January 13 – Jojo Rabbit

Meet on the lot at Fox Studios on January 13th for an in-depth analysis and discussion of the screenplay JOJO RABBIT.

LOGLINE: A ten-year-old boy in Nazi Germany, whose imaginary friend is Hitler, discovers his mother is hiding a Jewish girl behind a wall in their home.

THE WRITERS: Jojo Rabbit was written and directed by New Zealand filmmaker/comedian TAIKA WAITITI, who also appears in the film as Hitler. Waititi first gained international acclaim in 2004 with his short film Two Cars, One Night, which won awards at the AFI and Berlin festivals and was nominated for the Academy Award for Best Live Action Short. He went on to make four well-received independent features, including Eagle vs Shark and the vampire mockumentary What We Do in the Shadows, before helming his first big studio picture, Thor: Ragnarok, which grossed more than $850 million worldwide, enabling him to make his low-budget Nazi comedy. The script was adapted from the first half of the novel Caging Skies by Christine Leunens. The novel was previously adapted for the stage in 2017 in New Zealand, where the American-born, Harvard-educated author has lived since 2006.

(registration deadline: Noon, Wednesday, January 8)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

Jojo Rabbit premiered in September at the Toronto International Film Festival where it won the audience award. Ten of the last eleven films to win this award went on to Oscar nominations for Best Picture and Best Screenplay, with six of them winning in their respective writing category. Featuring Scarlett Johansson (Marvel’s Black Widow), Sam Rockwell (Three Billboards Outside Ebbing, Missouri, Richard Jewell), Rebel Wilson (Isn’t It Romantic, Cats), Stephen Merchant (The Office (UK), Logan), Thomasin McKenzie (Leave No Trace), and introducing ten-year-old Roman Griffin Davis in his Golden Globe nominated lead role, the film was also nominated for the Golden Globe for Best Picture – Musical or Comedy.

1/13/20 UPDATE: Nominated for 6 Academy Awards including Best Picture and Best Adapted Screenplay. Also nominated for 6 BAFTA awards including Best Adapted Screenplay, 2 SAG awards, a DGA award, a PGA award, the USC Scripter award, and a WGA award for Best Adapted Screenplay, among many other accolades.

Disney-owned Fox Searchlight opened the film in limited release on October 18, expanding to just under a thousand screens in November. To date the $14 million movie still in current release has grossed more than $24 million. If you have not yet seen Jojo Rabbit but plan to before our meeting, reading the script before watching the film is advised.

PG-13. 108 minutes. 113 pages (March 15, 2012 draft). Comedy. War.

DAN MARGULES will provide in-depth script analysis and lead our discussion. Dan is the creator, publisher, and one of the authors of ScripTipps, a line of inexpensive ebooks on screenwriting conceived in part by his participation in StoryBoard. An award-winning filmmaker, Dan was co-founder and president of San Diego Filmmakers and sat on the board of directors of Scriptwriters Network where he ran their writers groups and staged readings programs. In 2012 he published the popular young adult Christmas novel North Pole High: A Rebel Without a Claus and later adapted it into a musical through the Academy of New Musical Theatre, where he also wrote the book for Chaturbate: The Musical, which premiered at the Hollywood Fringe Festival in 2017. A member of StoryBoard’s Screenplay Discussion Group since November 2009, Dan has never missed a meeting.

December 9 – Richard Jewell

Meet on the lot at Fox Studios on December 9th for an in-depth analysis and discussion of the screenplay RICHARD JEWELL.

LOGLINE: A security guard saves thousands of lives when he discovers a bomb at the 1996 Olympics, but when the FBI investigates him as a “person of interest,” the media vilifies the hero, falsely accusing him of planting the bomb.

THE WRITERS: Richard Jewell is based on the 1997 Vanity Fair article “American Nightmare: The Ballad of Richard Jewell” by Marie Brenner. Two other feature films and one made-for-TV movie have been made from Brenner’s investigative journalism over the last twenty years, including The Insider, about tobacco industry whistleblower Jeffrey Wigand, which was nominated for seven Academy Awards including Best Picture, Best Actor (Russell Crowe), and Best Adapted Screenplay (Eric Roth, Michael Mann). The Richard Jewell article was adapted for the screen by BILLY RAY. This year alone, the Encino native also has writing credits on Gemini Man and Terminator: Dark FateRichard Jewell echoes the theme of journalistic responsibility Ray previously explored in his directorial debut, Shattered Glass, which told the true story of Stephen Glass, who published dozens of high profile articles in The New Republic based on facts that were completely made up. Some of Ray’s other credits include The Hunger Games, Amazon’s The Last Tycoon, and Captain Phillips, for which he received his first Academy Award nomination.

(registration deadline: Noon, Wednesday, December 4)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

Directed by CLINT EASTWOOD, Richard Jewell stars Paul Walter Hauser (I, Tonya) in the title role, Sam Rockwell (Three Billboards Outside Ebbing, Missouri), Kathy Bates (American Horror Story), Jon Hamm (Top Gun: Maverick), and Olivia Wilde (Booksmart).

Richard Jewell is scheduled to premiere at AFI Fest on November 20th, with a December 13 release date set by Warner Bros.. If you plan to see the movie before our meeting, reading the script before watching the film is advised.

Not Yet Rated. 129 minutes. 115 pages (September 25, 2015 draft). Drama, Biopic.

JEFF KITCHEN will provide in-depth script analysis and lead our discussion. Jeff was classically trained in playwriting technique, worked as a dramaturg in the New York theater, and taught playwriting on Broadway at the Negro Ensemble Company. He has taught screenwriting for over 20 years in small high-intensity hands-on groups and is a sought-after script doctor, plot construction specialist, and rewrite consultant. His book, Writing a Great Movie: Key Tools for Successful Screenwriting, is available at amazon.com. For more information, visit Jeff’s website, BuildYourScript.com.

March 11 – Can You Ever Forgive Me?

Meet on the lot at Fox Studios on March 11th for an in-depth analysis and discussion of the screenplay CAN YOU EVER FORGIVE ME?

The true story of a bitter, washed-up biographer who falls into a life of crime forging letters from dead literary celebrities to pay the rent.

Nominated for 3 Academy Awards including Best Actress, Best Supporting Actor, and Best Adapted Screenplay!

Can You Ever Forgive Me? stars Melissa McCarthy (Bridesmaids) and Richard E. Grant (Game of ThronesStar Wars: Episode IX), both nominated for Golden Globes, BAFTA, and SAG awards in addition to their Oscar nods. (Update: Richard E. Grant won the Independent Spirit Award!)

The screenplay, by Nicole Holofcener and Jeff Whitty, based on the book by Lee Israel, has been nominated for dozens of industry awards, including the WGA, USC Scripter, BAFTA, Independent Spirit Award, and, of course, the Academy Award.

UPDATE: On February 17th, Can You Ever Forgive Me? won the Writers Guild of America award for Best Adapted Screenplay. On February 23rd, Can You Ever Forgive Me? won the Independent Spirit Award for Best Screenplay.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, March 7)

DEVELOPMENT: After interviewing Katharine Hepburn for Esquire in 1967, LEE ISRAEL published full-length biographies on Tallulah Bankhead, Dorothy Kilgallen, and Estée Lauder. Unable to sell her publishers on a Fanny Brice biography, she began forging letters from the likes of Noël Coward and Dorothy Parker to sell to unsuspecting collectors, which she wrote about in her 2008 memoir, Can You Ever Forgive Me?: Memoirs of a Literary Forger. (Israel passed away in 2014.)

In 2011, producer Bob Balaban hired Tony Award winning playwright JEFF WHITTY (Avenue Q) to adapt Israel’s memoir after reading his play The Hiding Place, which had characters with voices similar to Israel’s. Whitty wrote four drafts of the screenplay before filmmaker NICOLE HOLOFCENER (Enough Said) was attached to direct. Holofcener cast Julianne Moore in the lead and rewrote the script as a two-hander with greater emphasis on the relationship between Israel and her partner in crime, con man Jack Hock.

Six days before production was to start, Moore dropped out due to creative differences with Holofcener. Rather than start over again later with a new star, Holofcener handed the reins to her Sundance lab protege, Marielle Heller (The Diary of a Teenage Girl), wishing her luck and recommending McCarthy for the vacated lead.

Can You Ever Forgive Me? premiered last September at the Telluride Film Festival, followed by a showing at the Toronto International Film Festival later that month. Fox Searchlight released the $10 million picture on October 19, 2018, and it is currently still in theaters. So far it has received 39 awards and 70 nominations including WGA, SAG, BAFTA, Golden Globes, and Film Independent Spirit Awards, and has a 98% Fresh score from 255 critics as compiled by Rotten Tomatoes. If you have not yet seen the movie but plan to before our meeting, reading the script before watching the film is advised.

Rated R. 107 minutes. 133 pages (final shooting script, March 13, 2017). Drama, Crime, Biography.

DMA will provide in-depth analysis and lead our discussion. A veteran entertainment industry showrunner, executive and consultant, DMA (Donna Michelle Anderson) guides traditional and digital networks through branding, launching and scaling their content and companies. Over the past 20 years, she has helmed top-rated programming for CBS, Bravo, BET, A&E, TLC and more, created groundbreaking, patented production software, and championed diversity throughout the industry, including founding the Hollywood Diversity Network. She is a graduate, with distinction, of Stanford University and is an active member of the Academy of Television Arts & Sciences, the Producers Guild of America and American Mensa.

February 11 – GREEN BOOK

Meet on the lot at Fox Studios on February 11th for an in-depth analysis and discussion of the screenplay GREEN BOOK.

Winner of THREE Golden Globe awards, including BEST SCREENPLAY and BEST PICTURE (Musical or Comedy)!

A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

Based on the true story of future Sopranos actor Tony Lip and jazz musician Don Shirley, the screenplay for Green Book was penned by Lip’s son, NICK VALLELONGA, along with BRIAN CURRIE and the film’s director, PETER FARRELLY.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, February 7)

Green Book stars two-time Academy Award nominee Viggo Mortensen (Eastern Promises, Captain Fantastic) as Tony Lip and Oscar winner Mahershala Ali (Moonlight) as Dr. Shirley. Last week Ali won a Golden Globe for his work in Green Book.

Among the film’s other 33 awards and 78 nominations (so far) are the Writers Guild of America’s nomination for Original Screenplay, four BAFTA nominations including Best Screenplay (Original), two SAG nominations, seven Critics Choice nominations including Best Original Screenplay, DGA and PGA nominations for Best Film, a Screenwriter of the Year award from the Hollywood Film Awards, and a tie (with Vice) for Best Screenplay from the Detroit Film Critics Society.

UPDATE: Nominated for 5 Academy Awards including Best Picture, Best Actor (Mortensen), Best Supporting Actor (Ali), and Best Original Screenplay!

About the writers: Vallelonga had appeared, with his father, in such films as The Godfather, The Pope of Greenwich Village, and GoodFellas before getting his first feature writing credit on 1993’s Deadfall, which he co-wrote with Christopher Coppola (Nicolas Cage’s brother). He followed that with four more films that he wrote and directed while keeping his father’s story close to his vest. When he finally shared the idea with Currie, a friend he’d worked with in a nightclub years earlier, Currie convinced Vallelonga to let him produce and co-write the script. Currie then pitched the idea to Farrelly, having previously played bit parts in several of the director’s comedies. Farrelly is known for writing and directing (usually with his brother Bobby) a string of hits including Dumb & Dumber, There’s Something About Mary, and Shallow Hal.

Green Book premiered at the 2018 Toronto International Film Festival where it won the audience award for best film. It opened in limited release in the US on November 16, before going wide one week later. As of this writing, it is still playing on over 500 screens and is #10 at the North American box office. If you have not yet seen the movie but plan to before our meeting, reading the script before watching the film is advised.

Released by Universal Pictures.

Rated PG-13. 130 minutes. 115 pages. Comedy, Biography.

Beverly GrayBEVERLY GRAY will provide in-depth analysis and lead our discussion. As story editor and development executive for Roger Corman’s Concorde-New Horizons Pictures, screenwriter Beverly Gray oversaw the making of 170 low-budget features. More recently, she has covered the entertainment industry for The Hollywood Reporter and currently teaches online screenwriting workshops for UCLA Extension’s Writers’ Program. Beverly has also written books on filmmakers Corman and Ron Howard, and in 2017 she released Seduced by Mrs. Robinson for the 50th anniversary of The Graduate. Visit her popular Beverly in Movieland blog and follow @Bev_Movieland on Twitter.

January 14 – BlacKkKlansman

Meet on the lot at Fox Studios on January 14th for an in-depth analysis and discussion of the screenplay BLACKkKLANSMAN.

Director Spike Lee‘s drama was produced by the team behind Get Out and offers another provocative exploration of American race relations. In the midst of the 1970s civil rights movement, Ron Stallworth (John David Washington) becomes the first black detective on the Colorado Springs Police Department. He sets out to prove his worth by infiltrating the local chapter of the Ku Klux Klan and convinces his Jewish colleague (Adam Driver) to go undercover as a white supremacist.

11/1/16 draft written by Charlie Wachtel & David Rabinowitz (their first feature screenwriting credit), based on the non-fiction book Black Klansman: Race, Hate, and the Undercover Investigation of a Lifetime by Ron Stallworth, with eight sets of revisions by Kevin Willmott (CSA: The Confederate States of America) & Spike Lee.

Registration in advance is required to attend the discussion, and includes a copy of the script mailed to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, January 10)

BlacKkKlansman was nominated for 4 Golden Globe awards (Best Motion Picture, Drama; Best Actor, Drama, John David Washington; Best Supporting Actor, Adam Driver; Best Director, Spike Lee), and has another 7 wins and 11 nominations listed on IMDb, including placement in American Film Institutes top ten Movies of the Year. (1/11/19 UPDATE: Nominated for Writers Guild of America award for Best Adapted Screenplay, with 119 more nominations, 24 of those for the screenplay, and winner of 24 awards so far!)

The film premiered on May 14, 2018 at the Cannes Film Festival, where it competed for the Palme d’Or and won the Grand Prix.

BlacKkKlansman opened in wide release in the U.S. on August 10, 2018, in the top 5, earning $10 million in its opening weekend against a $15 million budget. The film went on to earn a total of $48 million at the North American box office and $88 million worldwide.

“If The Birth of a Nation was history written with lightning, BlacKkKlansman is a roll of thunder we’ve been waiting for ever since.”  –  David Ehrlich, IndieWire

“I don’t know that I’ve ever seen a movie exploit its total mismatches so voraciously and purposely.”  – Bilge Ebiri, Village Voice

Released by Focus Features.

Rated R. 135 minutes. 124 pages (draft dated 7/17/17). Historical Drama, Biography, Crime.

Brian HerskowitzBRIAN HERSKOWITZ will provide in-depth analysis and lead our discussion. Brian was previously with us in August 2017 for The Only Living Boy In New York and in June 2016 for Our Kind Of Traitor. He currently holds the title of lead faculty in screenwriting for the prestigious Boston University in Los Angeles – Writer In Hollywood Program, has taught online for UCLA Extension, and spent five years as the sitcom instructor for Writer’s Bootcamp. He has written for such TV shows as Blossom, Hercules: The Legendary Journeys, Acapulco Heat, Dream On, Renegade, and Murder, She Wrote. and in 2014 released he released the book Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. His feature screenwriting credits include the horror/thriller Darkroom and the family comedy Tio Papi. Also a talented actor, producer, and director, Brian made the award-winning short film Odessa or Bust starring Jason Alexander, Red Buttons, and Jason Schwartzman, and the domestic abuse documentary 1736: Somewhere To Turn. Find out more about Brian and his projects at brianherskowitz.com.

February 12 – Molly’s Game

RegisterNow(registration deadline: Friday, February 9)

Meet on the Fox Studios backlot on February 12th for an in-depth analysis and discussion of the screenplay MOLLY’S GAME.

Logline: A former Olympic-class skier turned cocktail waitress starts an underground, high-stakes poker game in the basement of The Viper Room that grows into a multimillion-dollar business attracting elite Hollywood celebrities, Wall Street financiers, and the Russian mob, whom she must protect when she becomes the target of an FBI investigation.

The Writers: The film is based on the true story of MOLLY BLOOM, the 26-year-old woman behind the most exclusive high-stakes poker game in the world, and her 2014 memoir, Molly’s Game: From Hollywood’s Elite to Wall Street’s Billionaire Boys Club, My High-Stakes Adventure in the World of Underground Poker. Bloom handpicked her favorite screenwriter, AARON SORKIN, to adapt the book for the big screen. A former playwright, Sorkin began his screenwriting career in the 1990s, adapting his Broadway play A Few Good Men for the 1992 Rob Reiner film. He created The West Wing in 1999 and wrote or co-wrote all but three of the series’ first 90 episodes, taking home six of the show’s 26 Emmy awards. In 2011, Sorkin won his first Academy Award for his screenplay about Facebook founder Mark Zuckerberg, The Social Network, and earned a second nomination the following year for co-writing Moneyball. He won Golden Globe awards for The Social Network and his 2016 biopic of Apple co-founder Steve Jobs. Molly’s Game marks Sorkin’s directorial debut.

The film stars two-time Oscar nominee Jessica Chastain (Miss Sloane) as Molly, with Idris Elba (Beasts of No Nation), Kevin Costner (Hidden Figures), and Michael Cera (Juno).

Producers and Production Companies: With Sorkin already on board, Bloom sold her book’s film rights to The Mark Gordon Company, which had produced Sorkin’s previous film, Steve Jobs. Gordon’s other producing credits include Source Code, The Day After Tomorrow, and Saving Private Ryan, for which he shared a Best Picture Oscar nomination. Gordon brought the project to Sony Pictures Entertainment for distribution. Sony eventually sold their distribution rights to STX Entertainment, but former SPE chairperson Amy Pascal stayed on as producer through her new company, Pascal Pictures. The Mark Gordon Company’s Matt Jackson (Free State of Jones, Secret in Their Eyes) is also listed as a producer.

Festivals & Awards: Molly’s Game had its premiere at the Toronto International Film Festival last September and was selected as the closing film at AFI Fest in November. The film was nominated for two Golden Globe awards, including Best Screenplay, with twelve other groups also nominating Sorkin’s script, including the Broadcast Film Critics Association, Florida Film Critics Circle, North Carolina Film Critics Association, Online Film Critics Society, San Francisco Film Critics Circle, Washington DC Area Film Critics Association, and the WGA.

UPDATE: On January 23, Molly’s Game was nominated for an Academy Award for Best Adapted Screenplay!

Release Date: Opened in limited release on December 25 and wide on January 5 (STX Entertainment). If you plan to see the movie before our meeting, reading the script before watching the film is advised.

Rated R. 140 minutes. 199 pages. Drama, Biopic.

JENNY FRANKFURT will provide in-depth script analysis and lead our discussion. Founder of the Finish Line Script Competition, Jenny is a script consultant and former literary manager who was the head of the literary department at Handprint Entertainment and later formed her own company, Highstreet Management, specializing in helping British, European, and Australian writers and directors break into the U.S. market. Jenny attended NYU’s Tisch School of the Arts and has also worked at the William Morris Agency in New York and ICM in L.A. with such clients as Johnny Depp, Leonardo DiCaprio, Will Smith, Lasse Hallström, and many others. Now in its third year, the Finish Line Script Competition provides development notes for free re-submissions of rewrites.

UPDATE – FEBRUARY 12: Jenny Frankfurt is unable to be with us tonight. We look forward to rescheduling her for another meeting in the near future.

Colin CostelloCOLIN COSTELLO, who was last with us to discuss Aaron Sorkin’s screenplay Steve Jobs, will substitute for Jenny to lead our analysis and discussion of Aaron Sorkin’s screenplay Molly’s Game. A former advertising creative director/copywriter, Colin is a produced, award-winning WGA writer. His credits include the 2013 family comedy The Stream (starring Rainn Wilson, Mario Lopez, and Kelly Rutherford) and the currently airing PBS Kids educational series Moochie Kalala Detectives Club. His second family feature, Traveling Without Moving, featuring Steve Guttenberg and Harry Lennix, just wrapped production in Chicago. Visit him at colincostello.com and follow him on Twitter (@colincostello10).


SPECIAL BONUS MEMBER WORKSHOP SESSION!

John Ware (8168 Productions) and Derrick Warfel (Winter Star Productions) are producing an indie budget, Sci-Fi feature film for one of the winners of the 168 Film Competition from last August who also won a pitch competition in late October.

In ECHOES (working title), a seismic doctoral candidate in Los Angeles investigates anomalies in tremor patterns and begins to uncover a major conspiracy of elite scientists who have found missing documents from Nikola Tesla’s research and are developing stealth weapons that leave no way to trace back but disturb mental thought patterns and even can induce earthquakes and hurricanes.

For regular, paid StoryBoard members only, this session, at no extra cost to members, will be held on Tuesday, January 16, 7:30 PM at Fox Studios. Refreshments included.

If you did not pick up the script at the January 8th meeting, contact Derrick with your full name, email, and postal mailing address and he will send you a script and put you on the Fox gate list. email WinterStarProductions@mindspring.com or call 818-360-1107 no later than Friday, January 11th.

January 8 – The Shape of Water

RegisterNow(registration deadline: Friday, January 5)

Meet on the Fox Studios backlot on January 8th for an in-depth analysis and discussion of the screenplay THE SHAPE OF WATER.

Logline: A mute woman takes a janitorial job at a secret government laboratory where she becomes emotionally attached to a mysterious amphibious humanoid creature being held there in captivity.

The Writers: The story for The Shape of Water was conceived by GUILLERMO DEL TORO over a 2011 breakfast with novelist Daniel Kraus while discussing his wish to see the monster in 1954’s Creature from the Black Lagoon hook up with that film’s female lead. When Universal rejected his pitch of a remake with that ending, he and VANESSA TAYLOR wrote this original script instead. Mexican filmmaker del Toro is best known for 2006’s Pan’s Labyrinth, which won three Academy Awards and was nominated for another three, including Best Original Screenplay and Best Foreign Language Film. Some of his other films include Mimic, Pacific Rim, and both Hellboy movies. He has also produced or executive produced animated favorites The Book of Life, Rise of the Guardians, and Kung Fu Panda 3 as well as the low budget horror hit Mama. Taylor’s work was previously discussed at StoryBoard with her original screenplay for Hope Springs, which starred Meryl Streep and Tommy Lee Jones. Her other work includes the adaptation of Divergent, seasons 2 and 3 of Game of Thrones, and Disney’s upcoming live-action remake of Aladdin.

Directed by del Toro, The Shape of Water stars Academy Award nominees Sally Hawkins (Blue Jasmine), Michael Shannon (Nocturnal Animals), Richard Jenkins (The Visitor), Academy Award winner Octavia Spencer (The Help), Golden Globe nominee Michael Stuhlbarg (A Serious Man), and featuring Doug Jones (Star Trek: Discovery) as the creature.

Producers and Production Companies: Del Torro produced the film under his Double Dare You label with J. Miles Dale. Dale and del Toro previously teamed up on Mama and the FX series The Strain. Dale’s previous credits include Scott Pilgrim vs. the World and recent remakes of Endless Love, Carrie, and The Thing. Novelist Daniel Kraus, who helped del Toro brainstorm the initial story idea over breakfast, has an associate producer credit. Kraus and del Toro also co-wrote the novel Trollhunters. Liz Sayre, executive vice president of physical production at Fox Searchlight, has an executive producer credit on the film.

Festivals & Awards: The Shape of Water premiered at the Venice International Film Festival where it won the prestigious Golden Lion and three other awards. It has also played at festivals in Toronto, Telluride, Rio de Janeiro, London, Vienna, Chicago, Tokyo, Napa Valley, and Key West, and was named one of American Film Institute’s top ten films of the year. This morning the film received seven Golden Globe nominations, the most of any film this year, including Best Motion Picture, Best Director, and Best Screenplay. Previously the film had already racked up 14 nominations from the Critics Choice Awards and 10 from the Satellite Awards, also including Best Picture, Best Director, and Best Original Screenplay from both organizations. The Los Angeles Film Critics Association has also given the film three awards and the Palm Springs International Film Festival will give it their Vanguard Award on January 2, with more accolades to come on the road to the Oscars.

Release Date: Opened on December 1 in New York and December 8 in Los Angeles (Fox Searchlight). If you plan to see the movie before our meeting, reading the script before watching the film is advised.

Rated R. 123 minutes. 116 pages. Drama, Fantasy, Horror, Romance.

BILL LUNDY will provide in-depth script analysis and lead our discussion. A graduate of USC Film School, Bill has written two highly-rated original films for SyFy, Silent Warnings and Alien Siege, sold stories to Star Trek: Voyager, and optioned several sci-fi, fantasy, and horror projects. From 1997 to 2004 he served as Chairman of the non-profit Scriptwriters Network. A top script consultant and teacher known as “The Log Line Doctor,” he’s done seminars for Screenwriting Expo, Sherwood Oaks College, Newport Beach Film Festival, Scriptwriters Showcase, Flash Forward, and The Writers Store and contributed to such books as Q&A: The Working Screenwriter by Jim Vines, and Now Write! Screenwriting, and his essays and liner notes can be found on award-winning DVD special editions for such films as The Matrix, E.T. The Extra-Terrestrial, and Minority Report. Follow Bill on Twitter at @blundysf.

December 11 – I, Tonya

RegisterNow(registration deadline: Friday, December 8)

Meet on the Fox Studios backlot on December 11th for an in-depth analysis and discussion of the screenplay I, TONYA.

Logline: Competitive ice skater Tonya Harding rises in the ranks at the U.S. Figure Skating Championships, but her future in the activity is thrown into doubt when her ex-husband intervenes.

Screenwriter: According to the screenplay’s title page, the script is “based on irony-free, wildly contradictory, totally true interviews with Tonya Harding and Jeff Gillooly.” Hollywood go-to rom-com scribe STEVEN ROGERS (Hope Floats, Kate & Leopold) sought out Harding to pen her story in a spec script after viewing an ESPN documentary about the infamous Olympic scandal. He tracked her down to a small town outside Bend, Oregon, and set to work interviewing her and her estranged ex-husband for the dark comedy biopic that would reinvent his screenwriting career. Rogers’s other credits include the dramas Stepmom and P.S. I Love You and the ensemble Christmas comedy Love the Coopers.

Margot Robbie (The Wolf of Wall Street, Suicide Squad) stars as the disgraced ice skater alongside Sebastian Stan (Captain America: The Winter Soldier) as Gillooly and Allison Janney (The West Wing) as Harding’s mother. Directed by Craig Gillespie (Lars and the Real Girl), the film also features Julianne Nicholson (Eyewitness, Law & Order True Crime), Bobby Cannavale (Boardwalk Empire, Mr. Robot), and Caitlin Carver (Paper Towns) as Nancy Kerrigan.

Producers and Production Companies: Screenwriter Steven Rogers (not to be confused with Captain America’s alter ego) and lead actress Margot Robbie have producer credits alongside Bryan Unkeless (The Hunger Games and Diary of a Wimpy Kid franchises) for his Clubhouse Pictures banner and first-time producer Tom Ackerly who is married to Robbie. Ackerly and Robbie’s production company is LuckyChap Entertainment. Michael Sledd (Sleeping with Other People, The Founder, Me and Earl and the Dying Girl) co-produced. Executive producers Len Blavatnik and Aviv Giladi financed the picture through AI-Film (Hacksaw Ridge, Lee Daniels’ The Butler). Upstart distributors Neon (Ingrid Goes West) and 30WEST (Super Size Me 2: Holy Chicken) won U.S. theatrical distribution rights for an estimated $5 million after the filmmakers turned down bigger offers from CBS Films, Miramax, and Netflix.

Film Festivals: The film premiered on September 8th at the Toronto International Film Festival, where it finished in second place for the audience award (behind the film whose script we discussed last month). It has also screened at festivals in Austin, Hawaii, Napa Valley, Philadelphia, and is scheduled to show at the AFI Fest on November 15th and Key West the following day. So far, the film has won a Hollywood Film Award for supporting actress Allison Janney, while Neon is expected to make a strong play for the film during Oscar season.

UPDATE (11/30/17): Additional early award season accolades I, Tonya has received since this was blog post was initially published include three Independent Spirit Award nominations (Best Female Lead – Margo Robbie, Best Supporting Female – Allison Janney, Best Editing), two Gotham Awards nominations (Best Feature and Best Actress – Robbie), a Spotlight Award for Janney at the Palm Springs International Film Festival, and three Satellite Awards nominations (for Robbie, Janney, and Best Film). The film was also accepted to the Dubai International Film Festival.

Release Date: Opens December 8 (Neon/30WEST). If you plan to see the movie before our meeting, reading the script before watching the film is advised. Click here for information on how to see the movie opening weekend followed by a Q&A with director Craig Gillespie, writer Steven Rogers, producer/star Margot Robbie, and co-star Allison Janney.

Rated R. 119 minutes. 106 pages. Dark Comedy, Sports Biopic.

Roadmap Writers founder and CEO JOE TUCCIO will provide in-depth script analysis and lead our discussion. Joey, who calls himself a connector and mentor, initially moved to Los Angeles to pursue acting but decided he preferred working with writers, despite not being a writer himself. He created Roadmap Writers to equip aspiring screenwriters with the tools and training to take their projects to the next level. To date his company has helped 29 writers get signed to companies like Gersh, Gotham Group, and Circle of Confusion and get projects picked up or optioned by Untitled, First Point, and The Hawk Koch Company.

UPDATE (12/10/17): Talent and literary manager CHRIS DECKARD will lead our script analysis and in-depth discussion. Prior to co-founding the management/production company Fictional Entity in late 2016, Chris Deckard spent over seven years working with and representing talent at major agencies such as ICM Partners and WME. He has worked closely with traditional and new media buyers to find and develop content for domestic and international audiences. In addition to helping cast and package numerous features and series, he has evaluated thousands of scripts for actors and directors. Chris enjoys helping creators achieve the full potential of their ideas through character and story. Chris graduated from Cornell University and earned his J.D. from Notre Dame Law School.

September 11 – Rebel in the Rye

RegisterNow(registration deadline: Friday, September 8)

Meet on the Fox Studios backlot on September 11th for an in-depth analysis and discussion of the screenplay REBEL IN THE RYE.

Logline: The true story of how J.D. Salinger came to write The Catcher in the Rye.

Screenwriter: Known for his roles as Jonathan on Buffy the Vampire Slayer and Doyle on Gilmore Girls, DANNY STRONG launched his screenwriting career with a pair of HBO movies about the 2000 and 2008 elections. Recount earned Strong a WGA award and an Emmy nomination, while Game Change won him his second WGA trophy, two Emmys, and a Peabody. For the big screen he wrote the script for Lee Daniels’ The Butler and had a hand in adapting the third and fourth Hunger Games movies from the novel Mockingjay. Strong is also co-creator, executive producer, and writer for the hit series Empire. Rebel in the Rye, which marks Strong’s feature film directorial debut, was adapted from the non-fiction book J.D. Salinger: A Life by Kenneth Slawensky, which Strong is said to have optioned with his own money.

Rebel in the Rye stars Nicholas Hoult (About a Boy, X-Men franchise) as the struggling author, Zoey Deutch (Vampire Academy, Why Him?) as love interest Oona O’Neill, Kevin Spacey (House of Cards) as mentor Whit Burnett, and Sarah Paulson (American Horror Story, The People v. O.J. Simpson) as Salinger’s agent.

Producers and Production Companies: Writer/director Danny Strong also serves as a producer on Rebel in the Rye along with Academy Award winner Bruce Cohen (American Beauty, Silver Linings Playbook), Jason Shuman (Middle Men, Little Black Book) and the team of Molly Smith and identical twin brothers Thad and Trent Luckinbill under their Black Label Media banner (La La Land, Sicario, Demolition). Rebel is the first production credited in IMDb to West Madison Entertainment, a production company recently founded by executive producer Christina Papagjika, an associate producer on Lee Daniels’ The Butler.

Release Date: September 15 (IFC Films). The film premiered this January at the Sundance Film Festival.

Rated PG-13. 106 minutes. 97 pages. Drama, Biopic.

Wendell WellmanWENDELL WELLMAN will provide in-depth analysis and lead our discussion. Trained at the Actors Studio and the Lee Strasberg Theatre Institute, Wendell has acted in feature films, television, and on stage. He has taught screenwriting at UCLA and wrote FIREFOX, SUDDEN IMPACT, and the final Dirty Harry script for Clint Eastwood. He recently completed adapting the novel The River Journey by Robert Nathan and is currently working on setting up his screenplay Top Hat. Wendell’s book, A Writer’s Roadmap, is available at Amazon.

July 10 – Dunkirk

RegisterNow(registration deadline: Friday, July 7)

Meet on the Fox Studios backlot on July 10th for an in-depth analysis and discussion of the screenplay DUNKIRK.

Logline: WWII Allied forces mount a mission to rescue 400,000 soldiers surrounded by the enemy after the Battle of Dunkirk.

Screenwriter: Writer-director CHRISTOPHER NOLAN gained acclaim for his second feature, Memento (2000), a noir thriller told in converging timelines as a man with short-term memory loss attempts to hunt down his wife’s killer. His Dark Knight trilogy has grossed more than $2.4 billion worldwide and his screenplays for Memento and Inception have both been nominated for Academy Awards. Dunkirk is his first film since 2014’s Interstellar, and his first film based on true events.

The film, which will be told from three perspectives (air, land, and sea) and will contain as little dialogue as possible, stars Tom Hardy (The Revenant), Kenneth Branagh (Harry Potter and the Chamber of Secrets), Cillian Murphy (Scarecrow in the Dark Knight trilogy), Mark Rylance (Bridge of Spies), and Harry Styles of One Direction in his acting debut.

Producers and Production Companies: As with all his films since Batman Begins, Nolan produced Dunkirk with his wife, Emma Thomas, through their London-based production company Syncopy, which also produced Man of Steel, on which Nolan shares a story credit.

Release Date: July 21 (Warner Bros.)

Rated PG-13. 107 minutes. 130 pages. Historical Drama, War, Action.

DANIEL P. CALVISI will provide in-depth analysis and lead our discussion. Dan is a story analyst, speaker, screenwriter, and the author of Story Maps: How to Write a GREAT Screenplay, Story Maps: TV Drama, Story Maps: 12 Great Screenplays, and Story Maps: The Films of Christopher Nolan. He is a former Story Analyst for major studios like 20th Century Fox, Miramax, and New Line Cinema. He coaches writers, teaches webinars on writing for film and television with The Writers Store, and speaks at writing conferences and book signings. He lives in Los Angeles and holds a degree in Film and Television from the Tisch School of the Arts at New York University. To learn more about Story Maps and how you can work with Dan, visit ActFourScreenplays.com.