November 13 – Three Billboards Outside Ebbing, Missouri

RegisterNow(registration deadline: Friday, November 10)

Meet on the Fox Studios backlot on November 13th for an in-depth analysis and discussion of the screenplay THREE BILLBOARDS OUTSIDE EBBING, MISSOURI.

Logline: In this darkly comic drama, a mother personally challenges the local authorities to solve her daughter’s murder when they fail to catch the culprit.

Screenwriters: British filmmaker MARTIN McDONAGH began his career as a playwright, winning the Drama Desk Award for The Beauty Queen of Leenane in 1998, three Laurence Olivier awards, and four Tony Award nominations. His first film, a short called Six Shooter, won the Academy Award for Best Live Action Short in 2004. He followed that up with 2008’s highly acclaimed In Bruges, which won the BAFTA award for Best Original Screenplay and was nominated for an Oscar in the same category and a Golden Globe for Best Picture (Musical or Comedy). In 2012 the writer-producer-director released Seven Psychopaths starring Colin Farrell, Sam Rockwell, Woody Harrelson, and Christopher Walken.

Three Billboards stars Frances McDormand (Fargo, Blood Simple), Woody Harrelson (Cheers, True Crime, The People vs. Larry Flynt), Sam Rockwell (Moon, Matchstick Men), John Hawkes (Deadwood, Winter’s Bone), Peter Dinklage (Game of Thrones, The Station Agent), Abbie Cornish (Sucker Punch, RoboCop), Caleb Landry Jones (X-Men First Class, Get Out), and Lucas Hedges (Manchester by the Sea).

Producers and Production Companies: Writer-director McDonagh produced alongside Pete Czernin and Graham Broadbent of UK production company Blueprint Pictures (The Best Exotic Marigold Hotel). Blueprint’s development executive Ben Knight co-produced.

Film Festivals: Three Billboards premiered in competition at the Venice International Film Festival on September 4th where it won the Golden Osello for Best Screenplay. It also won the Toronto International Film Festival’s People’s Choice Award, an award some consider to be the “starting gun” of the Oscar race. The film has played at, or is scheduled to be screened at, major festivals in Zurich, Hamburg, Hamptons, San Diego, Mill Valley, London, Chicago, Twin Cities, Philadelphia, and Austin.

Release Date: Opens in limited release on November 10 (Fox Searchlight). If you plan to see the movie before our meeting, reading the script before watching the film is advised.

Rated R. 115 minutes. 103 pages. Dark Comedy.

Jeff KitchenJEFF KITCHEN will provide in-depth scrip analysis and lead our discussion. Jeff is a sought-after script doctor and working writer who has taught screenwriting professionally since 1989. He is the author of Writing a Great Movie: Key Tools for Successful Screenwriting, and has trained development executives from all the major studios who have consistently said that he teaches “the most advanced development tools in the film industry.” Creative Screenwriting listed him as one of the top five screenwriting teachers working today. Visit his website DevelopmentHeaven.com.

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October 9 – Suburbicon

RegisterNow(registration deadline: Friday, October 6)

Meet on the Fox Studios backlot on October 9th for an in-depth analysis and discussion of the screenplay SUBURBICON.

Logline: Violence, murder, and mayhem come to the quintessential peaceful suburban town.

Screenwriters: JOEL and ETHAN COEN wrote the first draft of Suburbicon in 1986, shortly after the release of their first film, Blood Simple. The Coen Brothers went on to release a string of cult classics, including Raising Arizona, The Hudsucker Proxy, Fargo (for which they won their first Academy Award, for Best Original Screenplay), The Big Lebowski, and No Country For Old Men, which earned the brothers three more Oscars. The scribes returned to Suburbicon for another draft in 2006, twenty years after they’d written their first draft. GEORGE CLOONEY, who has starred in four Coen Bros. movies (O Brother Where Art Thou, Intolerable Cruelty, Burn After Reading, and last year’s Hail, Caesar!), recently asked the team if he could direct the still-back-burnered Suburbicon. Clooney and his writing partner GRANT HESLOV, who share two Oscar nominations for their screenplays for Good Night, and Good Luck and The Ides of March, are said to have brought a fresh angle to the long-gestating project. (We will be reading the Coens’ 2007 draft.)

Suburbicon stars Matt Damon (Bourne franchise, Ocean’s trilogy, The Martian), Julianne Moore (The Hunger Games: Mockingjay Parts 1 and 2, The Lost World: Jurassic Park, The Big Lebowski), and Oscar Isaac (Star Wars: The Force Awakens, Ex Machina, Inside Llewyn Davis).

Producers and Production Companies: Credited producers include writers Clooney and Heslov for their Smokehouse Pictures banner, along with Teddy Schwarzman for Black Bear Pictures (Gold, The Imitation Game), and co-producer David Webb (previously an associate or co-producer and 1st AD for Ben Affleck’s Live by Night and Atom Egoyan’s The Sweet Hereafter and Clooney’s 1st AD on Good Night, and Good Luck, among many other AD credits).  Joel Silver, of Silver Pictures and Dark Castle Entertainment, is among the film’s executive producers. His 100+ producing credits include the Matrix trilogy, the first two Die Hard movies, and Xanadu.

Release Date: October 27 (Paramount). The film premiered September 2 at the Venice International Film Festival and is also on the lineup for this month’s Toronto International Film Festival.

Rated R. 104 minutes. 113 pages. Dark Comedy, Crime, Thriller, Mystery.

Diana LesmezDIANA LESMEZ will provide in-depth analysis and lead our discussion. Currently an independent writer, producer, and director for her company, The StoryMaker Entertainment, Diana’s screenwriting has placed her as a finalist in the Walt Disney Fellowship Program, Broad Humor Film Festival, and Slamdance Screenwriting Competition. Her vast background in the entertainment industry includes developing film projects for Atlantic Streamline (Igby Goes Down) and Patriot Pictures (Air Force One) and she has taught at the New York Film Academy and the Los Angeles Film School. Diana also offers pitching, producing, distribution, and marketing consulting services through her Bumptious Media Consulting banner. Follow her on Twitter (@DianaLesmez).

September 11 – Rebel in the Rye

RegisterNow(registration deadline: Friday, September 8)

Meet on the Fox Studios backlot on September 11th for an in-depth analysis and discussion of the screenplay REBEL IN THE RYE.

Logline: The true story of how J.D. Salinger came to write The Catcher in the Rye.

Screenwriter: Known for his roles as Jonathan on Buffy the Vampire Slayer and Doyle on Gilmore Girls, DANNY STRONG launched his screenwriting career with a pair of HBO movies about the 2000 and 2008 elections. Recount earned Strong a WGA award and an Emmy nomination, while Game Change won him his second WGA trophy, two Emmys, and a Peabody. For the big screen he wrote the script for Lee Daniels’ The Butler and had a hand in adapting the third and fourth Hunger Games movies from the novel Mockingjay. Strong is also co-creator, executive producer, and writer for the hit series Empire. Rebel in the Rye, which marks Strong’s feature film directorial debut, was adapted from the non-fiction book J.D. Salinger: A Life by Kenneth Slawensky, which Strong is said to have optioned with his own money.

Rebel in the Rye stars Nicholas Hoult (About a Boy, X-Men franchise) as the struggling author, Zoey Deutch (Vampire Academy, Why Him?) as love interest Oona O’Neill, Kevin Spacey (House of Cards) as mentor Whit Burnett, and Sarah Paulson (American Horror Story, The People v. O.J. Simpson) as Salinger’s agent.

Producers and Production Companies: Writer/director Danny Strong also serves as a producer on Rebel in the Rye along with Academy Award winner Bruce Cohen (American Beauty, Silver Linings Playbook), Jason Shuman (Middle Men, Little Black Book) and the team of Molly Smith and identical twin brothers Thad and Trent Luckinbill under their Black Label Media banner (La La Land, Sicario, Demolition). Rebel is the first production credited in IMDb to West Madison Entertainment, a production company recently founded by executive producer Christina Papagjika, an associate producer on Lee Daniels’ The Butler.

Release Date: September 15 (IFC Films). The film premiered this January at the Sundance Film Festival.

Rated PG-13. 106 minutes. 97 pages. Drama, Biopic.

Wendell WellmanWENDELL WELLMAN will provide in-depth analysis and lead our discussion. Trained at the Actors Studio and the Lee Strasberg Theatre Institute, Wendell has acted in feature films, television, and on stage. He has taught screenwriting at UCLA and wrote FIREFOX, SUDDEN IMPACT, and the final Dirty Harry script for Clint Eastwood. He recently completed adapting the novel The River Journey by Robert Nathan and is currently working on setting up his screenplay Top Hat. Wendell’s book, A Writer’s Roadmap, is available at Amazon.

August 14 – The Only Living Boy in New York

RegisterNow(registration deadline: Friday, August 11)

Meet on the Fox Studios backlot on August 14th for an in-depth analysis and discussion of the screenplay THE ONLY LIVING BOY IN NEW YORK.

Logline: Adrift in New York City, a recent college graduate’s life is upended by his father’s mistress.

Screenwriter: After a twelve-year struggle to get noticed in Hollywood, screenwriter ALLAN LOEB finally broke through in 2005 when two of his spec scripts landed in the top four of the industry’s inaugural Black List, leading to sales of six projects in a single year. The first to make it to the cinema was 2007’s Things We Lost in the Fire starring Halle Berry. Subsequent writing credits include 21 (the fictionalized true story of a card-counting ring from MIT), Wall Street: Money Never Sleeps, The Switch (starring Jennifer Aniston and Jason Bateman), The Dilemma (directed by Ron Howard), and the musical Rock of Ages. Earlier this year Loeb shared a writing credit on the sci-fi romantic drama The Space Between Us, and just two months before that his original screenplay Collateral Beauty hit the screen with Will Smith in the lead. Along with Things We Lost…, The Only Living Boy in New York was Loeb’s other script on the 2005 Black List.

Named after the 1970 Simon & Garfunkel song, The Only Living Boy in New York is Loeb’s “version of my favorite movie, The Graduate, with kind of a Manhattan love-letter to New York flourish to it,” according to a 2012 interview with the scribe. Directed by Marc Webb ((500) Days of Summer, The Amazing Spider-Man), the film stars Callum Turner (Queen and Country), Kate Beckinsale (Pearl Harbor), Pierce Brosnan (Die Another Day), Cynthia Nixon (Sex and the City), Kiersey Clemons (Justice League), and Jeff Bridges (True Grit, The Big Lebowski).

Producers and Production Companies: Ron Yerxa and Albert Berger, nominated for an Academy Award for Best Picture for Alexander Payne’s Nebraska, produced The Only Living Boy… through their Bona Fide Productions. Previously, the pair had produced Payne’s Election, Loeb’s The Switch, and the Oscar winning Little Miss Sunshine. They have a first-look deal with Amazon Studios (Manchester by the Sea), who financed the picture. John Fogel also produced. This is his first credit.

Release Date: August 11 (Roadside Attractions)

Rated R. 88 minutes. 105 pages. Drama.

Brian HerskowitzBRIAN HERSKOWITZ will provide in-depth analysis and lead our discussion. Brian currently holds the title of lead faculty in screenwriting for the prestigious Boston University in Los Angeles – Writer In Hollywood Program, has taught online for UCLA Extension, and spent five years as the sitcom instructor for Writer’s Bootcamp. He has written for such TV shows as Blossom, Hercules: The Legendary Journeys, Acapulco Heat, Dream On, Renegade, and Murder, She Wrote. and in 2014 released he released the book Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. His feature screenwriting credits include the horror/thriller Darkroom and the family comedy Tio Papi. Also a talented actor, producer, and director, Brian made the award-winning short film Odessa or Bust starring Jason Alexander, Red Buttons, and Jason Schwartzman, and the domestic abuse documentary 1736: Somewhere To Turn. Find out more about Brian and his projects at brianherskowitz.com.

July 10 – Dunkirk

RegisterNow(registration deadline: Friday, July 7)

Meet on the Fox Studios backlot on July 10th for an in-depth analysis and discussion of the screenplay DUNKIRK.

Logline: WWII Allied forces mount a mission to rescue 400,000 soldiers surrounded by the enemy after the Battle of Dunkirk.

Screenwriter: Writer-director CHRISTOPHER NOLAN gained acclaim for his second feature, Memento (2000), a noir thriller told in converging timelines as a man with short-term memory loss attempts to hunt down his wife’s killer. His Dark Knight trilogy has grossed more than $2.4 billion worldwide and his screenplays for Memento and Inception have both been nominated for Academy Awards. Dunkirk is his first film since 2014’s Interstellar, and his first film based on true events.

The film, which will be told from three perspectives (air, land, and sea) and will contain as little dialogue as possible, stars Tom Hardy (The Revenant), Kenneth Branagh (Harry Potter and the Chamber of Secrets), Cillian Murphy (Scarecrow in the Dark Knight trilogy), Mark Rylance (Bridge of Spies), and Harry Styles of One Direction in his acting debut.

Producers and Production Companies: As with all his films since Batman Begins, Nolan produced Dunkirk with his wife, Emma Thomas, through their London-based production company Syncopy, which also produced Man of Steel, on which Nolan shares a story credit.

Release Date: July 21 (Warner Bros.)

Rated PG-13. 107 minutes. 130 pages. Historical Drama, War, Action.

DANIEL P. CALVISI will provide in-depth analysis and lead our discussion. Dan is a story analyst, speaker, screenwriter, and the author of Story Maps: How to Write a GREAT Screenplay, Story Maps: TV Drama, Story Maps: 12 Great Screenplays, and Story Maps: The Films of Christopher Nolan. He is a former Story Analyst for major studios like 20th Century Fox, Miramax, and New Line Cinema. He coaches writers, teaches webinars on writing for film and television with The Writers Store, and speaks at writing conferences and book signings. He lives in Los Angeles and holds a degree in Film and Television from the Tisch School of the Arts at New York University. To learn more about Story Maps and how you can work with Dan, visit ActFourScreenplays.com.

June 12 – The Mummy

RegisterNow(registration deadline: Friday, June 9)

Meet on the Fox Studios backlot on June 12th for an in-depth analysis and discussion of the screenplay THE MUMMY.

Logline: An ancient princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

Screenwriters: JON SPAIHTS first gained industry attention when his sci-fi spec script Passengers found a spot on the 2007 Black List. Produced nine years later with Jennifer Lawrence and Chris Pratt in the lead roles, the film was released in December of last year, making over $300 million. Before that, Spaihts had writing credits on Ridley Scott’s first Alien prequel, Prometheus (2012), and Marvel’s Doctor Strange, released a month before Passengers. The two franchise films made over $400 million and $600 million, respectively. We will be reading Sphait’s 7/11/13 draft of The Mummy. On the finished film, he shares a writing credit with CHRISTOPHER MCQUARRIE, who won an Academy Award in 1996 for his second produced feature screenplay, The Usual Suspects. The Mummy reboot marks his fifth outing with Tom Cruise, having also written the scripts for Valkyrie (2008) and Edge of Tomorrow (2014), and written and directed Jack Reacher (2012) and Mission: Impossible–Rogue Nation (2015).

Directed by Alex Kurtzman, co-writer of such hits as Transformers, Mission: Impossible III, and Star Trek, The Mummy launches the new Universal Monsters shared universe series of films that is expected to include re-imaginings of Dracula, Frankenstein, The Wolf Man, and The Invisible Man, among others. In addition to Cruise, The Mummy stars Sofia Boutella (Kingsman: The Secret Service) in the title role, Annabelle Wallis (BBC’s Peaky Blinders), Jake Johnson (New Girl), Courtney B. Vance (The People v. O.J. Simpson), and Academy Award winner Russell Crowe (Gladiator, A Beautiful Mind) as Dr. Jekyll.

Producers and Production Companies: At age 34 in 1985, Sean Daniel became the youngest head of production in the history of Universal Pictures. After leaving the studio, he went on to produce the previous Mummy franchise for them through his company Alphaville Films, and is now producing the reboot franchise under his new banner, The Sean Daniel Company. Chris Morgan, screenwriter of several Fast and the Furious movies, and Kurtzman have been put in charge of development for the entire Universal Monsters shared universe series under Kurtzman’s new Secret Hideout banner, which is also producing the new series Star Trek: Discovery. Kurtzman’s former writing partner, Roberto Orci, also produced The Mummy via K/O Paper Products, the production company he started with Kurtzman.

Release Date: June 9 (Universal Pictures)

Rated PG-13. 120 minutes. 123 pages. Action, Adventure, Fantasy, Horror.

pamelajayesmithPAMELA JAYE SMITH will provide in-depth analysis and lead our discussion. A mythologist and award-winning producer/director with over thirty years experience in features, TV, music videos, and more, Pamela is the author of five books, including The Power of the Dark Side: Creating Great Villains and Inner Drives: How to Write and Create Characters Using the Eight Classic Centers of Motivation. Her company, MYTHWORKS, offers consulting and coaching and, through her Pitch Proxy service, pitches writers’ projects at pitch festivals they cannot attend. Visit pamelajayesmith.com for more information.

May 22 – The Business of Screenwriting

Meet on the Fox Studios backlot on May 22nd for a StoryBoard Special Event!
MASTER CLASS:
The Business Side of Screenwriting
– What Every Writer Should Know –
with Steve Kaire
Monday, May 22, 2017 7:30-10:00 PM

This professional seminar will cover:

  • Deal Making
  • How Much $$$ to Expect for an Idea, Treatment, or Screenplay
  • How to Read a Deal Memo
  • Should You Sign a Release Form?
  • How Options Work
  • Rewrite Assignments
  • How to Protect Your Material

The entertainment business is part entertainment and mostly business. Writers think their only job is to create the material and let someone else take care of business and legal matters.

 

“Of the eight projects
I sold or optioned,
I negotiated seven of those deals
myself without representation.”

Steve Kaire

 

At the very least, you should have a basic understanding of how the business works.

STEVE KAIRE has sold eight projects to major studios without representation and is currently co-producing Sherlock’s Secretary for Walden Media. A screenwriter for over 30 years, he holds a master’s degree in Dramatic Writing and has taught writing classes at the American Film Institute.

If you think your script is ready to sell to Hollywood, you can’t afford to miss this special StoryBoard session.

StoryBoard Members: $35 Non-Members: $45

REGISTER NOW!

Registration deadline is Friday, May 19. Good seats still available.

Log in to PayPal, click “Pay or send money,” enter StoryBoardDG@gmail.com and the correct amount, then click on “Write a note” and BE SURE TO INCLUDE ALL OF THE FOLLOWING: your name (exactly as it appears on your driver’s license), your mobile phone number AND “Business of Screenwriting Master Class.”

Or contact Scott Burnell for alternate payment method.
email: StoryBoardDG@gmail.com phone: (323) 205-0773

This Master Class is a StoryBoard Special Event. From time to time, StoryBoard Development Group presents amazing workshops and seminars apart from our outstanding regular monthly meetings.

Our next regular session is Monday, June 12, when we discuss the screenplay for Universal’s THE MUMMY reboot starring Tom Cruise.