December 14 – Hillbilly Elegy

Meet ONLINE on December 14th for an in-depth analysis and discussion of the screenplay HILLBILLY ELEGY.

LOGLINE: A Yale Law School student returns to his Appalachian roots, recalling the values he learned being raised by his grandmother while his mother fought a heroin addiction.

ABOUT THE WRITER: Venture capitalist J.D. VANCE wrote the New York Times bestseller, Hillbilly Elegy: A Memoir of a Family and a Culture in Crisis, while at Yale Law School. The book received national attention during the 2016 election cycle as a window into the white working class. Vance currently lives in Ohio, where he started the nonprofit Our Ohio Renewal to combat drug addiction in the Rust Belt and has been contemplating a run for the U.S. Senate. Imagine Entertainment optioned the book’s film rights for Ron Howard to direct and hired VANESSA TAYLOR to write the screenplay. Taylor began her writing career in television with credits on such popular shows as Alias, Everwood, and Game of Thrones. Some of her feature screenplays include her original spec Hope Springs, which starred Meryl Streep and Tommy Lee Jones; the adaptation of the YA dystopian novel Divergent; and The Shape of Water, which earned Vanessa her first Academy Award nomination and went on to win four Academy Awards including Best Picture. More recently, she adapted the nonfiction book Bad Blood: Secrets and Lies in a Silicon Valley Startup, with Adam McCay attached to direct and Jennifer Lawrence attached to star.

(registration deadline: Friday, December 4)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.

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Directed by Ron Howard (A Beautiful Mind, Apollo 13), the true coming-of-age story stars six-time Oscar nominee Amy Adams (Enchanted, Lois Lane in the DC Extended Universe), seven-time Oscar nominee Glenn Close (Fatal Attraction), Freida Pinto (Slumdog Millionaire), Haley Bennett (The Girl on the Train, The Devil All the Time), and Gabriel Basso (Super 8, The Big C) as Vance.

Netflix won a bidding war for the film’s distribution rights, putting up the entire $45 million budget. Although the Academy’s theatrical screening eligibility requirement has been suspended this year, Netflix did open Hillbilly Elegy on November 11 in Middletown, Ohio, where the film is set, as well as a handful of other cities in Ohio. It’s scheduled to premiere on the streaming service on November 24.

Rated R. 116 minutes. 122 pages. Coming-of-Age Drama.

WENDELL WELLMAN will provide in-depth script analysis and lead our discussion. Wendell WellmanScreenwriter, actor, playwright, teacher, and author of A Writer’s Roadmap, Wendell has taught screenwriting at UCLA and UWV and has been a frequent guest moderator at StoryBoardDG.com’s Screenplay Development Group. As an actor, Wendell studied under Lee Strasberg and Peggy Feury at the Strasberg Institute and has appeared in episodic television, theater, and motion pictures, including prominent roles in the films The Klansman starring Lee Marvin and Richard Burton, Sudden Impact, Sommersby, and Street of Dreams. As a writer, he teamed up with Alex Lasker to adapt the novel Firefox for director Clint Eastwood. He also did additional work for Eastwood on the screenplay for Sudden Impact and wrote a final Dirty Harry project. Wendell also worked with the West End Theatre Group as co-founder and artistic director while continuing to alternate between acting and writing assignments. He is currently writing original feature scripts.

January 8 – The Shape of Water

RegisterNow(registration deadline: Friday, January 5)

Meet on the Fox Studios backlot on January 8th for an in-depth analysis and discussion of the screenplay THE SHAPE OF WATER.

Logline: A mute woman takes a janitorial job at a secret government laboratory where she becomes emotionally attached to a mysterious amphibious humanoid creature being held there in captivity.

The Writers: The story for The Shape of Water was conceived by GUILLERMO DEL TORO over a 2011 breakfast with novelist Daniel Kraus while discussing his wish to see the monster in 1954’s Creature from the Black Lagoon hook up with that film’s female lead. When Universal rejected his pitch of a remake with that ending, he and VANESSA TAYLOR wrote this original script instead. Mexican filmmaker del Toro is best known for 2006’s Pan’s Labyrinth, which won three Academy Awards and was nominated for another three, including Best Original Screenplay and Best Foreign Language Film. Some of his other films include Mimic, Pacific Rim, and both Hellboy movies. He has also produced or executive produced animated favorites The Book of Life, Rise of the Guardians, and Kung Fu Panda 3 as well as the low budget horror hit Mama. Taylor’s work was previously discussed at StoryBoard with her original screenplay for Hope Springs, which starred Meryl Streep and Tommy Lee Jones. Her other work includes the adaptation of Divergent, seasons 2 and 3 of Game of Thrones, and Disney’s upcoming live-action remake of Aladdin.

Directed by del Toro, The Shape of Water stars Academy Award nominees Sally Hawkins (Blue Jasmine), Michael Shannon (Nocturnal Animals), Richard Jenkins (The Visitor), Academy Award winner Octavia Spencer (The Help), Golden Globe nominee Michael Stuhlbarg (A Serious Man), and featuring Doug Jones (Star Trek: Discovery) as the creature.

Producers and Production Companies: Del Torro produced the film under his Double Dare You label with J. Miles Dale. Dale and del Toro previously teamed up on Mama and the FX series The Strain. Dale’s previous credits include Scott Pilgrim vs. the World and recent remakes of Endless Love, Carrie, and The Thing. Novelist Daniel Kraus, who helped del Toro brainstorm the initial story idea over breakfast, has an associate producer credit. Kraus and del Toro also co-wrote the novel Trollhunters. Liz Sayre, executive vice president of physical production at Fox Searchlight, has an executive producer credit on the film.

Festivals & Awards: The Shape of Water premiered at the Venice International Film Festival where it won the prestigious Golden Lion and three other awards. It has also played at festivals in Toronto, Telluride, Rio de Janeiro, London, Vienna, Chicago, Tokyo, Napa Valley, and Key West, and was named one of American Film Institute’s top ten films of the year. This morning the film received seven Golden Globe nominations, the most of any film this year, including Best Motion Picture, Best Director, and Best Screenplay. Previously the film had already racked up 14 nominations from the Critics Choice Awards and 10 from the Satellite Awards, also including Best Picture, Best Director, and Best Original Screenplay from both organizations. The Los Angeles Film Critics Association has also given the film three awards and the Palm Springs International Film Festival will give it their Vanguard Award on January 2, with more accolades to come on the road to the Oscars.

Release Date: Opened on December 1 in New York and December 8 in Los Angeles (Fox Searchlight). If you plan to see the movie before our meeting, reading the script before watching the film is advised.

Rated R. 123 minutes. 116 pages. Drama, Fantasy, Horror, Romance.

BILL LUNDY will provide in-depth script analysis and lead our discussion. A graduate of USC Film School, Bill has written two highly-rated original films for SyFy, Silent Warnings and Alien Siege, sold stories to Star Trek: Voyager, and optioned several sci-fi, fantasy, and horror projects. From 1997 to 2004 he served as Chairman of the non-profit Scriptwriters Network. A top script consultant and teacher known as “The Log Line Doctor,” he’s done seminars for Screenwriting Expo, Sherwood Oaks College, Newport Beach Film Festival, Scriptwriters Showcase, Flash Forward, and The Writers Store and contributed to such books as Q&A: The Working Screenwriter by Jim Vines, and Now Write! Screenwriting, and his essays and liner notes can be found on award-winning DVD special editions for such films as The Matrix, E.T. The Extra-Terrestrial, and Minority Report. Follow Bill on Twitter at @blundysf.