July 11 – Vengeance

Vengeance (2022) [Movie Poster]Meet ONLINE from 7:00-10:00 PM Pacific Time on July 11th for an in-depth analysis and discussion of the black comedy screenplay VENGEANCE.

LOGLINE: A true-crime podcaster from New York investigates the mysterious death of a Texas woman he once dated.

B.J. NOVAK wrote, directed, and stars in Vengeance. Novak began his writing career while in college at the Harvard Lampoon and later performed stand-up comedy after graduating and moving to Los Angeles. He made his TV acting debut on MTV’s Punk’d with Ashton Kutcher, who co-stars with him in Vengeance, but is best known for his portrayal of temp worker Ryan Howard on The Office, where he also served as writer, director, and executive producer, earning five Emmy nominations and a WGA award. As an actor, Novak has appeared in such films as Inglourious Basterds, Saving Mr. Banks, and The Founder. He makes his feature film writing/directing debut with Vengeance.(registration deadline: Friday, July 8)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.

Single Meeting Fee: $45
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Click the Register Now button for instructions.
(Email StoryBoardDG@gmail.com if you have any questions.)

Novak is joined on screen by Boyd Holbrook (The Sandman), Dove Cameron (Liv and Maddie), Issa Rae (Insecure), and Ashton Kutcher (That ’70s Show). The film premiered at the Tribeca Film Festival on June 12 and is scheduled to be released nationwide by Focus Features on July 29.

Not Yet Rated. 116 pages (12/7/17 draft). 107 minutes. Comedy.

STEVE KAPLAN will provide in-depth analysis and lead our discussion of the sci-fi action comedy Free Guy. The industry’s most sought-after expert on comedy, Steve has taught at UCLA, NYU, Yale, and other top universities, and created the HBO Workspace and the HBO New Writers Program. As co-founder and Artistic Director of Manhattan Punch Line Theatre he developed writers such as Peter Tolan (Analyze This), David Crane (Friends), Tracy Poust (Ugly Betty), Kenneth Lonergan (Manchester by the Sea), and Mark O’Donnel (Hairspray). Steve teaches a number of different workshops all over the globe, including The Comedy Intensive, a 2-day workshop that covers the fundamental principles of comedy. Look for his books The Hidden Tools of Comedy and The Comic Hero’s Journey, learn more about Steve and his workshops at kaplancomedy.com, and follow him on Twitter at @skcomedy where you can tweet quick comedy questions at him with the #AskKaplan hashtag.

May 9 – The Unbearable Weight of Massive Talent

Meet ONLINE from 7:00-10:00 PM Pacific Time on May 9th for an in-depth analysis and discussion of the screenplay THE UNBEARABLE WEIGHT OF MASSIVE TALENT.

LOGLINE: Hollywood has-been Nick Cage finds himself tumbling down a rabbit hole of references to his past roles in a real-life action-adventure.

THE WRITERS: TV writer/producer KEVIN ETTON began his career as a writer for The Late Show with David Letterman. His credits include such notable shows as Scrubs, Reaper, Ghosted, and Desperate Housewives, for which he won a Golden Globe award for Best Television Series – Musical or Comedy. Unbearable is his first feature film screenplay credit, which he shares with the film’s director, TOM GORMICAN. In addition to working with Etton as a writer on Ghosted, Gormican co-produced the 2013 anthology comedy Movie 43 and made his directorial debut in 2014 with That Awkward Moment starring Zac Efron, Miles Teller, and Michael B. Jordan, from his spec script, Are We Officially Dating?, which landed on the 2010 Black List.

(registration deadline: Friday, May 6)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.

Single Meeting Fee: $45
SPECIAL OFFER
– ONLY $150 FOR A 6-MONTH MEMBERSHIP OR RENEWAL!

Click the Register Now button for instructions.
(Email StoryBoardDG@gmail.com if you have any questions.)

The Unbearable Weight of Massive Talent stars Academy Award winner NICOLAS CAGE (Leaving Las Vegas, Adaptation) as Nick Cage. The film also stars Pedro Pascal (The Mandalorian), Sharon Horgan (Catastrophe), Tiffany Haddish (Girls Trip), Ike Barinholtz (Suicide Squad), Alessandra Mastronardi (Master of None), DEMI MOORE (G.I. Jane) as Cage’s ex-wife, and Neil Patrick Harris (Harold & Kumar Go to White Castle).

Filmed in Croatia, The Unbearable Weight of Massive Talent premiered in March at the South by Southwest film festival. The Lionsgate film was released on April 22 and spent its opening weekend in the top five at the box office.

If you have not yet seen the movie, it is highly recommended that you first read the screenplay so your initial impression is from the writing. After reading the screenplay, please make an effort to watch the movie as our meeting will include discussion of the writing as well as what is seen and heard while watching the movie.

Rated R. 117 pages. 107 minutes. Action. Comedy.

BILL TAUB will provide in-depth analysis and lead our discussion. Screenwriter, producer, author, creative troubleshooter, and teacher Bill Taub has written or co-written the pilots for Relic Hunter, Friday the 13th: The Series, Mission Genesis, The Odyssey, and Dark Shadows (1991), as well as two unproduced pilots for NBC, Blue Skies and Burger Palace. He was recently honored by the WGA for his work on Barney Miller and Hill Street Blues, and his spec pilot, Raffle Guy, won first place at Scriptapalooza. Bill has also recently taught Creating a Web Series at UCLA Extension Online. His book, Automatic Pilot: Writing a TV Pilot has never been so easy!, is available at Amazon. For more information, visit billtaub.com. or follow @BillyTaub on Twitter.

August 9 – Free Guy

Free Guy (2021)Meet ONLINE from 7:00-10:00 PM Pacific Time on August 9th for an in-depth analysis and discussion of the comedy screenplay FREE GUY.

LOGLINE: A bank teller discovers that he’s actually an NPC (non-player character) inside a brutal, open world video game.

SCREENWRITERS: The first draft of Free Guy was a spec script by MATT LIEBERMAN that appeared on the 2016 Black List, an annual survey of the industry’s best unproduced screenplays. Lieberman’s screenwriting career began in the Disney Feature Writer’s Program, where he worked on various scripts based on IP like Monopoly and Mr. Toad’s Wild Ride that are still in development. His first spec sale, 12/24, a found-footage feature about two kids trying to catch Santa Claus on video, eventually became Netflix’s hit comedy The Christmas Chronicles. Lieberman also received story and writing credits on computer animated reboots of The Addams Family (2019) and Scooby Doo (Scoob!, 2020), and has several other projects in development, including reboots of The Jetsons and Rin Tin Tin, as well as the original screenplays Meet the Machines and Meebo and Me. Before going into production, Free Guy was re-written by ZAK PENN, whose other high-concept output includes Last Action HeroThe Incredible HulkThe Avengers, and Ready Player One[We will be reading and discussing Lieberman’s draft only.]

(registration deadline: Friday, August 6)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.

SPECIAL OFFER – ONLY $150 FOR A NEW MEMBERSHIP OR RENEWAL!
Save $120 over the single meeting fees and get six consecutive online meetings!

Click the Register Now button for instructions.
(Email StoryBoardDG@gmail.com if you have any questions.)

Directed by Shawn Levy (Night at the Museum), Free Guy stars Ryan Reynolds (Deadpool), Jodie Comer (Killing Eve), Lil Rel Howery (Get Out), rapper Utkarsh Ambudkar (The Mindy Project), Joe Keery (Stranger Things), and Academy Award winner Taika Waititi (Jojo Rabbit). The comedy will be released theatrically by Disney’s 20th Century Studios on Friday, August 13.

Rated PG-13. 115 minutes. 109 pages (Lieberman’s undated Black List draft). Sci-Fi Action Comedy.

STEVE KAPLAN will provide in-depth analysis and lead our discussion of the sci-fi action comedy Free Guy. The industry’s most sought-after expert on comedy, Steve has taught at UCLA, NYU, Yale, and other top universities, and created the HBO Workspace and the HBO New Writers Program. As co-founder and Artistic Director of Manhattan Punch Line Theatre he developed writers such as Peter Tolan (Analyze This), David Crane (Friends), Tracy Poust (Ugly Betty), Kenneth Lonergan (Manchester by the Sea), and Mark O’Donnel (Hairspray). Steve teaches a number of different workshops all over the globe, including The Comedy Intensive, a 2-day workshop that covers the fundamental principles of comedy. Look for his books The Hidden Tools of Comedy and The Comic Hero’s Journey, learn more about Steve and his workshops at kaplancomedy.com, and follow him on Twitter at @skcomedy where you can tweet quick comedy questions at him with the #AskKaplan hashtag.

February 8 – Breaking News in Yuba County

Meet ONLINE on February 8th for an in-depth analysis and discussion of the screenplay BREAKING NEWS IN YUBA COUNTY.

Logline: After catching her husband in bed with a hooker, causing him to die of a heart attack, a housewife decides to bury his body, then takes advantage of the media spotlight covering the search for her missing husband.

Amanda Idokok (screenwriter)ABOUT THE WRITER: Halfway through college, Nigerian-American AMANDA IDOKO (@amidoko) switched from pre-med to a theater arts major at Cornell University. After college, she wrote plays in New York before moving to Hollywood, starting out there as a writer’s assistant on Bones. Since participating in the Disney/ABC Television Writing Program in 2016, she’s written for several sitcoms including The Goldbergs and Apple TV’s animated hit Central Park. Her spec feature screenplay Breaking News in Yuba County landed in the top ten on the 2017 Black List, an annual ranking of the industry’s best unproduced screenplays. Idoko is currently scripting an adaptation of Plastic Man for the DCU and an untitled Rip Van Winkle musical starring Oscar nominee Cynthia Erivo.

(registration deadline: Friday, February 5)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.

SPECIAL OFFER – ONLY $150 FOR A NEW MEMBERSHIP OR RENEWAL!
Save $120 over the single meeting fees and get six consecutive online meetings!

Click the Register Now button for instructions.
(Email StoryBoardDG@gmail.com if you have any questions.)

MGM is set to release Breaking News in Yuba County on February 12 as the launch for its new specialty label, American International Pictures, the former independent production company known for its string of highly successful low-budget, teen-oriented drive-in fare by Samuel Z. Arkoff and Roger Corman from the 1950s through the 1970s. Breaking News will be the first movie released under this banner in over 40 years. Black List founder Franklin Leonard is a credited producer on the film, as is actor Jake Gyllenhaal.

Directed by Tate Taylor (The Help, Ma, The Girl on the Train), Breaking News in Yuba County stars Academy Award winner Allison Janney (I, Tonya, Juno), Mila Kunis (Black Swan, That ’70s Show), Regina Hall (Girls Trip, The Hate U Give), Awkwafina (Crazy Rich Asians, The Farewell), Juliette Lewis (Cape Fear, Natural Born Killers), Wanda Sykes (Bad Moms, The Chris Rock Show), Ellen Barkin (The Big Easy, Sea of Love), and Matthew Modine (Full Metal Jacket, Stranger Things) as the dead guy.

Rated R. 96 minutes. 118 pages. Black Comedy.

STEVE KAPLAN will provide in-depth analysis and lead our discussion. The industry’s most sought-after expert on comedy, Steve has taught at UCLA, NYU, Yale, and other top universities, and created the HBO Workspace and the HBO New Writers Program. As co-founder and Artistic Director of Manhattan Punch Line Theatre he developed writers such as Peter Tolan (Analyze This), David Crane (Friends), Tracy Poust (Ugly Betty), Kenneth Lonergan (Manchester by the Sea), and Mark O’Donnel (Hairspray). Steve teaches a number of different workshops all over the globe, including The Comedy Intensive, a 2-day workshop that covers the fundamental principles of comedy. Look for his books The Hidden Tools of Comedy and The Comic Hero’s Journey, learn more about Steve and his workshops at kaplancomedy.com, and follow him on Twitter at @skcomedy where you can tweet quick comedy questions at him with the #AskKaplan hashtag.

May 11 – The High Note

Meet ONLINE on May 11th for an in-depth analysis and discussion of the screenplay THE HIGH NOTE.

LOGLINE: The longtime assistant of a famous singer must navigate the rocky waters of the LA music scene to make her dreams of producing music a reality.

ABOUT THE WRITER: With no other screen credits to her name, newbie FLORA GREESON landed on the 2018 Black List, an annual industry list of the best unproduced scripts of the year, with her spec script Covers. That attention won her a job rewriting When Prince Made a Chambermaid His Queen for a Day, based on a true story published in The Daily Beast in 2017 about a 1986 MTV contest where a small-town Wyoming motel maid won a date with the late rock star Prince. Greeson was hired by producer and star Elizabeth Banks (The Hunger Games, Pitch Perfect) to rewrite Josh Stolberg (Good Luck Chuck); the still-in-development project’s title has been shortened to Queen for a Day. Meanwhile, the scribe’s Black List entry, Covers, has been made by Cats producers Tim Bevan and Eric Fellner, after also undergoing a title change — to The High Note.

(registration deadline: Noon, Wednesday, May 6)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance. Click the Register Now button for instructions.

Starring Dakota Johnson (50 Shades of Grey) as the assistant and Tracee Ellis Ross (Black-ish) as singing superstar Grace Davis, The High Note also features Ice Cube (N.W.A., Friday), Bill Pullman (Independence Day), Kelvin Harrison Jr. (It Comes At Night), and comedian Eddie Izzard. Directed by Nisha Ganatra (Late Night), the film’s release date, originally scheduled for May 8, is like to be changed due to ongoing stay-at-home orders that have shuttered most movie theaters.

Rated PG-13. Draft dated January 17, 2018, 99 pages. Comedy.

DMA will provide in-depth analysis and lead our discussion. Story analyst, development executive, and author of Write It, Pitch It, Sell Your Screenplay: A Hollywood Buyer’s Insider Guide to Getting Your Script Past the Gatekeepers, an update of her 1-3-5 Story Structure Made Simple Structure: The Nine Essential Elements of a Sellable Screenplay, which was the first story structure system integrated into Final Draft, DMA (Donna Michelle Anderson) has helmed top-rated programming for CBS, Bravo, BET, A&E, TLC and more. Visit her at PlanetDMA.com.

March 9 – Knives Out

Meet on the lot at Fox Studios on March 9th for an in-depth analysis and discussion of the screenplay KNIVES OUT.

LOGLINE: A modern whodunnit that follows a family gathering gone awry after the patriarch’s death leads a master detective to investigate.

Writer/director RIAN JOHNSON graduated from USC School of Cinematic Arts in 1996. He pitched his first screenplay, a Dashiell Hammett-inspired neo-noir mystery called Brick, unsuccessfully for seven years before raising the $500,000 budget from friends and family and making the film independently. Starring Joseph Gordon-Levitt, the film earned back more than $4 million, won a special jury prize at Sundance for originality of vision, and went on to become a cult classic. Two other low budget hits followed (The Brothers Bloom starring Oscar winners Rachel Weisz and Adrien Brody and Looper starring Bruce Willis and Gordon-Levitt) before Johnson was tapped to write and direct Star Wars: Episode VIII: The Last Jedi, which grossed over $1.3 billion. Johnson received his first Academy Award nomination this year, in the Best Original Screenplay category, for Knives Out.

(registration deadline: Noon, Wednesday, March 4)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

Knives Out features an all-star ensemble cast including Daniel Craig (James Bond), Chris Evans (Captain America), Ana de Armas (Blade Runner 2049), Jamie Lee Curtis (Halloween), Michael Shannon (The Shape of Water), Don Johnson (Django Unchained), Toni Collette (Hereditary), Lakeith Stanfield (Sorry To Bother You), Katherine Langford (13 Reasons Why), Jaeden Martell (It), and Christopher Plummer (The Sound of Music).

Still in current release, Knives Out has grossed nearly $300 million worldwide so far and holds a 97% approval rating on Rotten Tomatoes (based on 420 professional critics’ reviews), with an audience score of 92%. In addition to its Academy Award nomination for Best Original Screenplay, the script was nominated for BAFTA, Critics’ Choice, Hollywood Critics Association, and Writers Guild of America awards, along with three Golden Globe nominations including Best Picture (Musical or Comedy), a Producers Guild nomination for Best Picture, and placement in the National Board of Review’s and American Film Institute’s top ten lists for 2019.

If you have not yet seen Knives Out but plan to before our meeting, reading the script before watching the film is advised. EXTRA CREDIT: Watch the 1973 murder mystery film The Last of Sheila, which Rian Johnson cited as his inspiration and main influence in writing Knives Out. Written by Anthony Perkins (Psycho) and Stephen Sondheim (Sweeney Todd, West Side Story, Into the Woods) and directed by Herbert Ross (Footloose), The Last of Sheila stars Richard Benjamin, Dyan Cannon, James Coburn, James Mason, and Raquel Welch, and can be digitally rented for $2.99 or purchased for $9.99 from Amazon, YouTube, Google Play, Vudu, Microsoft, Fandango, and Apple TV.

Rated PG-13. 131 minutes. 124 pages. Mystery. Comedy.

Brian HerskowitzBRIAN HERSKOWITZ will provide in-depth analysis and lead our discussion. Brian was previously with us in January 2018 for BlacKkKlansman. He currently holds the title of lead faculty in screenwriting for the prestigious Boston University in Los Angeles – Writer In Hollywood Program, has taught online for UCLA Extension, and spent five years as the sitcom instructor for Writer’s Bootcamp. He has written for such TV shows as Blossom, Hercules: The Legendary Journeys, Acapulco Heat, Dream On, Renegade, and Murder, She Wrote. and in 2014 released he released the book Process to Product: From Concept to Script: A Practical Guide for the Screenwriter. His feature screenwriting credits include the horror/thriller Darkroom and the family comedy Tio Papi. Also a talented actor, producer, and director, Brian made the award-winning short film Odessa or Bust starring Jason Alexander, Red Buttons, and Jason Schwartzman, and the domestic abuse documentary 1736: Somewhere To Turn. Find out more about Brian and his projects at brianherskowitz.com.

January 13 – Jojo Rabbit

Meet on the lot at Fox Studios on January 13th for an in-depth analysis and discussion of the screenplay JOJO RABBIT.

LOGLINE: A ten-year-old boy in Nazi Germany, whose imaginary friend is Hitler, discovers his mother is hiding a Jewish girl behind a wall in their home.

THE WRITERS: Jojo Rabbit was written and directed by New Zealand filmmaker/comedian TAIKA WAITITI, who also appears in the film as Hitler. Waititi first gained international acclaim in 2004 with his short film Two Cars, One Night, which won awards at the AFI and Berlin festivals and was nominated for the Academy Award for Best Live Action Short. He went on to make four well-received independent features, including Eagle vs Shark and the vampire mockumentary What We Do in the Shadows, before helming his first big studio picture, Thor: Ragnarok, which grossed more than $850 million worldwide, enabling him to make his low-budget Nazi comedy. The script was adapted from the first half of the novel Caging Skies by Christine Leunens. The novel was previously adapted for the stage in 2017 in New Zealand, where the American-born, Harvard-educated author has lived since 2006.

(registration deadline: Noon, Wednesday, January 8)

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

Jojo Rabbit premiered in September at the Toronto International Film Festival where it won the audience award. Ten of the last eleven films to win this award went on to Oscar nominations for Best Picture and Best Screenplay, with six of them winning in their respective writing category. Featuring Scarlett Johansson (Marvel’s Black Widow), Sam Rockwell (Three Billboards Outside Ebbing, Missouri, Richard Jewell), Rebel Wilson (Isn’t It Romantic, Cats), Stephen Merchant (The Office (UK), Logan), Thomasin McKenzie (Leave No Trace), and introducing ten-year-old Roman Griffin Davis in his Golden Globe nominated lead role, the film was also nominated for the Golden Globe for Best Picture – Musical or Comedy.

1/13/20 UPDATE: Nominated for 6 Academy Awards including Best Picture and Best Adapted Screenplay. Also nominated for 6 BAFTA awards including Best Adapted Screenplay, 2 SAG awards, a DGA award, a PGA award, the USC Scripter award, and a WGA award for Best Adapted Screenplay, among many other accolades.

Disney-owned Fox Searchlight opened the film in limited release on October 18, expanding to just under a thousand screens in November. To date the $14 million movie still in current release has grossed more than $24 million. If you have not yet seen Jojo Rabbit but plan to before our meeting, reading the script before watching the film is advised.

PG-13. 108 minutes. 113 pages (March 15, 2012 draft). Comedy. War.

DAN MARGULES will provide in-depth script analysis and lead our discussion. Dan is the creator, publisher, and one of the authors of ScripTipps, a line of inexpensive ebooks on screenwriting conceived in part by his participation in StoryBoard. An award-winning filmmaker, Dan was co-founder and president of San Diego Filmmakers and sat on the board of directors of Scriptwriters Network where he ran their writers groups and staged readings programs. In 2012 he published the popular young adult Christmas novel North Pole High: A Rebel Without a Claus and later adapted it into a musical through the Academy of New Musical Theatre, where he also wrote the book for Chaturbate: The Musical, which premiered at the Hollywood Fringe Festival in 2017. A member of StoryBoard’s Screenplay Discussion Group since November 2009, Dan has never missed a meeting.

August 12 – Where’d You Go, Bernadette

Meet on the lot at Fox Studios on August 12th for an in-depth analysis and discussion of the screenplay WHERE’D YOU GO, BERNADETTE.

LOGLINE: An agoraphobic architect and mother goes missing prior to a family trip to Antarctica.

ABOUT THE WRITERS:

The film is based on the bestselling 2012 young adult novel of the same name by MARIA SEMPLE. Bernadette is the author’s second novel, followed by Today Will Be Different, which Semple has adapted for an upcoming HBO series set to star Julia Roberts. Semple’s other TV writing credits include Beverly Hills, 90210, for which she received an Emmy nomination, Mad About You, Suddenly Susan, Ellen, Saturday Night Live, and Arrested Development, for which she received a WGA award nomination. Her father was screenwriter Lorenzo Semple Jr. (Batman, Three Days of the Condor).

The screenplay for Where’d You Go, Bernadette was written by SCOTT NEUSTADTER & MICHAEL H. WEBER. After the success of their breakthrough original screenplay (500) Days of Summer, the duo became the go-to writing team for YA adaptations with The Spectacular Now, The Fault in Our Stars, and Paper Towns. The team received their first Academy Award nomination in 2017 for their screenplay The Disaster Artist, about the making of “the greatest bad movie ever made,” The Room.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, August 8)

We will be discussing the July 2013 draft by Neustadter & Weber. The script was later rewritten by Holly Gent & Vince Palmo Jr. along with the film’s director, RICHARD LINKLATER. With five Oscar nominations, indie superstar director Linklater is best known for Slackers, Dazed and Confused, School of Rock, Boyhood, and the Before… trilogy. Separately, Gent and Palmo have numerous credits in a variety of crew positions, many of them on films by Richard Linklater. Their other writing credits are on 2008’s Me and Orson Welles, starring Zac Efron, and an upcoming untitled John Brinkley biopic starring Robert Downey Jr., both also directed by Linklater.

Where’d You Go, Bernadette stars two-time Academy Award winner Cate Blanchett (Blue Jasmine, The Aviator), Judy Greer (The Descendants, Arrested Development), Kristen Wiig (Bridesmaids, The Martian), Laurence Fishburne (The Matrix, Man of Steel), Troian Bellisario (Pretty Little Liars), and Billy Crudup (Big Fish, Almost Famous). The film is scheduled to be released nationwide by Annapurna Pictures and United Artists Releasing on August 16, the Friday after our meeting.

BEWARE: Trailer may contain spoilers.

Optional Exercise for Advanced Members: Read the novel first. Think about how you would adapt it for the screen. What would keep? What you drop? What would you change? Then read the script to compare your choices with the ones Neustadter & Weber made. Be prepared to discuss your findings at the meeting! And don’t forget to check out the finished film when it opens on August 16 to see what changes Linklater, Gent, and Palmo incorporated.

Rated PG-13. 130 minutes. 138 pages (2nd Draft, July 2013). Comedy.

STEVE KAPLAN will provide in-depth analysis and lead our discussion. The industry’s most sought-after expert on comedy, Steve has taught at UCLA, NYU, Yale, and other top universities, and created the HBO Workspace and the HBO New Writers Program. As co-founder and Artistic Director of Manhattan Punch Line Theatre he developed writers such as Peter Tolan (Analyze This), David Crane (Friends), Tracy Poust (Ugly Betty), Kenneth Lonergan (Manchester by the Sea), and Mark O’Donnel (Hairspray). Steve teaches a number of different workshops all over the globe, including The Comedy Intensive, a 2-day workshop that covers the fundamental principles of comedy. Look for his books The Hidden Tools of Comedy and The Comic Hero’s Journey, learn more about Steve and his workshops at kaplancomedy.com, and follow him on Twitter at @skcomedy where you can tweet quick comedy questions at him with the #AskKaplan hashtag.

July 8 – Stuber

Meet on the lot at Fox Studios on July 8th for an in-depth analysis and discussion of the screenplay STUBER.

LOGLINE: Unable to drive after a botched LASIK surgery, a tough cop must rely on his mild-mannered Uber driver to help him nab a dangerous criminal.

ABOUT THE WRITER: The buddy cop action comedy was written by TRIPPER CLANCY, whose first breaks came after winning the Script Pipeline screenplay competition in 2009 with his comedy, Henry the Second. From there, he participated in the Fox Writers Studio in 2011 and signed with manager Jake Wagner. After several of his subsequent spec scripts sold but never got made, Wagner pitched him the title Stuber, thinking it could become a comedy version of Collateral, and Clancy wrote a three-page treatment the next day. A few months later, he had a draft that sold to 20th Century Fox. Stuber marks the scribe’s English-language feature debut, his other produced feature writing credits being the German action comedies Four Against the Bank (directed by Wolfgang Petersen) and 2018’s Hot Dog.

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Wednesday, July 3)

Stuber stars Academy Award nominated screenwriter Kumail Nanjani (The Big Sick) as Stu, the Uber driver, and former WWE star Dave Bautista (Spectre, Guardians of the Galaxy) as Vic, the cop. Iko Uwais (The Raid), Natalie Morales (Parks and Recreation), Betty Gilpin (A Dog’s Journey), and Oscar winner Mira Sorvino (Romy and Michele’s High School Reunion) also star. The film, which premiered at SXSW earlier this year, opens July 12, the Friday after our discussion, just in time to go see it and compare the finished film to what was on the page!

Rated R. 105 minutes. 109 pages (3/27/16 draft). Action Comedy, Buddy Comedy.

BRUCE LOGAN, A.S.C., writer-director-cinematographer-visual effects producer (2001: A Space Odyssey, TRON, Star Wars: Episode IV – A New Hope, Star Trek: The Motion Picture, Airplane!, Batman Forever) will lead our script analysis and screenwriting discussion. Lost Fare, Bruce’s debut as a feature writer-director, is about an 11 year old disabled girl, routinely pimped out by her prostitute mother, who is saved by a suicidal cab driver. Together they go on a journey of redemption that forever changes their lives. Learn more about Bruce’s work in film and music videos for such artists as Madonna, Prince, and Aerosmith at bruceloganfilm.com.

June 10 – Late Night

Meet on the lot at Fox Studios on June 10th for an in-depth analysis and discussion of the screenplay LATE NIGHT.

A late-night talk show host on the verge of losing her show hires a female writer to help revitalize the long-running program.

The screenplay was written by MINDY KALING, who also produced the film and stars as its fictional talk show’s new writer. Fittingly, Kaling began her showbiz career as a college intern on Late Night with Conan O’Brien. After college, she began doing her own stand up comedy and played Ben Affleck in an off-Broadway show she co-wrote called Matt & Ben. Her work as a writer/performer on the hit sitcom The Office earned Kaling and her colleagues a WGA award, six more WGA nominations, and six prime time Emmy nominations. She followed that up with her own series, The Mindy Project, which earned her an additional WGA nomination. Mindy also co-wrote and executive produced the upcoming Hulu miniseries Four Weddings and a Funeral, based on the 1994 movie.

Late Night also stars Emma Thompson (Saving Mr. Banks, Men In Black: International) and John Lithgow (3rd Rock from the Sun, The Crown), with a supporting cast that includes Hugh Dancy (Hannibal), Reid Scott (Veep), and Amy Ryan (Birdman, Gone Baby Gone).

Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance as well as sandwiches, snacks, and beverages at the meeting. Click the Register Now button for instructions.

(registration deadline: Thursday, June 6)

Late Night premiered at the Sundance Film Festival on January 29, 2019. Shortly thereafter, Amazon Studios acquired U.S. distribution rights to the film for $13 million, the largest sum paid for U.S.-only distribution at the festival.

The film is scheduled to open wide on June 7, three days before our meeting. We recommend reading the script before then to focus on what’s on the page, then go see the movie before the meeting so we can discuss how the script changed.

Rated R. 102 minutes. 132 pages. Comedy.

BILL TAUB will provide in-depth analysis and lead our discussion. Screenwriter, producer, author, creative troubleshooter, and teacher Bill Taub has written or co-written the pilots for Relic Hunter, Friday the 13th: The Series, Mission Genesis, The Oddyssey, and Dark Shadows (1991), as well as two unproduced pilots for NBC, Blue Skies and Burger Palace. He was recently honored by the WGA for his work on Barney Miller and Hill Street Blues, and his spec pilot, Raffle Guy, won first place at Scriptapalooza. Bill has also recently taught Creating a Web Series at UCLA Extension Online. His book, Automatic Pilot: Writing a TV Pilot has never been so easy!, is available at Amazon. For more information, visit billtaub.com. or follow @BillyTaub on Twitter.