June 12 – The Mummy

RegisterNow(registration deadline: Friday, June 9)

Meet on the Fox Studios backlot on June 12th for an in-depth analysis and discussion of the screenplay THE MUMMY.

Logline: An ancient princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

Screenwriters: JON SPAIHTS first gained industry attention when his sci-fi spec script Passengers found a spot on the 2007 Black List. Produced nine years later with Jennifer Lawrence and Chris Pratt in the lead roles, the film was released in December of last year, making over $300 million. Before that, Spaihts had writing credits on Ridley Scott’s first Alien prequel, Prometheus (2012), and Marvel’s Doctor Strange, released a month before Passengers. The two franchise films made over $400 million and $600 million, respectively. We will be reading Sphait’s 7/11/13 draft of The Mummy. On the finished film, he shares a writing credit with CHRISTOPHER MCQUARRIE, who won an Academy Award in 1996 for his second produced feature screenplay, The Usual Suspects. The Mummy reboot marks his fifth outing with Tom Cruise, having also written the scripts for Valkyrie (2008) and Edge of Tomorrow (2014), and written and directed Jack Reacher (2012) and Mission: Impossible–Rogue Nation (2015).

Directed by Alex Kurtzman, co-writer of such hits as Transformers, Mission: Impossible III, and Star Trek, The Mummy launches the new Universal Monsters shared universe series of films that is expected to include re-imaginings of Dracula, Frankenstein, The Wolf Man, and The Invisible Man, among others. In addition to Cruise, The Mummy stars Sofia Boutella (Kingsman: The Secret Service) in the title role, Annabelle Wallis (BBC’s Peaky Blinders), Jake Johnson (New Girl), Courtney B. Vance (The People v. O.J. Simpson), and Academy Award winner Russell Crowe (Gladiator, A Beautiful Mind) as Dr. Jekyll.

Producers and Production Companies: At age 34 in 1985, Sean Daniel became the youngest head of production in the history of Universal Pictures. After leaving the studio, he went on to produce the previous Mummy franchise for them through his company Alphaville Films, and is now producing the reboot franchise under his new banner, The Sean Daniel Company. Chris Morgan, screenwriter of several Fast and the Furious movies, and Kurtzman have been put in charge of development for the entire Universal Monsters shared universe series under Kurtzman’s new Secret Hideout banner, which is also producing the new series Star Trek: Discovery. Kurtzman’s former writing partner, Roberto Orci, also produced The Mummy via K/O Paper Products, the production company he started with Kurtzman.

Release Date: June 9 (Universal Pictures)

Rated PG-13. 120 minutes. 123 pages. Action, Adventure, Fantasy, Horror.

pamelajayesmithPAMELA JAYE SMITH will provide in-depth analysis and lead our discussion. A mythologist and award-winning producer/director with over thirty years experience in features, TV, music videos, and more, Pamela is the author of five books, including The Power of the Dark Side: Creating Great Villains and Inner Drives: How to Write and Create Characters Using the Eight Classic Centers of Motivation. Her company, MYTHWORKS, offers consulting and coaching and, through her Pitch Proxy service, pitches writers’ projects at pitch festivals they cannot attend. Visit pamelajayesmith.com for more information.

May 22 – The Business of Screenwriting

Meet on the Fox Studios backlot on May 22nd for a StoryBoard Special Event!
MASTER CLASS:
The Business Side of Screenwriting
– What Every Writer Should Know –
with Steve Kaire
Monday, May 22, 2017 7:30-10:00 PM

This professional seminar will cover:

  • Deal Making
  • How Much $$$ to Expect for an Idea, Treatment, or Screenplay
  • How to Read a Deal Memo
  • Should You Sign a Release Form?
  • How Options Work
  • Rewrite Assignments
  • How to Protect Your Material

The entertainment business is part entertainment and mostly business. Writers think their only job is to create the material and let someone else take care of business and legal matters.

 

“Of the eight projects
I sold or optioned,
I negotiated seven of those deals
myself without representation.”

Steve Kaire

 

At the very least, you should have a basic understanding of how the business works.

STEVE KAIRE has sold eight projects to major studios without representation and is currently co-producing Sherlock’s Secretary for Walden Media. A screenwriter for over 30 years, he holds a master’s degree in Dramatic Writing and has taught writing classes at the American Film Institute.

If you think your script is ready to sell to Hollywood, you can’t afford to miss this special StoryBoard session.

StoryBoard Members: $35 Non-Members: $45

REGISTER NOW!

Registration deadline is Friday, May 19. Good seats still available.

Log in to PayPal, click “Pay or send money,” enter StoryBoardDG@gmail.com and the correct amount, then click on “Write a note” and BE SURE TO INCLUDE ALL OF THE FOLLOWING: your name (exactly as it appears on your driver’s license), your mobile phone number AND “Business of Screenwriting Master Class.”

Or contact Scott Burnell for alternate payment method.
email: StoryBoardDG@gmail.com phone: (323) 205-0773

This Master Class is a StoryBoard Special Event. From time to time, StoryBoard Development Group presents amazing workshops and seminars apart from our outstanding regular monthly meetings.

Our next regular session is Monday, June 12, when we discuss the screenplay for Universal’s THE MUMMY reboot starring Tom Cruise.

May 8 – Snatched

RegisterNow(registration deadline: Friday, May 5)

Meet on the Fox Studios backlot on May 8th for an in-depth analysis and discussion of the screenplay SNATCHED.

Logline: After her boyfriend dumps her on the eve of their exotic vacation, an impetuous dreamer persuades her ultra-cautious mother to travel with her to paradise, where they are kidnapped and must work through their differences to save themselves.

Writers: KATIE DIPPOLD was a performer for the Upright Citizens Brigade Theatre and in sketches on Late Night with Conan O’Brien before becoming a television writer for such shows as MADtv and Parks and Recreation. In 2012, Variety named her one of the “10 Screenwriters to Watch.” Her first produced feature screenplay was 2013’s The Heat starring Sandra Bullock and Melissa McCarthy. The action comedy grossed $159 million in the US. Dippold followed this up with the 2016 Ghostbusters reboot, co-written with the film’s director, Paul Feig, who also directed The Heat. Inspired by Dippold’s own relationship with her mother, Snatched is her third feature writing credit. The film’s star, Amy Schumer, is said to have also worked on the script with her sister, Kim Caramele.

Academy Award winner Goldie Hawn stars in Snatched alongside Schumer, returning to the big screen after a fifteen year absence. Directed by Jonathan Levine (50/50Warm Bodies), Snatched also features two-time Oscar nominee Joan Cusack (Shameless), Christopher Meloni (Law & Order: SVU), MADtv‘s Ike Barinholtz (Suicide Squad), Wanda Sykes (The Wanda Sykes Show), and Randall Park (Fresh Off the Boat).

Producers and Production Companies: Paul Feig, the director of Dippold’s first two movies, and Jessie Henderson (The Heat, Spy) produced Snatched through Feigco Entertainment. Oscar-nominated Hidden Figures producers Peter Chernin (Planet of the Apes reboot film series) and Jenno Topping (Charlie’s Angels films) also produced through Chernin’s Fox-based Chernin Entertainment. Henderson was previously an exec at Chernin before moving to Feigco.

Release Date: May 12 (20th Century Fox)

Rated R. 91 minutes. 119 pages. Action, Comedy.

DianeDrake150DIANE DRAKE will provide in-depth analysis and lead our discussion. Prior to writing the hit movies Only You (starring Robert Downey Jr. and Marissa Tomei) and What Women Want (starring Mel Gibson and Helen Hunt), Diane served as Vice President of Creative Affairs for Sydney Pollack (Out of Africa, Tootsie), honing her story skills while analyzing hundreds of screenplays to find and develop material for the Oscar-winning producer-director. She has taught through the UCLA Extension Writers’ Program and currently offers online courses and workshops at www.dianedrake.com. Her first book, Get Your Story Straight, was released in 2016. Follow her on Twitter (@dianedrake) to find out more.

April 10 – The Circle

RegisterNow(registration deadline: Friday, April 7)

Meet on the Fox Studios backlot on April 10th for an in-depth analysis and discussion of the screenplay THE CIRCLE.

Logline: A woman lands her dream job at the most powerful tech company in the world only to find herself facing questions of privacy, identity, and freedom that will determine the future of humanity.

Writers: The Circle is based on the novel by DAVE EGGERS, who wrote the first draft of the screenplay. He also wrote screenplays for Away We Go with his wife, novelist Vendela Vida, and Where the Wild Things Are with director Spike Jonze, and has a story credit on Gus Van Sant’s Promised Land. The Circle is Eggers’ tenth novel. His 2009 book, Zeitoun, has been optioned by Jonathan Demme, and his novel A Hologram for the King was made into a movie in 2016 by Tom Tykwer starring Tom Hanks. JAMES PONSOLDT rewrote the script for The Circle and is the film’s director. Ponsoldt’s other writer-director credits include Off the Black starring Nick Nolte and Smashed starring Aaron Paul. He also directed The End of the Tour starring Jason Segal and Jesse Eisenberg and the acclaimed The Spectacular Now starring Miles Teller and Shailene Woodley.

The Black Mirror-esque sci-fi thriller stars Emma Watson (Harry Potter film series) and Tom Hanks in his first-ever villain role, with John Boyega (Star Wars: The Force Awakens), Karen Gillan (Doctor Who, Guardians of the Galaxy), Ellar Coltrane (Boyhood), Patton Oswalt (Young Adult), and the late Bill Paxton in his final film appearance.

Producers and Production Companies: Hanks optioned the novel in 2014 to star in and produce through his Playtone banner with producing partner Gary Goetzman (Sully, Game Change). Anthony Bregman (Collateral Beauty, Sing Street, Foxcatcher) joined the producers with his company, Likely Story. Sophia Dilley (Netflix’s Tallulah) co-produces through Route One Entertainment. Writer-director Ponsoldt also has a producing credit. The film’s financing came from Image Nation (Rings, Contagion).

Release Date: April 28 (STX Entertainment), after its world premiere at the Tribeca Film Festival.

Rated PG-13. 110 minutes. 141 pages. Drama, Sci-Fi, Thriller.

LINDA COWGILL will provide in-depth analysis and lead our discussion. After completing her MFA at UCLA’s School of Film and Television, Linda landed her first TV writing job on The Incredible Hulk and sold her first feature screenplay to Orion Pictures. She continued writing scripts for Paramount, Universal, MGM, Warner Bros., and for the acclaimed series Life Goes On, until deciding to focus on teaching screenwriting. She has since taught seminars and workshops at AFI, Kennedy Center, Boston Film Institute, Loyola Marymount, IFP Miami, and NALIP and now heads the Screenwriting Department at Los Angeles Film School. She has also published three books, The Art of Plotting, Secrets of Screenplay Structure, and Writing Short Films, and has many useful screenwriting articles on her website, Plots Inc.

March 13 – Hidden Figures

RegisterNow(registration deadline: Friday, March 10)

Hidden Figures (UK poster)Meet on the Fox Studios backlot on March 13th for an in-depth analysis and discussion of the screenplay HIDDEN FIGURES.

Logline: The untold true story of a team of African-American women mathematicians who served a vital role in NASA during the early years of the US space program.

Based on the 2016 bestseller Hidden Figures: The Story of the African-American Women Who Helped Win the Space Race by debut author Margot Lee Shetterly, the script was adapted by ALLISON SCHROEDER and rewritten by the film’s director, THEODORE MELFI, focusing on balancing the home lives of the three protagonists with their careers at NASA. Schroeder, a former production assistant on Smallville who had interned at NASA as a teenager, previously wrote Mean Girls 2. Hidden Figures is her first feature writing credit. Melfi previously wrote and directed St. Vincent and wrote the upcoming remake of 1979’s Going in Style, scheduled to be released in April.

The 1961-set historical drama stars Taraji P. Henson (Empire), Octavia Spencer (The Help), Grammy Award nominated singer Janelle Monáe (Moonlight), Kevin Costner (Dances with Wolves), Kirsten Dunst (Spider-Man), Jim Parsons (The Big Bang Theory), Mahershala Ali (Moonlight), and Glen Powell (Scream Queens) as John Glenn, and features the music of Pharrell Williams, who is also one of the film’s producers.

Awards and Nominations: Hidden Figures is nominated for three Academy Awards including Best Picture, Best Supporting Actress (Spencer), and Best Adapted Screenplay. The ensemble cast recently won the top honor at the Screen Actors Guild awards, and the screenplay is also nominated for BAFTA, WGA, and USC Scripter awards.

Producers and Production Companies: Academy Award winning producer Donna Gigliotti (Shakespeare in Love) acquired the book’s film rights for Levantine Films (Beasts of No Nation, The Fundamentals of Caring), where she is the president. Gigliotti has had two other Best Picture nominations (Silver Linings Playbook and The Reader) since beginning her career as an assistant to Martin Scorsese on Raging Bull. Gigliotti produced Hidden Figures with former News Corp. COO Peter Chernin and his Chernin Entertainment production company (Rise of the Planet of the Apes, The Heat, St. Vincent).

Release: Fox 2000 gave the film a limited Christmas Day release for awards qualification. Having grossed over $130 million since its wide release on January 6, Hidden Figures is currently the highest grossing of the nine films nominated for Best Picture and of all ten films nominated in the two screenplay categories. If you have not seen it yet and plan to go to the movie before our meeting, reading the script before watching the film is advised.

Rated PG. 127 minutes. 121 pages. Historical Drama, Biopic.

BSchiffmanhead150Script consultant and book adaptation coach BARBARA SCHIFFMAN will lead the discussion. For over 35 years, Barbara read scripts for Miramax, Dreamworks, Mandalay, HBO, CAA, UTA, and more. The writing guide NOW WRITE! Screenwriting Exercises by Today’s Best Screenwriters and Teachers includes her chapter “Key Things to Know About Your Script Before You Write.” She has also evaluated candidates for NBCUniversal’s Emerging Writers Fellowship programs and in 2016 presented seminars on Adapting Books and True Stories to Film/TV at the 26th annual Flathead Writers Conference in Kalispell, Montana. Barbara currently offers script coaching and “first look” feedback for screenwriters, as well as book coaching and editing for authors and self-publishers. Get info on Barbara’s services at her website, barbaraschiffman.com.

February 13 – Manchester by the Sea

RegisterNow(registration deadline: Friday, February 10)

Manchester by the SeaMeet on the Fox Studios backlot on February 13th for an in-depth analysis and discussion of the screenplay MANCHESTER BY THE SEA.

Logline: A troubled janitor must return, permanently, to a town that holds painful memories for him in order to raise his nephew when his brother dies unexpectedly.

KENNETH LONERGAN wrote and directed this original screenplay. After finding success as a playwright, Lonergan broke into screenwriting with the Billy Crystal/Robert De Niro comedy Analyze This (1999). A year later, he received his first Academy Award nomination, for Best Original Screenplay, for You Can Count On Me, his motion picture directorial debut. That script also won WGA and Spirit awards as well as the Sundance Film Festival’s Waldo Salt award for screenwriting. Lonergan earned his second Best Original Screenplay Oscar nomination for his contributions to Martin Scorsese’s Gangs of New York. Manchester by the Sea is Lonergan’s first outing since 2011’s heavily litigated Margaret starring Anna Paquin.

Manchester by the Sea stars Casey Affleck (Gone Baby Gone), Michelle Williams (Brokeback Mountain), with Kyle Chandler (Friday Night Lights), Gretchen Mol (Boardwalk Empire), Tate Donovan (Damages), an appearance by Matthew Broderick (Ferris Bueller’s Day Off), and a breakthrough performance by newcomer Lucas Hedges, son of the Oscar-nominated screenwriter of About a Boy, Peter Hedges.

Awards and Nominations: Widely expected to have a strong showing at the Academy Awards, Manchester has so far racked up five Golden Globe nominations, including Best Picture, Best Screenplay, and Best Director, four SAG award nominations, five Independent Spirit Award nominations including Best Feature and Best Screenplay, and a WGA nomination for Best Original Screenplay.

Update: Manchester by the Sea was nominated for six Academy Awards including Best Picture, Best Original Screenplay, Best Director, Best Actor (Affleck), Best Supporting Actor (Hedges), and Best Supporting Actress (Williams).

The writing has also received accolades from the Broadcast Film Critics Association, Atlanta Film Critics Society, Boston Online Film Critics Association, Alliance of Women Film Journalists, Chicago Film Critics Association, Dallas-Fort Worth Film Critics Association, Hollywood Film Awards, Indiana Film Journalists Association, Indiewire Critics’ Poll, National Board of Review, New York Film Critics Circle, Oklahoma Film Critics Circle, San Francisco Film Critics Circle, Southeastern Film Critics Association, Toronto Film Critics Association, Vancouver Film Critics Circle, and the Village Voice Film Poll, with 20 additional nominations, and the film has appeared on over 50 ten-best lists for 2016.

Producers and Production Companies: Actors Matt Damon and John Krasinski first brought the idea to Lonergan and were both originally going to act in it, with Damon directing. Both actors eventually dropped out of the project due to scheduling conflicts but retained producing credits. Other producers and production companies include Kimberly Steward of K Period Media, Kevin J. Walsh (The Way Way Back) of B Story, and Chris Moore (Project Greenlight) of CMP. Damon’s production company is Pearl Street Films.

Release: Premiered at the 2016 Sundance Film Festival. Amazon Studios won a bidding war against Sony, Universal, Lionsgate, and Fox Searchlight, paying $10 million for distribution rights, and is co-distributing with Roadside Attractions. The film opened in limited release on November 18, 2016, and reached the top ten at the box office for the weekend of December 9, despite having expanded to only 366 screens. It went wide on December 16 and has grossed over $33 million to date against an estimated $8.5 million budget. If you have not seen it yet and plan to go to the movie before our meeting, reading the script before watching the film is advised.

Rated R. 137 minutes. 112 pages. Drama.

Beverly GrayBEVERLY GRAY will provide in-depth analysis and lead our discussion. As story editor and development executive for Roger Corman’s Concorde-New Horizons Pictures, screenwriter Beverly Gray oversaw the making of 170 low-budget features. More recently, she has covered the entertainment industry for The Hollywood Reporter and currently teaches online screenwriting workshops for UCLA Extension’s Writers’ Program. Beverly has also written books on filmmakers Corman and Ron Howard, as well as the upcoming Seduced by Mrs. Robinson, scheduled for release in November 2017 for the 50th anniversary of The Graduate. Visit her popular Beverly in Movieland blog and follow @Bev_Movieland on Twitter.

January 9 – Miss Sloane

RegisterNow(registration deadline: Friday, January 6)

Miss Sloane movie posterMeet on the Fox Studios backlot on December 12th for an in-depth analysis and discussion of the screenplay MISS SLOANE.

Logline: A ruthless lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.

First-time British screenwriter JONATHAN PERERA wrote Miss Sloane while working as an elementary schoolteacher in South Korea after a BBC News interview with corrupt D.C. lobbyist Jack Abramoff inspired him to explore the untapped milieu of the behind-the-scenes power players pulling the strings in American politics for his first-ever attempt at writing a screenplay. The original spec script found representation through a query letter and landed on the 2015 Black List. Perera is managed by Scott Carr of Management SGC and the script was repped by Peter Dodd and Carolyn Sivitz at UTA.

Directed by John Madden (Shakespeare in Love). Starring Jessica Chastain (The Help, Zero Dark Thirty), Alison Pill (The Newsroom), Gugu Mbatha-Raw (Dr. Who), John Lithgow (3rd Rock from the Sun), Michael Stuhlbarg (Trumbo, Steve Jobs), Mark Strong (The Imitation Game), and Sam Waterston (Law & Order).

Producers and Production Companies: Perera’s manager took the property to executive producer Patrick Chu at FilmNation (Arrival, The Founder) where Ben Browning (Passengers) produced alongside Kris Thykier (Kick-Ass) of Archery Pictures. EuropaCorp (Taken franchise), the France-based international distributor co-founded by Luc Besson (The Professional), picked up Miss Sloane for distribution after a bidding war in Toronto.

Release Date: Opened in limited release on November 25th, followed by a wide release on December 9th. If you have not seen it yet and plan to go to the movie before our meeting, reading the script before watching the film is advised.

Rated R. 132 minutes. 123 pages. Drama, Thriller, Political Thriller.

Wendell WellmanWENDELL WELLMAN will provide in-depth analysis and lead our discussion. Trained at the Actors Studio and the Lee Strasberg Theatre Institute, Wendell has acted in feature films, television, and on stage. He has taught screenwriting at UCLA and wrote FIREFOX, SUDDEN IMPACT, and the final Dirty Harry script for Clint Eastwood. He recently completed adapting the novel The River Journey by Robert Nathan and is currently working on setting up his screenplay Top Hat. Wendell’s book, A Writer’s Roadmap, is available at Amazon.