September 11 – Rebel in the Rye

RegisterNow(registration deadline: Friday, September 8)

Meet on the Fox Studios backlot on September 11th for an in-depth analysis and discussion of the screenplay REBEL IN THE RYE.

Logline: The true story of how J.D. Salinger came to write The Catcher in the Rye.

Screenwriter: Known for his roles as Jonathan on Buffy the Vampire Slayer and Doyle on Gilmore Girls, DANNY STRONG launched his screenwriting career with a pair of HBO movies about the 2000 and 2008 elections. Recount earned Strong a WGA award and an Emmy nomination, while Game Change won him his second WGA trophy, two Emmys, and a Peabody. For the big screen he wrote the script for Lee Daniels’ The Butler and had a hand in adapting the third and fourth Hunger Games movies from the novel Mockingjay. Strong is also co-creator, executive producer, and writer for the hit series Empire. Rebel in the Rye, which marks Strong’s feature film directorial debut, was adapted from the non-fiction book J.D. Salinger: A Life by Kenneth Slawensky, which Strong is said to have optioned with his own money.

Rebel in the Rye stars Nicholas Hoult (About a Boy, X-Men franchise) as the struggling author, Zoey Deutch (Vampire Academy, Why Him?) as love interest Oona O’Neill, Kevin Spacey (House of Cards) as mentor Whit Burnett, and Sarah Paulson (American Horror Story, The People v. O.J. Simpson) as Salinger’s agent.

Producers and Production Companies: Writer/director Danny Strong also serves as a producer on Rebel in the Rye along with Academy Award winner Bruce Cohen (American Beauty, Silver Linings Playbook), Jason Shuman (Middle Men, Little Black Book) and the team of Molly Smith and identical twin brothers Thad and Trent Luckinbill under their Black Label Media banner (La La Land, Sicario, Demolition). Rebel is the first production credited in IMDb to West Madison Entertainment, a production company recently founded by executive producer Christina Papagjika, an associate producer on Lee Daniels’ The Butler.

Release Date: September 15 (IFC Films). The film premiered this January at the Sundance Film Festival.

Rated PG-13. 106 minutes. 97 pages. Drama, Biopic.

Wendell WellmanWENDELL WELLMAN will provide in-depth analysis and lead our discussion. Trained at the Actors Studio and the Lee Strasberg Theatre Institute, Wendell has acted in feature films, television, and on stage. He has taught screenwriting at UCLA and wrote FIREFOX, SUDDEN IMPACT, and the final Dirty Harry script for Clint Eastwood. He recently completed adapting the novel The River Journey by Robert Nathan and is currently working on setting up his screenplay Top Hat. Wendell’s book, A Writer’s Roadmap, is available at Amazon.

August 14 – The Only Living Boy in New York

RegisterNow(registration deadline: Friday, August 11)

Meet on the Fox Studios backlot on August 14th for an in-depth analysis and discussion of the screenplay THE ONLY LIVING BOY IN NEW YORK.

Logline: Adrift in New York City, a recent college graduate’s life is upended by his father’s mistress.

Screenwriter: After a twelve-year struggle to get noticed in Hollywood, screenwriter ALLAN LOEB finally broke through in 2005 when two of his spec scripts landed in the top four of the industry’s inaugural Black List, leading to sales of six projects in a single year. The first to make it to the cinema was 2007’s Things We Lost in the Fire starring Halle Berry. Subsequent writing credits include 21 (the fictionalized true story of a card-counting ring from MIT), Wall Street: Money Never Sleeps, The Switch (starring Jennifer Aniston and Jason Bateman), The Dilemma (directed by Ron Howard), and the musical Rock of Ages. Earlier this year Loeb shared a writing credit on the sci-fi romantic drama The Space Between Us, and just two months before that his original screenplay Collateral Beauty hit the screen with Will Smith in the lead. Along with Things We Lost…, The Only Living Boy in New York was Loeb’s other script on the 2005 Black List.

Named after the 1970 Simon & Garfunkel song, The Only Living Boy in New York is Loeb’s “version of my favorite movie, The Graduate, with kind of a Manhattan love-letter to New York flourish to it,” according to a 2012 interview with the scribe. Directed by Marc Webb ((500) Days of Summer, The Amazing Spider-Man), the film stars Callum Turner (Queen and Country), Kate Beckinsale (Pearl Harbor), Pierce Brosnan (Die Another Day), Cynthia Nixon (Sex and the City), Kiersey Clemons (Justice League), and Jeff Bridges (True Grit, The Big Lebowski).

Producers and Production Companies: Ron Yerxa and Albert Berger, nominated for an Academy Award for Best Picture for Alexander Payne’s Nebraska, produced The Only Living Boy… through their Bona Fide Productions. Previously, the pair had produced Payne’s Election, Loeb’s The Switch, and the Oscar winning Little Miss Sunshine. They have a first-look deal with Amazon Studios (Manchester by the Sea), who financed the picture. John Fogel also produced. This is his first credit.

Release Date: August 11 (Roadside Attractions)

Rated R. 88 minutes. 105 pages. Drama.

Brian HerskowitzBRIAN HERSKOWITZ will provide in-depth analysis and lead our discussion. Brian currently holds the title of lead faculty in screenwriting for the prestigious Boston University in Los Angeles – Writer In Hollywood Program, has taught online for UCLA Extension, and spent five years as the sitcom instructor for Writer’s Bootcamp. He has written for such TV shows as Blossom, Hercules: The Legendary Journeys, Acapulco Heat, Dream On, Renegade, and Murder, She Wrote. and in 2014 released he released the book Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. His feature screenwriting credits include the horror/thriller Darkroom and the family comedy Tio Papi. Also a talented actor, producer, and director, Brian made the award-winning short film Odessa or Bust starring Jason Alexander, Red Buttons, and Jason Schwartzman, and the domestic abuse documentary 1736: Somewhere To Turn. Find out more about Brian and his projects at brianherskowitz.com.

July 10 – Dunkirk

RegisterNow(registration deadline: Friday, July 7)

Meet on the Fox Studios backlot on July 10th for an in-depth analysis and discussion of the screenplay DUNKIRK.

Logline: WWII Allied forces mount a mission to rescue 400,000 soldiers surrounded by the enemy after the Battle of Dunkirk.

Screenwriter: Writer-director CHRISTOPHER NOLAN gained acclaim for his second feature, Memento (2000), a noir thriller told in converging timelines as a man with short-term memory loss attempts to hunt down his wife’s killer. His Dark Knight trilogy has grossed more than $2.4 billion worldwide and his screenplays for Memento and Inception have both been nominated for Academy Awards. Dunkirk is his first film since 2014’s Interstellar, and his first film based on true events.

The film, which will be told from three perspectives (air, land, and sea) and will contain as little dialogue as possible, stars Tom Hardy (The Revenant), Kenneth Branagh (Harry Potter and the Chamber of Secrets), Cillian Murphy (Scarecrow in the Dark Knight trilogy), Mark Rylance (Bridge of Spies), and Harry Styles of One Direction in his acting debut.

Producers and Production Companies: As with all his films since Batman Begins, Nolan produced Dunkirk with his wife, Emma Thomas, through their London-based production company Syncopy, which also produced Man of Steel, on which Nolan shares a story credit.

Release Date: July 21 (Warner Bros.)

Rated PG-13. 107 minutes. 130 pages. Historical Drama, War, Action.

DANIEL P. CALVISI will provide in-depth analysis and lead our discussion. Dan is a story analyst, speaker, screenwriter, and the author of Story Maps: How to Write a GREAT Screenplay, Story Maps: TV Drama, Story Maps: 12 Great Screenplays, and Story Maps: The Films of Christopher Nolan. He is a former Story Analyst for major studios like 20th Century Fox, Miramax, and New Line Cinema. He coaches writers, teaches webinars on writing for film and television with The Writers Store, and speaks at writing conferences and book signings. He lives in Los Angeles and holds a degree in Film and Television from the Tisch School of the Arts at New York University. To learn more about Story Maps and how you can work with Dan, visit ActFourScreenplays.com.

June 12 – The Mummy

RegisterNow(registration deadline: Friday, June 9)

Meet on the Fox Studios backlot on June 12th for an in-depth analysis and discussion of the screenplay THE MUMMY.

Logline: An ancient princess is awakened from her crypt beneath the desert, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

Screenwriters: JON SPAIHTS first gained industry attention when his sci-fi spec script Passengers found a spot on the 2007 Black List. Produced nine years later with Jennifer Lawrence and Chris Pratt in the lead roles, the film was released in December of last year, making over $300 million. Before that, Spaihts had writing credits on Ridley Scott’s first Alien prequel, Prometheus (2012), and Marvel’s Doctor Strange, released a month before Passengers. The two franchise films made over $400 million and $600 million, respectively. We will be reading Sphait’s 7/11/13 draft of The Mummy. On the finished film, he shares a writing credit with CHRISTOPHER MCQUARRIE, who won an Academy Award in 1996 for his second produced feature screenplay, The Usual Suspects. The Mummy reboot marks his fifth outing with Tom Cruise, having also written the scripts for Valkyrie (2008) and Edge of Tomorrow (2014), and written and directed Jack Reacher (2012) and Mission: Impossible–Rogue Nation (2015).

Directed by Alex Kurtzman, co-writer of such hits as Transformers, Mission: Impossible III, and Star Trek, The Mummy launches the new Universal Monsters shared universe series of films that is expected to include re-imaginings of Dracula, Frankenstein, The Wolf Man, and The Invisible Man, among others. In addition to Cruise, The Mummy stars Sofia Boutella (Kingsman: The Secret Service) in the title role, Annabelle Wallis (BBC’s Peaky Blinders), Jake Johnson (New Girl), Courtney B. Vance (The People v. O.J. Simpson), and Academy Award winner Russell Crowe (Gladiator, A Beautiful Mind) as Dr. Jekyll.

Producers and Production Companies: At age 34 in 1985, Sean Daniel became the youngest head of production in the history of Universal Pictures. After leaving the studio, he went on to produce the previous Mummy franchise for them through his company Alphaville Films, and is now producing the reboot franchise under his new banner, The Sean Daniel Company. Chris Morgan, screenwriter of several Fast and the Furious movies, and Kurtzman have been put in charge of development for the entire Universal Monsters shared universe series under Kurtzman’s new Secret Hideout banner, which is also producing the new series Star Trek: Discovery. Kurtzman’s former writing partner, Roberto Orci, also produced The Mummy via K/O Paper Products, the production company he started with Kurtzman.

Release Date: June 9 (Universal Pictures)

Rated PG-13. 120 minutes. 123 pages. Action, Adventure, Fantasy, Horror.

pamelajayesmithPAMELA JAYE SMITH will provide in-depth analysis and lead our discussion. A mythologist and award-winning producer/director with over thirty years experience in features, TV, music videos, and more, Pamela is the author of five books, including The Power of the Dark Side: Creating Great Villains and Inner Drives: How to Write and Create Characters Using the Eight Classic Centers of Motivation. Her company, MYTHWORKS, offers consulting and coaching and, through her Pitch Proxy service, pitches writers’ projects at pitch festivals they cannot attend. Visit pamelajayesmith.com for more information.

May 22 – The Business of Screenwriting

Meet on the Fox Studios backlot on May 22nd for a StoryBoard Special Event!
MASTER CLASS:
The Business Side of Screenwriting
– What Every Writer Should Know –
with Steve Kaire
Monday, May 22, 2017 7:30-10:00 PM

This professional seminar will cover:

  • Deal Making
  • How Much $$$ to Expect for an Idea, Treatment, or Screenplay
  • How to Read a Deal Memo
  • Should You Sign a Release Form?
  • How Options Work
  • Rewrite Assignments
  • How to Protect Your Material

The entertainment business is part entertainment and mostly business. Writers think their only job is to create the material and let someone else take care of business and legal matters.

 

“Of the eight projects
I sold or optioned,
I negotiated seven of those deals
myself without representation.”

Steve Kaire

 

At the very least, you should have a basic understanding of how the business works.

STEVE KAIRE has sold eight projects to major studios without representation and is currently co-producing Sherlock’s Secretary for Walden Media. A screenwriter for over 30 years, he holds a master’s degree in Dramatic Writing and has taught writing classes at the American Film Institute.

If you think your script is ready to sell to Hollywood, you can’t afford to miss this special StoryBoard session.

StoryBoard Members: $35 Non-Members: $45

REGISTER NOW!

Registration deadline is Friday, May 19. Good seats still available.

Log in to PayPal, click “Pay or send money,” enter StoryBoardDG@gmail.com and the correct amount, then click on “Write a note” and BE SURE TO INCLUDE ALL OF THE FOLLOWING: your name (exactly as it appears on your driver’s license), your mobile phone number AND “Business of Screenwriting Master Class.”

Or contact Scott Burnell for alternate payment method.
email: StoryBoardDG@gmail.com phone: (323) 205-0773

This Master Class is a StoryBoard Special Event. From time to time, StoryBoard Development Group presents amazing workshops and seminars apart from our outstanding regular monthly meetings.

Our next regular session is Monday, June 12, when we discuss the screenplay for Universal’s THE MUMMY reboot starring Tom Cruise.

May 8 – Snatched

RegisterNow(registration deadline: Friday, May 5)

Meet on the Fox Studios backlot on May 8th for an in-depth analysis and discussion of the screenplay SNATCHED.

Logline: After her boyfriend dumps her on the eve of their exotic vacation, an impetuous dreamer persuades her ultra-cautious mother to travel with her to paradise, where they are kidnapped and must work through their differences to save themselves.

Writers: KATIE DIPPOLD was a performer for the Upright Citizens Brigade Theatre and in sketches on Late Night with Conan O’Brien before becoming a television writer for such shows as MADtv and Parks and Recreation. In 2012, Variety named her one of the “10 Screenwriters to Watch.” Her first produced feature screenplay was 2013’s The Heat starring Sandra Bullock and Melissa McCarthy. The action comedy grossed $159 million in the US. Dippold followed this up with the 2016 Ghostbusters reboot, co-written with the film’s director, Paul Feig, who also directed The Heat. Inspired by Dippold’s own relationship with her mother, Snatched is her third feature writing credit. The film’s star, Amy Schumer, is said to have also worked on the script with her sister, Kim Caramele.

Academy Award winner Goldie Hawn stars in Snatched alongside Schumer, returning to the big screen after a fifteen year absence. Directed by Jonathan Levine (50/50Warm Bodies), Snatched also features two-time Oscar nominee Joan Cusack (Shameless), Christopher Meloni (Law & Order: SVU), MADtv‘s Ike Barinholtz (Suicide Squad), Wanda Sykes (The Wanda Sykes Show), and Randall Park (Fresh Off the Boat).

Producers and Production Companies: Paul Feig, the director of Dippold’s first two movies, and Jessie Henderson (The Heat, Spy) produced Snatched through Feigco Entertainment. Oscar-nominated Hidden Figures producers Peter Chernin (Planet of the Apes reboot film series) and Jenno Topping (Charlie’s Angels films) also produced through Chernin’s Fox-based Chernin Entertainment. Henderson was previously an exec at Chernin before moving to Feigco.

Release Date: May 12 (20th Century Fox)

Rated R. 91 minutes. 119 pages. Action, Comedy.

DianeDrake150DIANE DRAKE will provide in-depth analysis and lead our discussion. Prior to writing the hit movies Only You (starring Robert Downey Jr. and Marissa Tomei) and What Women Want (starring Mel Gibson and Helen Hunt), Diane served as Vice President of Creative Affairs for Sydney Pollack (Out of Africa, Tootsie), honing her story skills while analyzing hundreds of screenplays to find and develop material for the Oscar-winning producer-director. She has taught through the UCLA Extension Writers’ Program and currently offers online courses and workshops at www.dianedrake.com. Her first book, Get Your Story Straight, was released in 2016. Follow her on Twitter (@dianedrake) to find out more.

April 10 – The Circle

RegisterNow(registration deadline: Friday, April 7)

Meet on the Fox Studios backlot on April 10th for an in-depth analysis and discussion of the screenplay THE CIRCLE.

Logline: A woman lands her dream job at the most powerful tech company in the world only to find herself facing questions of privacy, identity, and freedom that will determine the future of humanity.

Writers: The Circle is based on the novel by DAVE EGGERS, who wrote the first draft of the screenplay. He also wrote screenplays for Away We Go with his wife, novelist Vendela Vida, and Where the Wild Things Are with director Spike Jonze, and has a story credit on Gus Van Sant’s Promised Land. The Circle is Eggers’ tenth novel. His 2009 book, Zeitoun, has been optioned by Jonathan Demme, and his novel A Hologram for the King was made into a movie in 2016 by Tom Tykwer starring Tom Hanks. JAMES PONSOLDT rewrote the script for The Circle and is the film’s director. Ponsoldt’s other writer-director credits include Off the Black starring Nick Nolte and Smashed starring Aaron Paul. He also directed The End of the Tour starring Jason Segal and Jesse Eisenberg and the acclaimed The Spectacular Now starring Miles Teller and Shailene Woodley.

The Black Mirror-esque sci-fi thriller stars Emma Watson (Harry Potter film series) and Tom Hanks in his first-ever villain role, with John Boyega (Star Wars: The Force Awakens), Karen Gillan (Doctor Who, Guardians of the Galaxy), Ellar Coltrane (Boyhood), Patton Oswalt (Young Adult), and the late Bill Paxton in his final film appearance.

Producers and Production Companies: Hanks optioned the novel in 2014 to star in and produce through his Playtone banner with producing partner Gary Goetzman (Sully, Game Change). Anthony Bregman (Collateral Beauty, Sing Street, Foxcatcher) joined the producers with his company, Likely Story. Sophia Dilley (Netflix’s Tallulah) co-produces through Route One Entertainment. Writer-director Ponsoldt also has a producing credit. The film’s financing came from Image Nation (Rings, Contagion).

Release Date: April 28 (STX Entertainment), after its world premiere at the Tribeca Film Festival.

Rated PG-13. 110 minutes. 141 pages. Drama, Sci-Fi, Thriller.

LINDA COWGILL will provide in-depth analysis and lead our discussion. After completing her MFA at UCLA’s School of Film and Television, Linda landed her first TV writing job on The Incredible Hulk and sold her first feature screenplay to Orion Pictures. She continued writing scripts for Paramount, Universal, MGM, Warner Bros., and for the acclaimed series Life Goes On, until deciding to focus on teaching screenwriting. She has since taught seminars and workshops at AFI, Kennedy Center, Boston Film Institute, Loyola Marymount, IFP Miami, and NALIP and now heads the Screenwriting Department at Los Angeles Film School. She has also published three books, The Art of Plotting, Secrets of Screenplay Structure, and Writing Short Films, and has many useful screenwriting articles on her website, Plots Inc.