Meet ONLINE on August 10th for an in-depth analysis and discussion of the screenplay MULAN.
LOGLINE: The daughter of an ailing warrior disguises herself as a man to take her father’s place in battle defending their country from a vengeful invader and a powerful witch.
THE WRITERS: The live-action epic is based on a 6th-century Chinese poem, which was the source for Disney’s 1998 animated feature. The update came about when unproduced screenwriters ELIZABETH MARTIN and LAUREN HYNEK heard BenderSpink producer Jake Weiner was looking for four-quadrant stories based on public domain IP. They got a meeting with him and pitched ten ideas; he picked Mulan. Sticking to the original Chinese story without referencing any Disney-owned elements, the duo turned in their spec script twelve weeks later, which Weiner sold to Disney in 24 hours. Disney then hired Rise of the Planet of the Apes scribes RICK JAFFA and AMANDA SILVER to rewrite the script, reincorporating some elements from the animated version. Jaffa & Silver also served as writers on Jurassic World and were involved in writing the two upcoming Avatar sequels for James Cameron.
(registration deadline: Friday, August 7)
Registration in advance is required to attend the discussion, and includes a copy of the script sent to you in advance.
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Directed by New Zealander Niki Caro (Whale Rider), Mulan features an all-Asian cast including Liu Yifei (The Forbidden Kingdom) in the title role, Donnie Yen (Rogue One: A Star Wars Story), Jason Scott Lee (The Jungle Book), Yoson An (Dead Lucky), Gong Li (Memoirs of a Geisha), Jet Li (The Expendables), Rosalind Chao (The Joy Luck Club), and Tzi Ma (The Farewell) as Mulan’s father.
The film had its Hollywood premiere on March 9, ahead of planned March 27 release. That release was postponed due to the coronavirus pandemic. Mulan has been rescheduled to open in theaters on August 21.
Rated PG-13. 115 minutes. 100 pages. Drama, Action/Adventure.
MELODY JACKSON will provide in-depth analysis and lead our discussion. Melody completed her Ph.D. in Mythological Studies in 2003 with her dissertation on “The Mythic Impact of Film.” She has been praised by Creative Screenwriting on multiple occasions for her exceptional knowledge of traditional three-act structure and character development. Known for approaching plot and structure through examination of character motivation and relationships, Melody offers consulting and marketing services to screenwriters through Smart Girls, which she founded in 1992. Since then she has helped over 2,500 writers improve their screenplays to get them to 20th Century Fox, Warner Bros., Disney, Paramount, CAA, and countless medium-sized and smaller production companies. Visit SmartG.com or follow @smartgirlspr on Twitter.