at the AFI and Berlin festivals and was nominated for the Academy Award for Best Live Action Short. He went on to make four well-received independent features, including Eagle vs Shark and the vampire mockumentary What We Do in the Shadows, before helming his first big studio picture, Thor: Ragnarok, which grossed more than $850 million worldwide, enabling him to make his low-budget Nazi comedy. The script was adapted from the first half of the novel Caging Skies by Christine Leunens. The novel was previously adapted for the stage in 2017 in New Zealand, where the American-born, Harvard-educated author has lived since 2006.

(registration deadline: Noon, Wednesday, January 8)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

Jojo Rabbit premiered in September at the Toronto International Film Festival where it won the audience award. Ten of the last eleven films to win this award went on to Oscar nominations for Best Picture and Best Screenplay, with six of them winning in their respective writing category. Featuring Scarlett Johansson (Marvel’s Black Widow), Sam Rockwell (Three Billboards Outside Ebbing, Missouri, Richard Jewell), Rebel Wilson (Isn’t It Romantic, Cats), Stephen Merchant (The Office (UK), Logan), Thomasin McKenzie (Leave No Trace), and introducing ten-year-old Roman Griffin Davis in his Golden Globe nominated lead role, the film was also nominated for the Golden Globe for Best Picture – Musical or Comedy.

1/13/20 UPDATE: Nominated for 6 Academy Awards including Best Picture and Best Adapted Screenplay. Also nominated for 6 BAFTA awards including Best Adapted Screenplay, 2 SAG awards, a DGA award, a PGA award, the USC Scripter award, and a WGA award for Best Adapted Screenplay, among many other accolades.

Disney-owned Fox Searchlight opened the film in limited release on October 18, expanding to just under a thousand screens in November. To date the $14 million movie still in current release has grossed more than $24 million. If you have not yet seen Jojo Rabbit but plan to before our meeting, reading the script before watching the film is advised.

PG-13. 108 minutes. 113 pages (March 15, 2012 draft). Comedy. War.

DAN MARGULES will provide in-depth script analysis and lead our discussion. Dan is the creator, publisher, and one of the authors of ScripTipps, a line of inexpensive ebooks on screenwriting conceived in part by his participation in StoryBoard. An award-winning filmmaker, Dan was co-founder and president of San Diego Filmmakers and sat on the board of directors of Scriptwriters Network where he ran their writers groups and staged readings programs. In 2012 he published the popular young adult Christmas novel North Pole High: A Rebel Without a Claus and later adapted it into a musical through the Academy of New Musical Theatre, where he also wrote the book for Chaturbate: The Musical, which premiered at the Hollywood Fringe Festival in 2017. A member of StoryBoard’s Screenplay Discussion Group since November 2009, Dan has never missed a meeting.

March 11 – Can You Ever Forgive Me?

Meet on the lot at Fox Studios on March 11th for an in-depth analysis and discussion of the screenplay CAN YOU EVER FORGIVE ME?

The true story of a bitter, washed-up biographer who falls into a life of crime forging letters from dead literary celebrities to pay the rent.

Nominated for 3 Academy Awards including Best Actress, Best Supporting Actor, and Best Adapted Screenplay!

Can You Ever Forgive Me? stars Melissa McCarthy (Bridesmaids) and Richard E. Grant (Game of ThronesStar Wars: Episode IX), both nominated for Golden Globes, BAFTA, and SAG awards in addition to their Oscar nods. (Update: Richard E. Grant won the Independent Spirit Award!)

The screenplay, by Nicole Holofcener and Jeff Whitty, based on the book by Lee Israel, has been nominated for dozens of industry awards, including the WGA, USC Scripter, BAFTA, Independent Spirit Award, and, of course, the Academy Award.

UPDATE: On February 17th, Can You Ever Forgive Me? won the Writers Guild of America award for Best Adapted Screenplay. On February 23rd, Can You Ever Forgive Me? won the Independent Spirit Award for Best Screenplay.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, March 7)

DEVELOPMENT: After interviewing Katharine Hepburn for Esquire in 1967, LEE ISRAEL published full-length biographies on Tallulah Bankhead, Dorothy Kilgallen, and Estée Lauder. Unable to sell her publishers on a Fanny Brice biography, she began forging letters from the likes of Noël Coward and Dorothy Parker to sell to unsuspecting collectors, which she wrote about in her 2008 memoir, Can You Ever Forgive Me?: Memoirs of a Literary Forger. (Israel passed away in 2014.)

In 2011, producer Bob Balaban hired Tony Award winning playwright JEFF WHITTY (Avenue Q) to adapt Israel’s memoir after reading his play The Hiding Place, which had characters with voices similar to Israel’s. Whitty wrote four drafts of the screenplay before filmmaker NICOLE HOLOFCENER (Enough Said) was attached to direct. Holofcener cast Julianne Moore in the lead and rewrote the script as a two-hander with greater emphasis on the relationship between Israel and her partner in crime, con man Jack Hock.

Six days before production was to start, Moore dropped out due to creative differences with Holofcener. Rather than start over again later with a new star, Holofcener handed the reins to her Sundance lab protege, Marielle Heller (The Diary of a Teenage Girl), wishing her luck and recommending McCarthy for the vacated lead.

Can You Ever Forgive Me? premiered last September at the Telluride Film Festival, followed by a showing at the Toronto International Film Festival later that month. Fox Searchlight released the $10 million picture on October 19, 2018, and it is currently still in theaters. So far it has received 39 awards and 70 nominations including WGA, SAG, BAFTA, Golden Globes, and Film Independent Spirit Awards, and has a 98% Fresh score from 255 critics as compiled by Rotten Tomatoes. If you have not yet seen the movie but plan to before our meeting, reading the script before watching the film is advised.

Rated R. 107 minutes. 133 pages (final shooting script, March 13, 2017). Drama, Crime, Biography.

DMA will provide in-depth analysis and lead our discussion. A veteran entertainment industry showrunner, executive and consultant, DMA (Donna Michelle Anderson) guides traditional and digital networks through branding, launching and scaling their content and companies. Over the past 20 years, she has helmed top-rated programming for CBS, Bravo, BET, A&E, TLC and more, created groundbreaking, patented production software, and championed diversity throughout the industry, including founding the Hollywood Diversity Network. She is a graduate, with distinction, of Stanford University and is an active member of the Academy of Television Arts & Sciences, the Producers Guild of America and American Mensa.

February 11 – GREEN BOOK

Meet on the lot at Fox Studios on February 11th for an in-depth analysis and discussion of the screenplay GREEN BOOK.

Winner of THREE Golden Globe awards, including BEST SCREENPLAY and BEST PICTURE (Musical or Comedy)!

A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

Based on the true story of future Sopranos actor Tony Lip and jazz musician Don Shirley, the screenplay for Green Book was penned by Lip’s son, NICK VALLELONGA, along with BRIAN CURRIE and the film’s director, PETER FARRELLY.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, February 7)

Green Book stars two-time Academy Award nominee Viggo Mortensen (Eastern Promises, Captain Fantastic) as Tony Lip and Oscar winner Mahershala Ali (Moonlight) as Dr. Shirley. Last week Ali won a Golden Globe for his work in Green Book.

Among the film’s other 33 awards and 78 nominations (so far) are the Writers Guild of America’s nomination for Original Screenplay, four BAFTA nominations including Best Screenplay (Original), two SAG nominations, seven Critics Choice nominations including Best Original Screenplay, DGA and PGA nominations for Best Film, a Screenwriter of the Year award from the Hollywood Film Awards, and a tie (with Vice) for Best Screenplay from the Detroit Film Critics Society.

UPDATE: Nominated for 5 Academy Awards including Best Picture, Best Actor (Mortensen), Best Supporting Actor (Ali), and Best Original Screenplay!

About the writers: Vallelonga had appeared, with his father, in such films as The Godfather, The Pope of Greenwich Village, and GoodFellas before getting his first feature writing credit on 1993’s Deadfall, which he co-wrote with Christopher Coppola (Nicolas Cage’s brother). He followed that with four more films that he wrote and directed while keeping his father’s story close to his vest. When he finally shared the idea with Currie, a friend he’d worked with in a nightclub years earlier, Currie convinced Vallelonga to let him produce and co-write the script. Currie then pitched the idea to Farrelly, having previously played bit parts in several of the director’s comedies. Farrelly is known for writing and directing (usually with his brother Bobby) a string of hits including Dumb & Dumber, There’s Something About Mary, and Shallow Hal.

Green Book premiered at the 2018 Toronto International Film Festival where it won the audience award for best film. It opened in limited release in the US on November 16, before going wide one week later. As of this writing, it is still playing on over 500 screens and is #10 at the North American box office. If you have not yet seen the movie but plan to before our meeting, reading the script before watching the film is advised.

Released by Universal Pictures.

Rated PG-13. 130 minutes. 115 pages. Comedy, Biography.

Beverly GrayBEVERLY GRAY will provide in-depth analysis and lead our discussion. As story editor and development executive for Roger Corman’s Concorde-New Horizons Pictures, screenwriter Beverly Gray oversaw the making of 170 low-budget features. More recently, she has covered the entertainment industry for The Hollywood Reporter and currently teaches online screenwriting workshops for UCLA Extension’s Writers’ Program. Beverly has also written books on filmmakers Corman and Ron Howard, and in 2017 she released Seduced by Mrs. Robinson for the 50th anniversary of The Graduate. Visit her popular Beverly in Movieland blog and follow @Bev_Movieland on Twitter.

January 14 – BlacKkKlansman

Meet on the lot at Fox Studios on January 14th for an in-depth analysis and discussion of the screenplay BLACKkKLANSMAN.

Director Spike Lee‘s drama was produced by the team behind Get Out and offers another provocative exploration of American race relations. In the midst of the 1970s civil rights movement, Ron Stallworth (John David Washington) becomes the first black detective on the Colorado Springs Police Department. He sets out to prove his worth by infiltrating the local chapter of the Ku Klux Klan and convinces his Jewish colleague (Adam Driver) to go undercover as a white supremacist.

11/1/16 draft written by Charlie Wachtel & David Rabinowitz (their first feature screenwriting credit), based on the non-fiction book Black Klansman: Race, Hate, and the Undercover Investigation of a Lifetime by Ron Stallworth, with eight sets of revisions by Kevin Willmott (CSA: The Confederate States of America) & Spike Lee.

Registration in advance is required to attend the discussion, and includes a copy of the script mailed to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, January 10)

BlacKkKlansman was nominated for 4 Golden Globe awards (Best Motion Picture, Drama; Best Actor, Drama, John David Washington; Best Supporting Actor, Adam Driver; Best Director, Spike Lee), and has another 7 wins and 11 nominations listed on IMDb, including placement in American Film Institutes top ten Movies of the Year. (1/11/19 UPDATE: Nominated for Writers Guild of America award for Best Adapted Screenplay, with 119 more nominations, 24 of those for the screenplay, and winner of 24 awards so far!)

The film premiered on May 14, 2018 at the Cannes Film Festival, where it competed for the Palme d’Or and won the Grand Prix.

BlacKkKlansman opened in wide release in the U.S. on August 10, 2018, in the top 5, earning $10 million in its opening weekend against a $15 million budget. The film went on to earn a total of $48 million at the North American box office and $88 million worldwide.

“If The Birth of a Nation was history written with lightning, BlacKkKlansman is a roll of thunder we’ve been waiting for ever since.”  –  David Ehrlich, IndieWire

“I don’t know that I’ve ever seen a movie exploit its total mismatches so voraciously and purposely.”  – Bilge Ebiri, Village Voice

Released by Focus Features.

Rated R. 135 minutes. 124 pages (draft dated 7/17/17). Historical Drama, Biography, Crime.

Brian HerskowitzBRIAN HERSKOWITZ will provide in-depth analysis and lead our discussion. Brian was previously with us in August 2017 for The Only Living Boy In New York and in June 2016 for Our Kind Of Traitor. He currently holds the title of lead faculty in screenwriting for the prestigious Boston University in Los Angeles – Writer In Hollywood Program, has taught online for UCLA Extension, and spent five years as the sitcom instructor for Writer’s Bootcamp. He has written for such TV shows as Blossom, Hercules: The Legendary Journeys, Acapulco Heat, Dream On, Renegade, and Murder, She Wrote. and in 2014 released he released the book Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. His feature screenwriting credits include the horror/thriller Darkroom and the family comedy Tio Papi. Also a talented actor, producer, and director, Brian made the award-winning short film Odessa or Bust starring Jason Alexander, Red Buttons, and Jason Schwartzman, and the domestic abuse documentary 1736: Somewhere To Turn. Find out more about Brian and his projects at brianherskowitz.com.

February 12 – Molly’s Game

RegisterNow(registration deadline: Friday, February 9)

Meet on the Fox Studios backlot on February 12th for an in-depth analysis and discussion of the screenplay MOLLY’S GAME.

Logline: A former Olympic-class skier turned cocktail waitress starts an underground, high-stakes poker game in the basement of The Viper Room that grows into a multimillion-dollar business attracting elite Hollywood celebrities, Wall Street financiers, and the Russian mob, whom she must protect when she becomes the target of an FBI investigation.

The Writers: The film is based on the true story of MOLLY BLOOM, the 26-year-old woman behind the most exclusive high-stakes poker game in the world, and her 2014 memoir, Molly’s Game: From Hollywood’s Elite to Wall Street’s Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker. Bloom handpicked her favorite screenwriter, AARON SORKIN, to adapt the book for the big screen. A former playwright, Sorkin began his screenwriting career in the 1990s, adapting his Broadway play A Few Good Men for the 1992 Rob Reiner film. He created The West Wing in 1999 and wrote or co-wrote all but three of the series’ first 90 episodes, taking home six of the show’s 26 Emmy awards. In 2011, Sorkin won his first Academy Award for his screenplay about Facebook founder Mark Zuckerberg, The Social Network, and earned a second nomination the following year for co-writing Moneyball. He won Golden Globe awards for The Social Network and his 2016 biopic of Apple co-founder Steve Jobs. Molly’s Game marks Sorkin’s directorial debut.

The film stars two-time Oscar nominee Jessica Chastain (Miss Sloane) as Molly, with Idris Elba (Beasts of No Nation), Kevin Costner (Hidden Figures), and Michael Cera (Juno).

Producers and Production Companies: With Sorkin already on board, Bloom sold her book’s film rights to The Mark Gordon Company, which had produced Sorkin’s previous film, Steve Jobs. Gordon’s other producing credits include Source Code, The Day After Tomorrow, and Saving Private Ryan, for which he shared a Best Picture Oscar nomination. Gordon brought the project to Sony Pictures Entertainment for distribution. Sony eventually sold their distribution rights to STX Entertainment, but former SPE chairperson Amy Pascal stayed on as producer through her new company, Pascal Pictures. The Mark Gordon Company’s Matt Jackson (Free State of Jones, Secret in Their Eyes) is also listed as a producer.

Festivals & Awards: Molly’s Game had its premiere at the Toronto International Film Festival last September and was selected as the closing film at AFI Fest in November. The film was nominated for two Golden Globe awards, including Best Screenplay, with twelve other groups also nominating Sorkin’s script, including the Broadcast Film Critics Association, Florida Film Critics Circle, North Carolina Film Critics Association, Online Film Critics Society, San Francisco Film Critics Circle, Washington DC Area Film Critics Association, and the WGA.

UPDATE: On January 23, Molly’s Game was nominated for an Academy Award for Best Adapted Screenplay!

Release Date: Opened in limited release on December 25 and wide on January 5 (STX Entertainment). If you plan to see the movie before our meeting, reading the script before watching the film is advised.

Rated R. 140 minutes. 199 pages. Drama, Biopic.

JENNY FRANKFURT will provide in-depth script analysis and lead our discussion. Founder of the Finish Line Script Competition, Jenny is a script consultant and former literary manager who was the head of the literary department at Handprint Entertainment and later formed her own company, Highstreet Management, specializing in helping British, European, and Australian writers and directors break into the U.S. market. Jenny attended NYU’s Tisch School of the Arts and has also worked at the William Morris Agency in New York and ICM in L.A. with such clients as Johnny Depp, Leonardo DiCaprio, Will Smith, Lasse Hallström, and many others. Now in its third year, the Finish Line Script Competition provides development notes for free re-submissions of rewrites.

UPDATE – FEBRUARY 12: Jenny Frankfurt is unable to be with us tonight. We look forward to rescheduling her for another meeting in the near future.

Colin CostelloCOLIN COSTELLO, who was last with us to discuss Aaron Sorkin’s screenplay Steve Jobs, will substitute for Jenny to lead our analysis and discussion of Aaron Sorkin’s screenplay Molly’s Game. A former advertising creative director/copywriter, Colin is a produced, award-winning WGA writer. His credits include the 2013 family comedy The Stream (starring Rainn Wilson, Mario Lopez, and Kelly Rutherford) and the currently airing PBS Kids educational series Moochie Kalala Detectives Club. His second family feature, Traveling Without Moving, featuring Steve Guttenberg and Harry Lennix, just wrapped production in Chicago. Visit him at colincostello.com and follow him on Twitter (@colincostello10).


SPECIAL BONUS MEMBER WORKSHOP SESSION!

John Ware (8168 Productions) and Derrick Warfel (Winter Star Productions) are producing an indie budget, Sci-Fi feature film for one of the winners of the 168 Film Competition from last August who also won a pitch competition in late October.

In ECHOES (working title), a seismic doctoral candidate in Los Angeles investigates anomalies in tremor patterns and begins to uncover a major conspiracy of elite scientists who have found missing documents from Nikola Tesla’s research and are developing stealth weapons that leave no way to trace back but disturb mental thought patterns and even can induce earthquakes and hurricanes.

For regular, paid StoryBoard members only, this session, at no extra cost to members, will be held on Tuesday, January 16, 7:30 PM at Fox Studios. Refreshments included.

If you did not pick up the script at the January 8th meeting, contact Derrick with your full name, email, and postal mailing address and he will send you a script and put you on the Fox gate list. email WinterStarProductions@mindspring.com or call 818-360-1107 no later than Friday, January 11th.